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Trailer Synopsis Cast Keywords

A cop-turned-bail bondsman gets involved in a murder investigation.

George Raft as  Vince Kane
Ella Raines as  Lucy Brackett
Pat O’Brien as  Joe Farley
Bill Williams as  Claude Brackett
Jim Backus as  Police Lt. Nick Ferrone / Narrator (as James Backus)
Roland Winters as  Jerry McKay
Betty Underwood as  Elaine Storm
David Bauer as  
Don Dillaway as  
Mack Gray as  

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Reviews

classicsoncall
1949/12/10

The only thing missing here is Charlie Chan showing up at the end to tell the viewer what just happened. Actually it's not all that complicated, but you do have to pay attention because there's a bit of sleight of hand with character Roy Collins (Robert Gist), who's using the alias of Max Gibney doing a money hand-off to an attorney named Dawson (David Wolfe), who winds up having nothing to do with the murder mystery. Not exactly a maguffin, but a distraction nonetheless.The early going can be a little confusing so don't get up for a cup of coffee. Eventually it's revealed that former cop turned bail bondsman Vince Kane (George Raft) once had a thing for sultry Lucy Brackett (Ella Raines), and now finds himself in a vise between his partner Joe Farley (Pat O'Brien), police lieutenant Nick Ferrone (Jim Backus), and night club owner Jerry McKay (Roland Winters). Might as well mention Lucy's husband just got nailed for securities fraud and a two year old murder rap of another cop. Claude Brackett (Bill Williams) took the easy way out getting himself knocked off by one of the guys who framed him; it's Kane's job to try and figure it all out.Ella Raines has the perfect femme fatale persona going for her in this little noir mystery but somebody goofed with her hair, looking like she just came in out of the rain. Jim Backus offers up a much harder edge to his character than one might be used to seeing, and gets tough with Kane for putting up the extra bond money for Brackett, suspecting a collusion angle with Lucy. After everything gets sorted out in the frantic finale I was left with a single but giant question mark - why would Vince hand his gun over to McKay on the way to pick up Collins/Gibney?

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MartinHafer
1949/12/11

"A Dangerous Profession" is a decent enough film...the sort mildly entertaining stuff that George Raft made in the post-war years. It begins with Vince (Raft) working as a bail bondsman along with his partner (Pat O'Brien). Apparently Vince used to be a cop but decided to change careers. Why he wanted a change soon becomes apparently when his old girlfriend, Lucy (Ella Raines) shows up to try to bail her stupid husband out of jail. This IS a surprise...as Vince hasn't heard from her since she disappeared some time ago...nor did he know she was married...and had been when he knew her! Of course it's a surprise but Vince is a dope...so he helps her and her dopier husband. But when the husband soon is murdered, things get really, really confusing. So what's next?This is a mildly interesting film but it suffers a bit from Raft's relatively dull screen persona as well as his being a bit too trusting to be realistic. The story also becomes a bit confusing and is, if you think about it, a bit like a reworking of "Casablanca"! Odd but worth seeing if you like old film noir movies.

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Spikeopath
1949/12/12

A Dangerous Profession is directed by Ted Tetzlaff and written by Warren Duff and Martin Rackin. It stars George Raft, Ella Raines, Pat O'Brien, Bill Williams and Jim Backus. Music is by Frederick Hollander and cinematography by Robert De Grasse.The scene is set, it's Los Angeles and Police Lt. Nick Ferrone (Backus) explains to us with stentorian narration about the whiles of bail bond brokers. This story is concerned with one in particular, Vince Kane (Raft), a one time policeman who followed the lure of the coin into a partnership of a bail bonds operation. It's all going swimmingly well, he's making lots of cash, has gals eating out of his hand, but when a pretty face from his past turns up requesting a favour? Vince suddenly finds himself in a quagmire of murder, deceit and emotional discord.What cop ever reformed?Shall we cut to the chase here? This is not a "great" film, though I do believe that it's very under seen and therefore the meagre internet ratings it has - and the lack of reviews for it - don't quite tell the whole story.There's nothing particularly striking about the visual aspects here, De Grasse's photography occasionally falls in line with what film noir fans consider standard procedure, which has led a few critics to question the film's film noir status. This is all about Vince Kane and how he is thrust into a murky new world by a slinky femme, it may be a whodunit in essence, but the Vince and Lucy Brackett (Raines) axis is most assuredly noir.You phony Gumshoe!Action is in short supply, leaving much of the piece in talky territory. There's a few zinger lines of dialogue in the mix, but mostly it's screen writing 101. Yet in spite of the mixed qualities on offer here, it's a film that Raft fans are sure to enjoy, because he's very much great value as the stoic but emotionally troubled Vince. In fact O'Brien turns in one of his better performances and Raines is pleasingly sultry, meaning the cast perform well up to scratch, even if the screenplay does them few favours.A mixed bag for sure, and hardly essential for fans of such cinematic fare, but there's just enough from the cast to make this one above average. 6/10

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telegonus
1949/12/13

A Dangerous Profession is a mildly diverting crime picture featuring a fine cast headed by veterans George Raft and Pat O'Brien, both of whom had seen better days by the time they appeared in this picture. Nor is the direction of the usually reliable Ted Tetzlaff up to his usual standard. This is the kind of small scale but not quite grade B movie that television was about to make obsolete, and as such an interesting historical footnote of a bygone era for those who care for such things.

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