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Broadway producer Jerry Flynn is anxious to recapture the magic and reclaim the crowds after a set of costly flops. Outside his theater one night, Flynn meets a young boy who just might save the day. Inside a small box the boy shows Flynn his pride and joy: a caterpillar named Curly that dances to Yes Sir, That's My Baby. Word quickly spreads about the amazingly talented hoofer, and the caterpillar becomes a symbol of hope for wartime America. Soon, offers are pouring in to capitalize on this sensational insect.

Cary Grant as  Jerry Flynn
Janet Blair as  Jeannie Thompson
James Gleason as  Moke McGillicuddy
Ted Donaldson as  Arthur "Pinky" Thompson
William Demarest as  Brandt
John Abbott as  Reporter (uncredited)
Iris Adrian as  Woman Exiting Theatre (uncredited)
Henry Armetta as  Barber (uncredited)
Charles Arnt as  Fred Stacy (uncredited)
Lloyd Bridges as  Aviator Captain (uncredited)

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Reviews

mountainkath
1944/06/29

I was going to rate this film four stars but I gave it five stars because it was only 90 minutes long. That's about the only good thing I have to say about it.Cary Grant must have owed someone a favor because I have no idea why he made this horrible movie. The plot was beyond silly, it was insanely predictable and the movie seemed to go on forever.Cary Grant, as always, sold the hell out of his performance as Jerry Flynn. He was the only reason I kept watching this movie. If anyone else had been the star, I would have turned the movie off.This story would probably have made a cute short film (15 minutes or less), but there was just not enough plot to fill 90 minutes.I'm a huge fan of Cary Grant, so I'm glad I saw this movie. However, I don't care to ever watch it again.

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MCL1150
1944/06/30

I caught this wonderful little film toady on TCM. Well, it does star Cary Grant with support from two of Hollywood's great character actor's William Demarest and James Gleason so it's not too little. Anyway, the whole plot revolves around a child who discovers a caterpillar that dances every time he plays "Yes Sir, That's My Baby" on his harmonica. The thing is that he keeps the 'pillar in a shoebox, and anytime anyone wants to see "Curly" the caterpillar dance, they have to hold the box up to an eye and peer in. And what they see is nothing short of amazing. A true life fairy tale. The viewer, however, NEVER sees Curly dance. No doubt this was due to the lack of "appropriate" special FX of the time, but I think it works so much better. Your imagination takes over and you can't help but see Curley dance! At least I could clearly "see" it. If it were remade today, they'd HAVE TO show you Curly dancing and probably speaking as well. Kids today would feel cheated and walk out of the theater in droves. And in today's world, there'd marketing of a cute character and millions of $$$ at stake. At least I THINK he was cute because that's what I saw in my imagination. The movie is even ahead of its time in respect to marketing because Walt Disney himself greedily pursues purchasing Curley to build a live action/animated feature around. Some things will never change. You'll love the obvious, but surprise ending. Yes, that's a contradiction, but just watch it for yourself. Great fantasy film and the kind they can't make anymore, because if they did, you'd probably be disappointed because Curly just wouldn't live up to your imagination.

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moonspinner55
1944/07/01

'Dancing Bug Cuts a Rug'...or rather, 'How Did Cary Grant Get Roped Into This?' Theatrical producer, a "part-time genius" with three flops behind him, needs $100,000 to save his theater; he befriends an orphaned tyke with a bottle-cap hat, the boy's stone-cold chorine sister (who is roughly two times older than the kid), and the boy's caterpillar...who "dances" to "Yes Sir, That's My Baby". Elongated Aesop, although even Aesop provided a thoughtful moral. This one is just piffle, with the contrivance that the whole world would be chatting about such a miraculous event as a bug with an ear for music. This is the movie that launched a thousand worm jokes, and it's meant to be ironic that Grant (as the showman-turned-huckster) is the biggest worm of all. A box-office disaster in 1944, the film has not improved with age. Ted Donaldson is cute as the youngster, and Ann Loos has a funny scene playing Grant's put-upon secretary, but the insipid rest can easily be forgotten. * from ****

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dexter-10
1944/07/02

A truly happy film produced in the middle of World War Two. The fantasy of the caterpillar which turns into a butterfly is well-worn, yet always popular. To a large degree, the war is ignored, yet due to the pervasive nature of long-term world conflict, some allusions to the conflict are noted. Especially pointed is the crew of the B-17 bomber who name their plane "Curly" after the caterpillar. They highlight the event with: "I've been in London, Chun King, and Malta and saw kids dodge bombs to try to save some mangey dog." Why not save a dancing caterpillar? The remarkable thing about this film is how many times one sees the caterpillar. Curly the caterpillar is a welcomed respite from the drudgery of prolonged war. Even with one hundred and fifteen credited actors, in this movie fantasy is the real star.

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