Marv needs money. His unemployed dad is so poor that he makes Marv give up half his last six bucks so they can both go on three-dollar dates; he's just lost his scholarship after getting caught writing a term paper for Betty, the prettiest (and only) girl in his class; and Betty herself has told him he doesn't stand a chance with her unless he can give her what she wants most: money, money, money. But Marv has mob ties and Marv knows where to find a million dollars cash.
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Is this a great film? By no means. Is it as bad as they say it is? I just don't think so. I suspect people the majority of those who watched this film saw the MST3k version and take enjoyment out of saying that it "sucks". High School Big Shot is one of the better movies to get the MST3k treatment; as much as it still made great riffing-fodder, it actually had some decent acting for such a low-budget. While certain aspects of the story were very one-dimensional, other parts were a bit complicated. The only aspect of the plot that was downright lousy was the end. The ending is not only abrupt but makes very little sense! I couldn't have predicted such an awful ending from the rest of the film which was not only entertaining but even relatable. This film had an overall anti-woman theme, painting women as being only interested in financial-gain. I won't comment on whether or not such themes have a place in our society, but it has the potential to anger some viewers. However, very small dialog changes could have avoided that problem and still held the movie together.Not great, but pretty good for a cheap noir flick. Give it a watch.PS: Star Trek fans might get a kick out of the appearance of Stanley Adams, who played Cyrano Jones in the TOS episode "The Trouble with Tribbles".
I'd never heard of actor Pittman, but it turns out he was quite a talented, though ill-fated, young guy. Here he goes from painfully shy to confidently assertive in abrupt, but convincing, fashion. I just wish he and the rest of the cast were better served by the script that loses its way about halfway through. Almost matching Pittman in the talent department is actress Aldridge. Her teenage vixen is enough to send Joan Crawford into fits of jealousy. Betty (Aldridge) is so good at using her wiles to manipulate the hapless Marv (Pittman) in the first part that I thought the movie would be exceptional for a drive-in cheapie.Had the screenplay stayed at this sensitive level, namely the ordinary-looking Marv yearning for self-respect amid sneering peers, the potential for something sublime was great. However the script veers off into a sudden and wildly implausible tangent of Marv leading a gang of criminals on a million-dollar heist, ending in as phony a shoot-out as I've seen. Too bad, because the rest of the cast, with the exception of an awkward Veit (Vince), is also unusually good for a cheap production. In my little book, this was a missed opportunity, a teenage film that could have distinguished itself from the many other drive-in specials of the time. Nonetheless, I now know who Tom Pittman is, and in spades.
Several performances that young Tom Pittman did were released posthumously the following year after his tragic death in an automobile crash in 1958. High School Big Shot was the last of them and I feel bad that this is the epitaph of young Tom's career. He should better be remembered as one of Dean Jagger's sons in The Proud Rebel.But for better or worse Pittman was the lead in this independent B feature probably popular in drive-ins at the time. He plays a poor and sensitive kid who for love of the high school vixen Virginia Aldridge embarks on a life of crime.Truth be told he's not got much of a life to begin with, but he has a shot at a college scholarship that his English teacher Peter Leeds is going to recommend him for. But when Pittman is discovered doing a paper for Aldridge, Leeds withdraws his recommendation. I think that was a bit much. If Leeds had any understanding he would have known it was the kid's hormones in overdrive which they are at that age.Anyway Pittman finds that the warehouse he works at after school is to be used as a drop for syndicate money, untraceable syndicate money to be used to purchase heroin. And Pittman finds a safe-cracker in Stanley Adams to help him with the job.But it all goes wrong, not the least of which is that Pittman tells Aldridge and she tells her hoodlum boyfriend Howard Veit who decides he wants the loot. It all ends in a bloody mess.Adams is good as the philosophical safe-cracker and Malcolm Atterbury contributes a nice performance as Pittman's alcoholic father. But the film such as it is belongs to Pittman who is a sensitive soul gone terribly wrong. And I'm sure Pittman knew this one was a Thanksgiving feast yet his performance in this very cheaply made film is good.And this review is dedicated to Tom Pittman another sad Hollywood tragedy.
While I, like my fellow commentators, enjoyed the MST3K send-up of this flick, I also agree with them that "High School Big Shot" definitely had some redeeming values.The biggest value: the acting. For such a low-budget movie, the actors did a very good job. Tom Pittman pulled off the difficult task of making the audience sympathize with Marvin Grant, but not excuse his behavior. As his world goes to hell, destroyed by petty greed (both his own and others), the pain is evident on his face. His father, played by Malcolm Atterbury, comes off as a mainly honest, good guy who's made a few mistakes that have continually haunted him. As Betty Alexander, Virginia Aldridge plays the perfect conniving ice queen, and Howard Veit breathes convincing life into brainless jock Vince Rumbo (now THERE'S a name!).But the true standouts are Stanley Adams and Louis Quinn as Harry March and Samuel Tallman, respectively. Although they have limited screentime, they effortlessly make you believe that here are lawbreakers with honor. As Harry says, "I am a thief, not a crook." You know that if you hire these two as part of your caper, they won't doublecross you and will stay with you until the bitter end. To once again quote Harry, they are the "last of the gentlemen;" criminals with hearts of slightly tarnished gold. Adams and Quinn truly shine in the roles.The writing and directing by Joel M. Rapp is serviceable, and Carlo Lodato's editing works fine. Gerald Fried contributes a very nice score to this picture.Overall, I'd have to recommend checking out this picture, whether the original or the MSTreatment.