First: slow down. Second: turn of the phone. Third: relax. Now you're ready for a treat. Manoel de Oliveira's Belle Toujours (2006) is a sequel in homage to Belle de Jour (1967), the classic film from Luis Buñuel and Jean-Claude Carrière. Certainly Belle Toujours is diverting and can stand alone; but, when it follows on the heels of Belle de Jour, so that the two films are taken together, then it finds its full stride. Something magical happens. Michel Piccoli returns as "Mr. Husson" (un drôle de type), as Bulle Ogier replaces - who else could? - the otherwise irreplaceable Catherine Deneuve as "Séverine" (la putain-penitent, forty years on). It works very well. Alone, Oliveira's little gem comes in around 60 minutes. If watched immediately after Buñuel's film, the two taken together require 2 hours and 40 minutes. Enjoy. 8/10 plays it safe.

But not succeeding anyway. Buñuel was a genius and de Oliveira only a very talented movie director. A parenthesis to say that for you to understand fully this movie you must have seen Buñuel's movie "Belle de Jour" which dates from the sixties of last century. This movie now aspires (as some kind of homage to Buñuel's work) to be some kind of continuation of the latter but a feeble one indeed. Those who have seen Buñuel's movie probably will remember the story: a beautiful woman (Catherine Deneuve then) who loves her husband has however some masochist tendency which pulls her to prostitute herself in a luxury brothel. Buñuel tells this story brilliantly in images and dialogues diving deeply in the arcana of the human soul. De Oliveira's movie profits (or tries to profit) from that story by concocting a supposed not very meaningful end to it (which becomes a poor open end after all). The story of the movie we are reviewing now is based in the encounter many years later of the woman of the first movie (Bulle Ogier now who resembles Catherine Deneuve as much as a screech-owl resembles a dove)and a close friend (Michel Piccoli) of her and her (now already deceased) husband, who tries to convince her to have dinner with him in a private room in a posh restaurant by promising to tell her if he had or not told her husband at the time of the events above mentioned, about her behaviour also above described. This has not much interest in itself as the continuation of Buñuel's story to be given as the climax in de Oliveira's movie. To the movie's credit however we may refer the excellent performance of Michel Piccoli, a few nice images of Paris and some beautiful interiors and visual details and the smooth visual development of the story showing the de Oliveira's real talent in what regards movie's and actor's direction. And that's all.

every minute of this film felt like an hour. I liked two things about the film - those were the shots of Paris, including some of the pretentious ones. Every scene was very dull and the actors really could not do their job (the barman was very bad, quickly followed by our protagonist). Admittedly I haven't yet seen 'belle de jour' so perhaps I didn't understand all the references. In any case I believe a film should be a film that can stand alone even if it's a sequel. To all those who haven't already dedicated the 100 minutes to see the original I implore you to beware of giving up the painful 68 minutes needed to see this one...

Last Thursday start the most famous film event in Mexico City: La Muestra International De Cine. This event show recent films that were in the biggest festivals like Cannes and others. This year there are two films that i can't miss: Paranoid Park and The Darjeeling Limited and also i want to see 4 months 3 weeks & two days, but for me is always nice to can watch the rest of the films.Last weekend i have the chance to see Belle Toujours and i was a little disappointed about the film. Luis Buñuel make Belle De Jour in 1967 and this film is like a second part and a tribute to Buñuel. I have to say that i haven't see Belle De Jour and after see this one i don't feel the need to do it.Well about the film: Is about this same characters of Buñuel's film that have this secret affair and now 30 years later they met again. The film start in the opera and is very good because is like you are in the concert and when the song ends i almost clap. Later the film doesn't have a real point and for me was a little boring, more in the part when they are eating is a very strange scene. I put 6.6 out of 10 to this film, just for the part in the bar that i really like, is like a film of Jim Jarmsuch, slow and with excellent dialogs between the characters in strange situations.So i found this as a very strange film that maybe work better without the need to be a tribute to Luis Buñuel.