Carlos Iglesias's first big-screen full-length movie as filmmaker, "Un Franco, Catorce Pesetas" (Crossing Borders, 2006), was a hit among viewers . Marcos (Javier Gutierrez) and Martin (Carlos Iglesias) are two good workers in the Spain of the 60's , but without job . In Spain there's no job , there's no cash , and there's no option for the poor people but to emigrate to a foreign country and attempting to encounter work . The two friends say goodbye their families and go abroad . There takes place the problems to adapt into Switzerland ; but later on , they discover a new and agreeable life . This interesting film is full of humor , drama , touching scenes and good feeling . It is a simple , dramatic and humorous portrait of a time when the Spanish had to go other countries in order to encounter a work . Carlos Iglesias's first big-screen full-length movie as director, "Un Franco, Catorce Pesetas", was a success among spectators, as well as a hit smash in the various film festivals it took part in . The movie plot about the life of Spanish immigrants in Switzerland in the late 1960s is based on his parents' as well as his own experience as an immigrant and adequately showing us how was the life of that time . Actors are frankly magnificent with a first-rate acting for whole cast . Sensational Carlos Iglesias along with the wife played Nieve De Medina and Isabel Blanco as Hanna , among others . Moving and stirring musical score by Mario De Benito . Colorful cinematography by Tote Trenas who shows splendidly the ambient by that time . The story has wide relation with Ispansi!" (literally 'Spaniards!' in Russian, 2010) , his second movie as director that deals with children in Russia and there repeat most actors as Nieve de Medina , Isabel Blanco , Eloísa Vargas , Isabelle Stoffel and of course Carlos Iglesias . The motion picture was very well directed by Carlos Iglesias . He's a good actor and filmmaker . Having attended Madrid's Royal School for Dramatic Art, in the 1980s Carlos Iglesias played mainly in both classic and contemporary theatrical plays . Among others, in 1982 he played a part in Carlo Goldoni's "Arlequín, Servidor dos Amos", under Ángel Gutiérrez's direction and, with the same director, in Chejov's "Polinka". He worked in 1983 under director Balaguer in Lauro Olmo's play "Pablo Iglesias"; in Valle-Inclán's "Los Cuernos de Don Friolera" ; in 1987 in Federico García Lorca's "El Público" ; in 1990-91 in Jean Genet's "Ella",; and in 1992 in Valle-Inclán's "Las galas del Difunto", , among many other theater venues .From the early 90s onwards, Carlos Iglesias opted mainly for television shows of all different kinds: drama productions (in José Ramón Larraz's "Goya"; in Mario Camus's "La Forja De Un Rebelde"; in Luis García Berlanga's "Blasco Ibáñez"); TV series (in Vicente Escrivá's "Éste es mi barrio" and "Manos a Obra"; also in "Siete Vidas" and "Cuéntame Cómo Pasó" ; and as main actor in various TV shows, such as "Esta Noche Cruzamos el Mississippi". For the big screen, he was cast for Pedro Costa's movie "El Caso Almería" (1983); for Jaime Camino's "Dragón Rapide" (1986); or Pedro Pinzola's "Siempre Felices" (1991). Recently, he has acted as Sancho Panza in Manuel Gutiérrez Aragón's "El Caballero don Quijote" (2002) and in José Luis Garci's "Ninette" (2005), alongside Elsa Pataky. Rating ¨Un Franco 14 Pesetas¨ : 7'5 , worthwhile watching , essential and indispensable seeing for Spanish cinema buffs .

Crossing Borders... is A Spanish-Switzerland comedy released in 2006 that tells the story of two couples of Spanish immigrants in Switzerland in the 1950s based in the autobiographical experience of the actor and director Carlos Iglesias.This is a very sweet, funny, honest and intimate film about the lives of those Spaniards who migrated to Switzerland and other European countries in the 1950s and 1960s. It is faithful to real events, and shows the issues that affected those people when leaving their country, the pros and cons of being an Spanish emigrant, and of the country of origin and the country of reception. Especially good is the depiction of the feelings of alienation, loneliness, cultural and emotional isolation, distrust by the locals, but also how hard was going back home for those who decided to return and resettle.All the cast is good in their performances, especially Nieves de Medina as Pilar and Isabel Blanco as Hanna.The movie is unpretentious, talks about serious issues using comedy, and has heart. I think it will reach immigrants from any part of the world, but also any viewer wanting to see something different from Spain and about Spain recent history.

Marcos and Martin are two workers in the Spain of the 60's. There's no work, there's no money, and there's no option for the people but to emigrate to Switzerland and trying to find work there. There, the difficulties to adapt into a foreign country and discover a new life there. Perfectly showing us how was the live of that time, the movie is a portrait of a time were the Spanish had to go to another country in order to find a job. Touching and moving it is a quite good movie which has unexpected good acting and a good directing. It is a fresh surprise in the Spanish cinema and it is curious to see that a comedian is able to change and direct and act so good in a drama. Probably one of the best Spanish film of its year and, surprisingly, it passed unawared by most of the people.

The theme is so subtly developed, one doesn't realize it's really about the emigrant experience until almost the end. For most of the film, it's 'just' a story, and a great one. Everything is cleverly subtle. For example, the protagonist doesn't come from misery and extreme poverty, nor is he poorly educated (all characteristics of the stereotypical emigrant). He's not fleeing from political oppression (at least overtly). He's just trying to get ahead.It's rare to see emigration from the point of view of the emigrant. This film could be required viewing in the U.S. before making disparaging remarks about immigrants.It is also always a pleasure to see an entire film where adolescent angst plays no part.