A young man in New York has exasperated his father because of his constant carousing and irresponsibility, so his father sends him to his uncle's ranch in the west. The young man arrives in the town of Piute Pass, which is being terrorized by Tiger Lip Tompkins and his gang, the Masked Angels. The Easterner befriends a young woman whose father is being held captive by Tompkins, and he decides to help her.
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Harold is a pampered dandy who is sent out west by his parents who feel he's not maturing as a young man. Slow-moving at first, the film picks up quickly when the action moves out west. Out west, he meets Mildred Davis (Harold Lloyd's future wife in real life) whose father is being held by the local toughs. Eventually Harold saves the day and gets the girl and in so doing, he unleashes a plethora of sight gags that are unique, inventive, and absolutely hilarious at times. Lloyd makes use of his smarts in character, as typified in the card playing scene, as well as his athletic prowess which rivaled both that of Chaplin and Keaton. The chase and evasion scenes with the gang on horseback has to be seen to be believed. Harold pulls out all the stops to avoid capture. It's a delightful entertainment, but it's certainly not one of Lloyd's very best. **1/2 of 4 stars.
Harold plays a spoiled rich young man who would rather party than act proper. Fed up with his lazy ways, Harold's parents send him west--hoping to make a real man out of him.While this is far from a great short picture, it is a very good one featuring Harold Lloyd. The only short-comings are the slightly slow pace at the beginning--though the film certainly picks up speed towards the end. This is when Harold has a show down with the town bully--as well as his KKK-like gang! All this starts because he meets a woman in distress in the cow town--her father is being held prisoner by this bully until she agrees to marry this jerk. Lloyd, being a silent comedy star, is obligated to help with pretty predictable results. However, the stunt-work is excellent and the pace is fast and furious. Overall, it's a middle of the road Lloyd (and that still makes it excellent) comedy that is sure to please.
I found all the sequences in this film to be very funny. It is one of the earlier examples of the chase sequences Harold was developing that would really come into an art form last in GIRL SHY & SPEEDY. It is fine fun, & has some examples of gags LLoyd did not use in later films that are pretty funny. Nice thing is the pacing, which is not quite as frantic as earlier BUMPING INTO Broadway even though the films are about the same length. In a way, this reminds me some of BILLY BLAZES, ESQ. in the western sequences, but the ones in this film show an improvement over the Tom Mix parody of 1919. Some of the sequences in this are laugh out loud funny. If you get a chance to, enjoy this one.
Before I start, I have to complain about the person who has put up that Harold Lloyd mini-biography on all the comments about his movie. It does not attempt to review the movie, maybe the it hasn't seen it but what is so monotonous is that the bio is the same one. Frustrating by all means. Anyway to the movie which is light on its feet and uses a dramatic set-up which has few laughs to get the up-to-no-good big city boy who ends up in the country where this situational comedy takes ground. Harold always billed as "the boy" meets "the girl" as they were all billed and this comic oater takes off as Harold has to battle the bad guys which ends with a furious chase to a train as the girl tries to defend him. Not great Lloyd but you could do worse.