This is an example of a movie where some judicious editing would have helped immeasurably.The first half is an interesting whodunit in which Tomas, a Bohemian detective (well played by Martin Dejdar), attempts to determine the true story behind the death of a servant in the Ravenscroft mansion. His interaction with the mistress of the house, her daughter and governess, and the servants is amusingly prickly for about an hour. Unfortunately, impatience begins to set in when this same cat and mouse, back and forth continues on for another 40 minutes with all parties lying for their own reasons. To make matters worse, the scriptwriter has the inspector become increasingly drunk, an unnecessary plot turn that derails the tone set in the first half and which struck me as being distinctly out of character for Tomas. Ultimately, the resolution is not interesting enough to warrant the time and effort spent reaching it.There are good performances from the whole cast, though top billed O'Toole is in the film only very briefly in flashbacks as the deceased patriarch. The set design and camera work are wonderful, top honors to art direction. Unfortunately, these positives are counterbalanced by an overlong tale muddled by useless plot contrivances.

I thoroughly enjoyed The Manor. It was much better than anything else I have seen in this genre. The plot is pretty tricky and you have to pay close attention to the various clues you get. I think all of the women have good motives for the killing and the director Kenneth Berris does not tip his hand too early. I liked that kind of restraint. It can also be seen in the texture of the performances. I have seen some of his previous work, mostly on those huge interactive titles in the late nineties like Spycraft, Blown Away, and Eraser Turnabout. I thought he brought that same kind of multiple plot lines that merge into one. The cast: Peter O'Toole, Greta Scacchi, Edie McClurg and Gabrielle Anwar were at the top of their game and the visuals were pretty sumptuous. I would recommend this to people who like dry humor. I also thought Fay Masterson was sensational in the role of Dolly/ It was much better than Gosford Park, which won an Oscar. I give it 5 stars. *****

This is one of those pictures where I find myself asking, "Why did so-and-so take this role?" The script is so-so and the direction bizarre at times. The actors are great, working their way through a not-completely-compelling whodunit. The lead character is a Scotland Yard detective and therefore Must Ask Questions. A *lot* of questions. So there is a repeated pattern of question-answer, question-answer that gets grating after a while. As noted, the actors (especially Greta Scacchi) do a remarkable job of lifting this poor writing off the page and infusing it with wit and meaning.Altogether I found it an odd film, trying desperately not to be a play (with bizarre editing) instead of just embracing its intimacy. The "mystery" gets buried beneath the direction but it might be something to watch on a rainy Sunday afternoon when you're sick in bed.

This is a real gem. Unknown to most people, this was ten times better than the more reviewed Gosford Park but better in all respects. The acting is solid and the camera-work and visuals are top flight. I highly recommend. Actors like Academy Award winner and legend Peter O'Toole in addition to some real sexy women like Greta Scacchi, Gabrielle Anwar, and Fay Masterson make this very watch- able. I also dare anyone to get ahead of the plot which has more twists than a molecular structure. The thing I really liked best about this is that it broke some of the rules of the genre and did some very inventing camera movement. Also it unveiled a few actors that most European audiences aren't that familiar with. People like Jiri Labus and Martin Dejdar are true pros. It also has some interesting animal scenes. I especially liked the metaphor of the wolves.WoolyMonkey99