Edward G. Robinson turns in a pair of great performances as both an actor theatrical impresario and as a character he plays out in real life as a possible investor in his new show which stars his sister Mary Astor. Thus Robinson becomes The Man With Two Faces.Things seem to be going well when Louis Calhern shows up. He was actually thought dead and had very few who mourned him. Calhern is a thorough going cad, in a few years his would have been a part that George Sanders would have relished. But he has a strange Svengali like influence over Astor and for her sake he's barely tolerated.Robinson has had a scheme long in the making about Calhern. The problem is that Calhern is in need of money. That's where Robinson as the investor comes in.Don't want to give too much away. The film is based on a George S. Kaufman-Alexander Woollcott play The Dark Tower. I thought it a strange product for Kaufman. None of the satirical wit is present or at least in this film version, it might have been drained antiseptic by the newly placed Code.However Robinson is outstanding and his fans should The Man With Two Faces.

If this film has a weak spot it's the story's details. Without giving anything away the whole idea of Vance's (Calhern) Svengali-like hypnotic effect on his wife (Astor) is a bit far-fetched, even for 1934. And quite frankly Robinson's disguise left a lot to be desired. And let's not forget the clue that clinched the policeman's case. I can't imagine building a case of such flimsy evidence. There's other areas of concern but I digress. Now for the good part: where the film shines is in the performances. This bevy of fine actors does a most excellent job at presenting complex characters driven by events not of their own choosing. It's a pretty talky film but I didn't mind in the least. The dialog is spirited, lively, expressive. And the performers tended to make me forget the plot's weak points. They were captivating, all of them, Robinson, Astor, Calhern, Cortez (in a rare good guy part), and last but not least, Mae Clarke, in my opinion a most underrated actor.

Man with Two Faces, The (1934) *** (out of 4) The tagline of this MGM picture promised it as the "most unusual picture since DR. JEKYLL AND MR. HYDE" but that's a tad bit of a stretch as the film has a lot more in common with Warner's SVENGALI. Actor Damon Welles (Edward G. Robinson) is shocked to see that his sister (Mary Astor) goes into some sort of trance, which has been brought on by the arrival of her husband (Louis Calhern) who everyone thought had been killed years earlier. It turns out the husband puts the sister under a trance because he's trying to steal her money so the actor/brother decides to play a different type of part and free his sister through murder. THE MAN WITH TWO FACES certainly isn't in the same league as the Fredric March Jekyll/Hyde flick but it's still a pretty surreal little gem that really works well thanks in large part to the terrific cast. At just 72-minutes there's nothing overly ground breaking but if you're looking for a good little "B" film then this one here will get the job done. I was surprised to see how effective the story was even if we've seen it before in earlier films. I thought the pre-code elements were rather effective and the abuse that the husband puts his wife through was certainly stronger than what you'd typical see. I thought the screenplay did a good job at slowly building up the viewer's hatred of the husband because he comes onto the scene through some sinister fog and the level of evilness this guy is just gets worse from there. There's no murder that we see but the husband still comes across as a great, mean villain. Robinson shows what a terrific actor he is as he gets to play a couple parts here. One the actor/brother and the other a French man. I thought Robinson did a very good job with both parts and I really enjoyed the restraint way he played the brother. Astor's also very effective in her scenes and just check out the sequence where she first sees the husband she thought was dead. The horror in her eyes tells us everything we need to know and it's this quick scene that really sets up everything that's to follow. I also thought Astor did a good job in her scenes in a trance. Mae Clarke of FRANKENSTEIN fame has a thankless role as Robinson's girlfriend but it's always nice to see her. Ricardo Cortez is fun as well playing Astor's boyfriend who gets pushed to the side. Calhern easily steals the show as the abusive Svengali type character as he's so good as being cold-blooded that you can't help but love to hate him. I won't ruin the ending but I thought it was quite clever and effective. I'm a little surprised that this film isn't better known among fantasy fans as I personally found it to be more entertaining than the 1931 John Barrymore film. Of course there are still some problems including Robinson playing the French guy and how no one is able to tell it's the actor. Outside that, this is a rather effective movie that's certainly worth viewing.

This movie is a nice little gem, mainly for the witty dialog and impressive rank of actors who clearly enjoyed their work. No surprise there -- just look at the writers, source material and cast. Even the supporting players had great lines that they delivered with gusto. None of it is very realistic, but the set-up is great, much of the acting is over-the-top fun, and there is a great deal of humor. The finale is interesting -- it won't please everyone, but it is even-handed -- both pre-code and code aspects. See it and you will know what I mean. Incidentally, as another reviewer here noted, the TV Guide review (you have to go to the TV Guide website to see it) is WRONG about important parts of the plot and especially the ending. It is as though their reviewer did not see the movie!