A white family has had the same Black maid for many years. When she tells them she wants to go back to school and will be leaving soon, the 20ish year old son decides what she needs is a change and begins searching for a man to wine and dine her, but who won't marry her, thinking that this will distract her from her plans. The man he finds doesn't entirely cooperate.
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I was touched by this movie than I expected to be. It is a formulaic romantic comedy with an absurd premise that doesn't quite fit within the bounds of the formula. The clash that can result from differences in cultures and classes is touched on too deeply for what you might expect from such a comedy unless it's directed by Lubitsch or Wilder. But I found the movie satisfying anyway. I think everyone turns in strong, committed performances. Sidney Poitier is in total possession of the camera with his variety of alternating facial expressions. You could call it mugging but for me it worked and every facial expression felt fully motivated. Abby Lincoln is heart-wrenching as Ivy. She does seem too old for this role. But so does Beau Bridges. And both her and Bridges' performances are relentlessly precise, detailed and committed to what their characters are. I was happy with the actors in the roles of the white family. Don't forget that this is a comedy with an absurd premise. And the family is patronizing and cringe-inducing. But I think that is the point. I loved how the director gave us quick, dense pictures of the state of mind of the characters through their body postures. The director does some nice choreography with moving the cast through the house. For example, I loved the opening sequence in which the family moved through the house as they prepared for the morning. I loved Ivy and Jack's departure from the house that ends her employment as a maid. No minor character or extra/atmosphere is ever wasted. This is solid work that is worth seeing.
I caught this last night on Turner and while this is a slight little movie, I found it quite charming, mainly in the developing relationship between the smooth, elegant, slightly dangerous Poitier and the sweet and yet sassy Ms. Lincoln. They're a good match together, and I love the very romantic seduction scene with that great Quincy Jones music playing in the background. From what I've seen of Sidney Poitier he usually plays a somewhat angry young man who's fighting the system in some way. Well, here he just gets to play a smooth hustler, and man is he sexy!!! Wish he'd made more light romantic films like this.As for the rest of the cast - well, the plot serves them poorly. The white family come across as well meaning stooges, and the hippie look is really dated on Beau Bridges. But it's kind of the equivalent of one of those Rock Hudson/Doris Day movies with a bit more of an edge and a little bit of a conscience. Well worth watching when it comes around again.
For film history buffs,this is the film that followed,"Guess Who's Coming To Dinner" in Sid's career. What a great choice it was too! I can't believe I'm only the third person to review this film. I bought a marked down copy of this on DVD and I'm glad I did.Sidney plays Jack Parks,owner of a trucking company who is a client for Mr. Austin (Carroll O'Conner). This is not the somewhat "good guy" we're used to seeing Sidney play. He's got a secret,his company is a front for an illeagal "traveling casino",in the back of the semi.The Austin family have a maid named Ivy whose worked for them since she was 18. ...but now she's 27 and wants to leave her job to become a secretary in the city and go to school too. The Austin family react like their whole world is falling apart! Especially Mrs. Austin,who hasn't kept house herself in those 9 years with Ivy. Mr. Austin seems to be the only voice of reason,as far as Ivy leaving is concerned.Mr. Austin's spoiled hippie son concocts a plan to keep Ivy working for them. If she marries Jack,she'll "have" to stay! Even his usually level-headed sister goes along with it,making it clear that they have only their own selfish interests in mind and not what it is Ivy wants.I wont spoil the movie for you by saying how it all plays out but it's well worth the watching. It's not strictly a question of race in this film but more about what anyone as a human being wants and needs in their life. 1960's or now,that message is still universal to all. The dialouge,acting and direction are smartly done,so without a doubt,10 stars. Buy it or rent it...but you have to see it. (END)
America' love affair with Sidney Poitier, which reached its peak in the 60s, resulted in the need for star vehicles for the actor. One such piece was based on a story conceived by Poitier. Called, "For Love of Ivy," it cast the charismatic actor in a role in which he could wear the latest fashions--slickly tailored suits, sweaters, tuxes, and the like. His female costar, Abbey Lincoln likewise dresses in a varied and stylish wardrobe, looking quite pert and attractive.The two seem to enjoy their little romantic romp in a lightweight domestic comedy, supported by Beau Bridges and Carroll O'Connor. Too bad the script tends to become a bit limp about midpoint, and never quite regains its zip. The movie plays better in home video format, where one can lounge back and relax in home surroundings, rather than in the more formal setting of the theater. Then the proceedings become a bit sluggish, it helps to be comfortable. Still, it's fun watching these attractive performers engage in their comedic entanglements, in a brightly designed production, and to a Quincy Jones score.