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A fact-based story about a man who posed as an American Communist for years as part of a secret plan to infiltrate their organization.

Frank Lovejoy as  Matt Cvetic
Dorothy Hart as  Eve Merrick
Philip Carey as  Mason
James Millican as  Jim Blandon
Richard Webb as  Ken Crowley
Konstantin Shayne as  Gerhardt Eisler
Paul Picerni as  Joe Cvetic
Roy Roberts as  Father Novac
Edward Norris as  Harmon (as Eddie Norris
Ron Hagerthy as  Dick Cvetic

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Reviews

atlasmb
1951/05/02

Oh brother! How ironic that this film purports to expose the vast communist conspiracy in America, with its endless resources, its sinister agents, its goal to subvert American values and to ridicule religion. Yet this is such a crock of propaganda, in which the FBI is the hero.Years later, Americans would find out that just about everyone was deemed an enemy of the FBI. They were spying on and compiling dossiers on many many Americans. Hoover targeted anyone he didn't like. He was a real piece of work.Everyone should watch this film, which is modeled after other undercover movies where the protagonist is deemed a hero for being persecuted for his cause. During WWII, for example, other films championed American spies who suffered while infiltrating Axis organizations. Yes, it's a lousy film filled with misinformation, designed to alert and rile up "loyal" American citizens, but it serves as a warning of how the powers that be manipulate facts and create bogeymen to suit their needs.

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MartinHafer
1951/05/03

The word 'propaganda' has a bad connotation but it's not always a bad thing. It consists of messages that are intended to sway opinions using a variety of means towards a cause. Sometimes, but not always, lies or distortions are used to change opinions. During WWII, there were a bunch of films that helped sway opinions towards to the war effort--a noble cause. And, though they were far fewer, in the early 1950s, there were some films that were meant to sway opinions against Communism--which, in hindsight was odd, since during WWII the American film industry was actually encouraged to portray the Soviets positively (since they were, at that time, our allies).This film was one of the better anti-Communist propaganda films of the era as it's highly entertaining. While its being considered a documentary by the Academy (since they nominated it for the Best Documentary category) is silly since so much of the story was fictionalized, the basic story idea was taken from a man who actually worked undercover with Communists who had infiltrated some labor unions. And, given its excellent acting, gritty script and nice direction, the overall package is great--like a film noir film in many ways.One of my biggest reasons for liking this film is that a veteran character actor, Frank Lovejoy, was used in the lead--not a person who was typically a leading man. Lovejoy was a great actor plus he seemed much more realistic--like a real life character, not some pretty-boy actor. The rest of the cast were also very good.The writing was very good and unflinching. I doubt if the Communists had infiltrated that much of the labor movement and the film seemed to imply it was widespread AND race riots were the fault of Communist agitators--not social conditions--a shortcoming of the film. But, I loved the way the leaders were shown so unsympathetically. While they claimed to love minorities in public, they had contempt for them and used them as pawns--as they did with everyone they came into contact with in their roles. Some will be offended by the film's use of racial epithets, but I think it added great shock value. Plus, the construction of the film was tight and exciting throughout--with lots of twists and edge of your seat thrills.Overall, a very exciting film that's held up very well over the years--and an interesting curio from the era of the so-called "Red Scare".

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browser-4
1951/05/04

I'm tired of people coming up with the idea of communism being a harmless little flirtation.It was a serious threat to America and our way of life for many years. I spent many years of my life to defeat it. To minimilize the threat of communism is nothing but sophistry and needs to be called such.The movie needs to be seen as such, as did the TV series which I remember from my younger years.Is communism good? Look at what it has done ... it builds walls to keep people in. There are only two countries that still practice it ... China and Cuba. Does that say anything?

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Andy Sandfoss
1951/05/05

The most disturbing thing about this film is not that it's a load of hogwash (the CPUSA was never really as much an espionage threat as the movie makes out). The troubling aspect is the way that it whitewashes the wholly unsavory tactics of the FBI and the UnAmerican Activities Committee. Secret informants, gossip turned into accusations, warrantless searches - these are the kind of things secret police thugs like the KGB did, and presumably, what the good patriotic Americans were fighting. Yet the FBI did them and didn't bat an eye. That's the only realistic part of this movie, and they present it with no sense of shame at all. Add to this undermining the Constitution itself by having only Communists invoke the Bill of Rights. The film also makes thinly veiled accusations that the black civil rights movement was communist-inspired, another pack of lies. It's extremely difficult in this day to excuse such outrageous propaganda, even understanding the paranoia of the times, when one realizes how damaging it was to real people then.

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