Kuba attends an art opening with his girlfriend of two years and bumps into Mikal. The connection between these two young men is instantaneous and intoxicating, and despite opposition from all sides, he allows Mikal into his life. The results go beyond anything he could have imagined. This intimate and bold second feature from Polish director Tomasz Wasilewski captures the often-complicated consequences of finding love where others do not want it.
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I'm giving this a 2, because it was a great movie to start out with! Sure, it was slow, and the director was gratuitous with the nudity and with the side story of the main character's swimming aspirations. However, I feel completely cheated.First off, neither of the gay men get a decent ending. What really grinds my gears, however, is that the one who gives up his gay lifestyle and goes back to his girlfriend gets to live, while the one who proudly tells his parents he won't change ends up dead. By the hands of a homophobe who gets the crap beat out of him earlier- on by his own boyfriend. So sure, the one gets to live, but now he's caused his ex-boyfriend to be heartbroken, by breaking up with him and not telling him why exactly, but he inadvertently causes his death. The only person who gets what they want in this film is the non-flushed- out character of the mother, who tells her son he needs to break up with his boyfriend and go back to the girlfriend.Basically, what I've learned from this film is that I should never visit Poland. I might fall in love with someone, just for him to break up with me, and then I get murdered by people he beat up.I honestly thought this movie was going to be great when I was about halfway through it. However, that ending ruined the entire film for me, and not just because I'm tired of the dead-gay-trope. I'm mad about the way the director went about doing it. It wasn't stylish. There was no mourning the dead gay character. It was tasteless and I'll never watch anything by this director again.
Apparently "Floating Skyscrapers" is Poland's first 'in-your-face' gay feature. It's a particularly glum affair that will almost certainly not make you glad to be gay in Poland and which only goes to reinforce the stereotype that most Polish men are heterosexual boors who might enjoying screwing around with someone of the same sex so long as no-one knows about it and there is no real commitment. Well, maybe not since one half of the couple on display is a sensitive soul and boy, does he suffer for it. There is a fair bit of nudity, both male and female, (our hero has a girlfriend), and a lot of anguished soul-searching. What there isn't is much in the way of uplift. In other words, this is the kind of film that queer cinema ditched a long time ago. I found it painful to watch.
"Freier Fall" (2013), anyone? I can't help mentioning another movie at the beginning of this review, as the two movies have more or less the same plot. However, it doesn't mean that those who have watched "Freier Fall" should spare their time on this movie, for "Floating Skyscrapers" has raised a lot of thought-provoking questions.**** Spoiler alert ****My biggest question is "Why does the woman choose to cling onto the man?" Why would any woman want to keep a man who has homosexual tendencies? Just let him go! The relationship is damaged anyway. How can the couple survive the relationship? Things only get complicated with the baby, like in "Freier Fall", but at least the woman in "Freier Fall" is smart enough to dump her husband. Is it a Polish thing to never let go of a man, I wonder?Another question is that "What the hell is the man thinking?" He is digging his own grave when he invites the man over for lunch, and then dumb enough to have three people go on a trip together, only to get intimate with his love interest in the same tent that his girlfriend is sleeping in. WHAT? You either choose the man or the woman! At least the male lead in "Freier Fall" tries to hide his male love interest from his wife, which makes the situation plausible. Okay, I get it: there is no happy ending for gay couples. That's the only possible explanation for the abrupt ending, except that it is unfortunately quite plausible. Hey: we're talking about Poland! Not just in Poland, things like this happen all the time! I wonder if this is all karma - if the male lead didn't beat up one of the gang members, maybe his love interest will not get revenged. Perhaps this is his consequence for being insecure about his sexuality? I don't have a definite answer for that.But the ending only leaves me thinking more. Won't the man miss his love interest? How is he going to handle his family, when he obviously desires men now? This is not his first homosexual encounter either; won't he be tempted to have sexual relationships with men in the future? There are so many questions that can be raised from the movie, and the movie does not offer any answers for that. There are plentiful explicit scenes, straight sex involved; prepare your fast-forward button if you don't want to see the male lead sucking the female lead's p***y. But bravo for both the male and female lead! They are willing to show it all, which is quite a brave thing to do. Especially for Mateusz Banasiuk, who is a straight actor; he has played well the indecisiveness and the emotional conflicts of the character. Go see this movie if you want to see how a man's world got turned completely upside down. Not a happy ending, but it leaves you thinking.
This is a brilliant cinematic achievement. The director has created a visually stunning atmosphere that grips you just as any great work of art does. He tells his story with virtually no words so that the atmosphere of the film really becomes very penetrating. The cast is gorgeous - everyone of them - male and female - and there are scenes so erotic you have to take a break and cool off. And Poland is so Catholic. After all, they did produce a pope and the modern standards we take for granted simply do not exist in Catholic Poland. The tragic conclusion of the film supports this idea in a way that is really shocking for everyday America where gay rights are almost taken for granted. And abortion rights too. We have so much to be grateful for in America. It would be nice if we really appreciated everything we have. This film is almost prehistoric it is so unrelenting in its bashing of gays, something which doesn't seem to be happening any longer in much of the United States.