"This Ain't California" is a 100-minute documentary from 2012, so this one has its 5th anniversary this year. Do not be fooled by the English title as this one is a German production in the German language. Writer and director of this one we have here is Marten Persiel and it is also his only work as a filmmaker, at least by now. He received some awards attention for it, not just at the German Film Festival, but even in the United States. I personally do not really share the praise though. I believe it is a somewhat interesting reminiscence by the characters involved in here, but I feel as if that's it basically. It is about skateboarders from the GDR and how their approach to this activity was pretty much not really conform with the ideals and basic concepts of the GDR. On a weak note, I thought the people in here were almost all interchangeable really and honestly I think they were too full of themselves at times. One example would be when they talk about GDR citizens watching them and how they see their own unfulfilled desires in these skateboard activities. This is incredibly exaggerated and over the top and there are more moments like these to be honest. The attempts of the filmmaker and the people in it to add relevance to the project did not work out well at all and I had to cringe at times. Apart from that, the film still stays too irrelevant and too personal at times where I would say that this is only a good watch for relatives and friends of the people we see in here. I may be a bit biased as I have never been into skateboarding at all, but I think that these 100 minutes are nothing that will motivate you to buy a skateboard and also it will not really get you curious into life at the GDR if you haven't been curious before watching this one. And if you have, then I feel that it will teach you very little new, if anything at all. I give this one a thumbs-down and I think Persiel's lack of experience clearly shows in here. Then again, the subject as a whole may not have been a great choice to be honest. In any case I am not curious about his future works if there will be any at all that is. Watch something else instead.

Is it a documentary? Is it a feature? First time writer and director Marten Persiel tells us that it is actually both, more of a 'documentary tale' of sorts. This description of the German subtitled feature is quite fitting.This Ain't California introduces us to a group of friends who are gathering for a funeral after-party, following the death of their once close friend 'Dennis 'Panik' Paracek. What follows is a reminiscence session of old memories and footage showing the rise of staking, hip-hop and break dancing all throughout the GDR controlled 1980's.Split into several subheadings and with an additional back story, this ain't a normal documentary. It is an entirely fresh approach. Director Marten Persiel describes the films ethos was the keep away from the politics – especially the Berlin Wall. Instead the film fundamentally follows the subjective mind-set of a 17 year old of the era. This is reflected heavily, what with the shaky cam, youths doing a ton of impressive skateboarding tricks. All of that, but mixed with a mash of funky-techno music. Very unique in a sense, however it deeply echoes as just a blend of German sport advertisements merely with the brand logo missing. Sadly it is nothing more than that.Filled with footage because it can, not because it should, Marten Persiel's first feature film still stands as an original take on a documentary and it is perhaps the first skating movie ever cared for.

This film is great - but the producers find it OK that many websites continue calling it a documentary, which it is not. This is docu-fiction, very well-done docu-fiction, perhaps too well-done. Because it blurs the borders between what is real (documentary and archive material) and what is fiction. The main plot-line of the film is written and created, exactly as you would do writing a script for a feature film. The main protagonist - PANIK - is a composition of three real-life characters - and I am not inventing this, I am quoting the words of one of the film's producers. During a recent film and television festival, he and the film were heavily attacked by the jury of the documentary section, where the film was inscribed, for not revealing the truth and actually declaring the film to be a documentary. Ultimately, the film was excluded from the documentary category. What is so bad about this whole thing is not the film itself, which is quite brilliant. It is the tactics around it, and the fact that the producers are not at all forthcoming with the truth about their film. They prefer to feed the "mystery" around it instead of saying once and for all: "This ain't a documentary!"

I saw this film last night at the Palm Beach International Film Festival. As a passionate fan of anything related to Germany, I figured I'd enjoy it, and I did. The film revolves around a group of old friends who have gathered to reminisce about one who recently died. The deceased was the central and most popular figure in East Germany's emerging skate culture in the 1980s.The film's story is told by the friends in personal interviews and with period film clips. Some of the clips are grainy or out of focus, which is understandable, given the time period and the difficulty of obtaining good quality cameras and film in East Germany. Rather than distracting, these clips give the film its authenticity. Life in East Germany was hard, as the friends make clear. Having never lived there, it's difficult to imagine the restrictions (e.g., skateboarding was considered an anti-Socialist activity) they constantly had to deal with.The story is told with a mixture of humor and sadness, and it was thoroughly enjoyable throughout. It is a remarkable piece of filmmaking, never less than engrossing. The closeness and camaraderie evident among the friends will almost make viewers feel they are part of the story. My spirits rose and fell with them as the details emerged. The film's most important fact is not revealed until a few minutes before the end.The film is also accompanied by an excellent soundtrack featuring a wide range of genres from techno pop to speed metal. Each tune is appropriately matched to the action in the film. Stay through the closing credits, because the song director Marten Persiel chose to play over them is a perfect summation of what you have just seen. Don't be surprised if you get misty. If this movie comes to a local theater, I will see it again, and I will definitely buy the DVD when it's released.