I go into movies with no expectations...also I had no clue who was Andrea Dunbar so that really didn't help. I felt like I just wasted an hour and half watching this film. Nearly all positive reviews comment on how creative Clio Barnard is with the verbatim theater, AKA "lip synching". Sure, it's interesting for a few minutes but the novelty wore off...it would have achieved the same results if they used the original footage of interviews. Perhaps the techniques were too artsy for me.This "docudrama" focused on Andrea then transitioned to Lorraine...both figures are equally tragic but it makes me sad how irresponsible people are, especially with children involved. Neither women are fit to be mothers...it's like an extended episode of a bad reality TV show where the cameras follow people who are trainwrecks. Yes, I realize alcohol and drug addictions consume lives but they have no one to blame but themselves. It's hard to pull for any of the characters.The story itself is very slow moving. The only bright moment was Lorraine dancing on top of her dad's car...it was a sweet moment of innocence. The film would have been better served if it's half an hour shorter and played on PBS.

Andrea Dunbar wrote two plays before she died tragically young at the age of 29 - 'The Arbor', of which we see snatches and scenes here, and 'Rita, Sue and Bob, Too', which was made into a well-regarded film.This drama-documentary is rather different to the usual type because not only does it use real interview and actual footage of Dunbar from her TV appearances, but uses real interviews with her family and friends which are then lip-synched (very well) by professional actors. This sounds like a gimmick, but we very quickly forget we are not watching the real people talking about their lives - when we do get jolted out of this by associations with other work (George Costigan 'plays' Dunbar's partner but also of course was 'Bob' in the aforementioned film), it still somehow works.Dunbar's story was a tragic one, one of wasted talent and a toxic life, to some degree, although her children - mixed-race Lorraine and Lisa - have very different stories about their childhood and the impact their mother had on them. Lorraine's story is just as tragic in its way, and we follow that following the description of Andrea Dunbar's death.A new and dynamic way of presenting real people's issues and problems, 'The Arbor' is very possibly something Dunbar could have created herself had she lived. As it is, it stands as an interesting memorial to her talent.

Contains mild spoilersThe Arbor tells the story of the late playwright Andrea Dunbar and her story up until her early death at 29. The film plays in a documentary format with recreations of her play The Arbor in between and it is in here that we really get a sense of just how autobiographical the play is. It is made well enough that we do not think it is interchanging quickly between these scenes that were difficult to watch further into the film given the continued context being made. Even halfway into the film I felt connected with it and didn't feel too rushed given the quite short run time. The rest of the film revolved around interviews with the people in her life, revolving round her family and portions of people on the estate. Even though actors were used on film they are actually lip syncing actual words spoken, a clever technique as it allowed them to open up more and made those words powerful. However it should not be expected that the film is all about Dunbar and does shift focus onto her children especially her daughter Lorraine who went through a traumatic time as a mixed race person growing up in a racially intolerant estate. Her story becomes just as relevant as Andrea's the more you hear about it. I was actually at a Q&A session with director Clio Barnard and this was highly intentional. The film was shot cleverly without being in a conventional documentary format with characters talking directly to camera. Real eye contact is made with the audience in this respect resonating even though it is played by actors. In summary though this film is a difficult watch and I've only really scratched the surface in terms of what the film portrays. Really do check it out as it is a really moving story that stays in the mind greatly afterwards.

I loved everything about this sad film. The technique of post syncing shouldn't have worked, nor the acting of the play on the streets either, but they really do.The pacing of the original interviews is very interesting,very steady. There is something marvellous about the way the accents are subtly yet profoundly different from those that actors generally impose, and knowing that these voices are those of the actual people was very moving.Seeing the real people in what would normally have been flashback but in this case is views into a previous documentary really worked.This is a very powerful story of a tragedy with very little joy. When I see Rita, Sue and Bob Too again, one of my favourite films and one that puts most other working class depictions into a cocked hat, I wonder what my mood will be.