Most of this movie consists of people addressing the camera, while surrounded by ugly puppets and other pieces of junk. I'm astounded by the positive reviews. I'm left with only a slightly better knowledge as to why many Germans followed Hitler. This film would have made a much better book, with footnotes, citations of sources, and suggestions for further reading. But perhaps that was impossible. As I believe George Harrison once said, "Avant-garde means haven't got a clue." What is the difference between someone talking to you while he sits next to a candelabra and your reading what he has to say in a book? The same goes for speakers with old war film clips as background. I suppose one could argue that watching this film is a more visceral experience than reading a book on the same subject. However, this argument is undercut if the visceral experience is nausea.

I don't know how to begin to "review" this cinematic experience, as I felt immersed in the film rather than trying to get my mind around it entirely. This work is neither an apologia for Hitler and the Third Reich nor a condemnation, but a serious attempt by a true intellectual and film auteur, Syberberg, to look at it ALL from every side, the horror and evil as well as the cultural, historical, and philosophical foundations of Hitler and the German people.The film is subtitled "A Film From Germany" because it is plumbs not only the depths of Nazism and World War II but the entire German psyche. It attempts to present, through hard facts, historical documents, films and photographs, and also through dream, metaphor, and stunningly haunting tableaux, what Hitler really MEANT and what he continues to mean. There are many excellent actors portraying both well-known figures like Himmler and lesser known individuals like Hitler's valet who relate what might seem like endless minutiae of Hitler's daily life but do add a great deal to the ultimate picture of the man about whom so much has been written. It seems that if you don't revile him completely, even today, you are suspected of being a neo-fascist yourself, but this film attempts to offer a complete picture and by extension, a baring of the German soul and what is referred to on several occasions as their "happy guilt".One issue I have is with the English subtitles. There are so many typographical and spelling errors that one could only call it sloppy. I don't know why a film of this magnitude that took so long coming to home video shouldn't have had more scrupulous editing. Considering how many talking heads there are in the film and the volume of exposition, it was hard enough to keep up with the subtitles without stumbling over the mistakes. On the plus side, there is a lot of English voice-over that provides some breathing space for us Anglos.And one last comment on the historical context. Considering the film was made in 1977, 34 years ago, much has changed in the world, in Europe, and in the global culture, that the film presciently hints at, not the least of which is the continued emergence of Germany and Japan both economically and democratically. One important point "Our Hitler" made was that Hitler was probably the apotheosis of democracy, rising as he did from the middle class and glorifying the common people, and being democratically elected by them. What he did with that mandate was probably the most horrifying and endlessly fascinating stories of the 20th century.

Hans-Jürgen Syberberg's mammoth meditation of Hitler and the German people who brought him to power is something that is only possible to describe as a physical entity.One can not truly explain what effect that it will have on the viewer. Its a four part film who's total running time is close to seven hours Total almost anti-cinematic with static sets, actors playing multiple roles, puppets, music, audio and video of the 1930's and 40's, narration and a dream logic that makes this more film as immersion tank rather than as narrative film. Its the sort of thing that one can not hope to grasp in a single viewing simple because there is too much to grasp and because things don't connect until you've gotten all the way to the end. (As the Movie Habit website said: "...much like a going to a Wagnerian opera. It's long, loud, and at any given moment it seems not to know where it's going. But when you get to the end, you know you've been someplace special.") Its a film that is clearly a work of art both pretentious and glorious. Actually this is a film that is all things at once good and bad, riveting and sleep inducing, masterful and amateurish. It is a film that is unlike any other that I've ever seen, not only in style but in effect, I was both bored by the film and utterly captivated.It is nothing so much as a head trip of the highest order. This is not a film of facts but of ideas.. Its an examination of what brought Hitler to power, could the national view of a classically romantic Germany have been the cause? At the same time what does all of this say about ourselves? 30 years on with the change of American politics from a less then simple democracy into battles of cults of personality are we heading toward something similar with the idealized ways of seeing the world that our leaders ask us to believe blinding us to the road to ruin? Its something to consider.Is it a great film? yes, I think it is. I don't know how many people will have the endurance to get to the end of the film owing to its often static nature, and heady discussions, but for those who are daring it is a unique experience, once that will haunt you around the edges.I think the best way to describe the film is to answer the question how is it? Yes, yes it is. (Meaning however you think the film is thats what it is) It is a masterpiece since its constantly provoking a reaction

I came across this film by accident whilst trying to locate another German made film and on discovering that the entire 7 hours is available free in real-time I began to watch. Those seven hours flew by and by the end I was left feeling stunned and somehow very insignificant. This is not a film to invite a few pals round for and throw pizza and beer in for good measure. This is a film to watch alone or maybe with someone who is interested in cinema as a means of transcending time and place. The images and audio presentations you will see and hear may well change your perceptions on life itself. Why this film is so little known is a mystery and perhaps it is only for the few and not the masses. It hits a spot somewhere deep inside and nestles in there and will never be entirely removed. See it and understand why 80 million Germans believed Hitler, a maniac, became for many, a god.