The woman in the title is not particularly dangerous, but she seems to be crashingly masochistic. Joan Crawford, at this point in her acting career, has been playing women with an elegant sense style who fall for the wrong men, and this time it's super-petulant David Brian, who has probably been pouting since his older sister snapped his slingshot. Early in the film, Our Joan discovers her sight is in jeopardy, and purely by accident begins to bond with her doctor, mild-mannered but sensitive Dennis Morgan, set free from Warner's musicals for a year or so; Brian soon discovers the clandestine romance, and is ready to kill someone! He loves to wave his gun around! Although not as tightly written as this semi-noir melodrama could be, there are plenty of exciting set pieces that delight the eye and excite the intellect--all the stuff with the trailer pursued by the motorcycle copy is, while totally illogical, fascinating and beautifully filmed, and therein for me lies a major interest in this film--the superb, careful use of the camera with which Warner films could be so effective--brilliant set interiors lit perfectly, whether in the home of a sick child's poor parents, or in an operating room's audience gallery, providing a dazzling set piece finale where everybody get's involved and there's enough shattered glass to build an igloo! Cinematographer Ted McCord is the man behind the camera; he's already lensed Crawford in numerous other films, and is responsible for a rich heritage of classics from The Treasure of The Sierra Madre to The Sound of Music--a dedicated artists, McCord's work could make a meatball look like filet mignon. A sincere dedication from dozens of Warner contract players contribute to a wide variety of locales--from hospital waiting rooms to trailer parks, prison laundry rooms to doctor's offices, and the film, I think, accurately reflects the ability of a major studio to churn out a decent film every few weeks worthy of watching. This Woman Is Dangerous is no Mildred Pierce or Humoresque, but Joan is still in top form, manages to command attention, and there are few that can suffer as bravely. Well...Kay Francis, maybe..but that's another story.....

The 1950's were not Kind to Film-Noir or Joan Crawford. Here is a Prime Example of Both being Betrayed by a Changing Culture and in Joan's Case, just Old Father Time. Even at this Late Date Crawford's Films Insisted on Casting the Aging Actress as a Man Eater and it seemed Anyone on Screen Fell Under Her Spell. There were Lines of Dialog in Scene after Scene Exclaiming Her Beauty. With Each Passing Year from about 1945 the Credulity Strained.For Film-Noir there is Now Included for Your Domestication, Children, and Marriages, Professional People like Doctors and such all making its way into the Darkness of Noir with the Light of Optimism and Suburbia. This is a Not-Bad Movie that has a Few Outstanding Scenes but is Smothered by some Heavy Romanticism and Doctorly Do-Gooding. But the Private Eye is Sleazy and the Gang Members are Dumb Brutes, and oh yea this is the Fifties so the F.B.I. is Around for some Flag Waving and Wiretapping. There is Enough here to keep this Above Doldrums and the Good Parts, like the Climactic Shootout in an Operating Room, make this Worth a Watch.

This movie is really a star vehicle for Joan Crawford. Here she plays a "gang leader". Her henchmen are typically stupid and violent. Oddly she falls in love with a very decent doctor and the way this plays out is well done.One especially impressive scene has her visit a woman's prison (in the company of her Doctor friend). Really nice acting job as she portrays her fear of the place (she has been in prison before one guesses) while trying to appear unconcerned. I think this movie is quite a bit better than most people give it credit for.

Joan Crawford's only reason for making "This Woman Is Dangerous," (a script that she thought was terrible) was that it would complete her contract to Warner Brothers Studios and she would then be free to go over to RKO and begin production on "Sudden Fear," (which would earn her an Academy Award nomination).