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Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas.

Ethel Barrymore as  Mrs. Brian Patrick Riordan
Keefe Brasselle as  Sgt. Maxie Klein
Gary Cooper as  Texas
Nancy Davis Reagan as  Miss Coleman
Van Johnson as  Rev. Adam Burch
Gene Kelly as  Icarus Xenophon
Janet Leigh as  Rosa Szabo Xenophon
Marjorie Main as  Mrs. Wrenley
Fredric March as  Joe Esposito
George Murphy as  Mr. Patrick Callaghan

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Reviews

marcslope
1951/11/20

Expensive and all-star and in production for most of 1950 and 51, this MGM anthology reflects what patriotism looked like in the Cold War era, and uncertainly jumbled together comic and dramatic episodes. A couple just pass muster: There's one where Ethel Barrymore is a sad Boston matron dismayed to learn she hasn't been counted in the census, and in another, Marjorie Main is excellent as a grieving mother visited by her dead son's war buddy. Most of the stories just aren't interesting, and there's some amazing miscasting: Gene Kelly as a Greek entrepreneur making goo-goo eyes at Janet Leigh (and S.Z. Sakall rattling his cheeks as her father), Fredric March (in a rare bad performance) as a stupid Italian immigrant arguing with schoolteacher Nancy Davis over whether his son should have eyeglasses, Gary Cooper over-drawling as a Texan mis-explaining the Lone Star State. There's a welcome but perfunctory documentary about great African Americans, and William Powell is elegant in the opening segment. There's also a lot of narration, and if I'm not mistaken, it's Louis Calhern. It was understandable that MGM wanted to celebrate America in the early '50s, but couldn't they have come up with some better plots?

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ABetterDay
1951/11/21

Anyone who aspires to those things which have made America the greatest nation the world has known should own this film and watch it often.A who's who of Hollywood in the period 1930 thru 1951, this wonderful telling of America's greatness shows a time when the liberal media was in check and Americans were taught to be PROUD of what we have built. A far cry from the liberal propaganda that is spewed on your 6pm "news" today.Watch the opening interaction between Spencer Tracy and William Powell. If Powell's oratory does not move you to want to see the rest of this outstanding piece of American film history, you might as well book a one-way ticket to another country. Maybe you'd be happier there.A wonderful film of America, for Americans. Easily 10 of 10.

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dbdumonteil
1951/11/22

This par excellence a film only the American could make.I cannot imagine a French,English or Italian director making a movie to glorify his/her country.Wellmann and co tell us that America is a big country ,with big differences but where everybody has his place in the sun: in the "celebrities" segment,there are plenty of black artists such as Armstrong ,but the civil rights were ignored in 1949.What saves this naive film containing more finer feelings than a Capra movie,is some kind of humor .Take the first scene on a train and the last sentence of the baffled traveler or the Hungarian daddy who does not want his daughters to marry a Greek,cause we are "enemies" .How great the melting pot is!And so are Gene Kelly and Janet Leigh.Some stars only appear a few minutes:Gary Cooper tells us what a wonderful state "Lone Star" Texas is where oil spurts out everywhere under your feet;Ethel Barrymore plays a delightful old lady who is cross cause she was not counted when they took a census of the population.The last sketch ,about glasses ,was perhaps not a very good choice to conclude the movie.It was,is and will always be a big country.

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jehrsam
1951/11/23

I saw this movie when it originally came out and I took more people to see it in at least two successive trips to the old Crawford Theater. It is touching and worthwhile and depicts an America that all should see. Ethel Barrymore gives one of the best performances of her career. The preacher to the President is another vignette that stands out. There are memorable performances by Gary Cooper, Van Johnson, Gene Kelly, and Marjorie Main. Each vignette is a memorable one and all touch your heartstrings and provoke thought. It would be nice if it were available on DVD or even tape. What a delightful anthology this is. I recommend this to all. It is a movie you will enjoy.

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