"Fancy Pants" is a reworking of the story from "Ruggles of Red Gap", though I strongly advise you to try to find this film (particularly the version starring Charles Laughton) instead. In no way is this film the equal to "Ruggles".When the film begins, Bob Hope is an American actor who specialized in playing Butlers in British plays. Well, some Americans from the west convince him to return with them to Wyoming and be their classy Gentleman's Gentleman. Not wanting to disappoint the nouveaux rich (after all, they do have money), the follows. However, later the locals think that he's an Earl and suddenly he's no longer the hired help but the special house guest of this family. Soon, the President himself is traveling their way...and he, too, would love to meet the Earl.The film is just okay...and in every way the earlier films are better. Instead of being sweet, this Hope film is kooky and a bit silly...but nothing more.By the way, this film represents the biggest waste of Eric Blore in film history. See the picture...you'll see what I mean.

Bob Hope and Lucille Ball were at the top of their careers when they made "Fancy Pants" in 1950. Both would stay at the top for three more decades. In this film, the two are joined by a supporting cast of several long-time performers for what appears to be a rollicking fun time with the process. Hope plays an actor (Arthur Tyler) who plays a butler (Humphrey) who plays an English nobleman (the Earl of Brinstead). Ball plays Agie Floud, a wealthy young American Westerner. Joining the fun are Bruce Cabot as Cart Belknap, Jack Kirkwood as Mike Floud, Lea Penman as Effie Floud, Eric Blore as Sir Wimbley, and John Alexander as Teddy Roosevelt. The movie is a hoot as the plot moves from a theater stage in London, to a train across America, to the Floud's hometown in the American Southwest. This comedy has a nice mix of funny lines, slapstick accidents, and silly to hilarious situations. It's a light piece of entertainment that the whole family should enjoy.

By the time this film came out, Bob Hope's name would have been a household word, which along with the plot device, might have been the reason he was introduced in the opening credits as Mr. Robert Hope (formerly Bob). Lucy's household name status was still a few years off even though she had a considerable resume by this time with over eighty movie appearances, though many of them bit parts and uncredited. The only time I ever saw them work together would have been on one of the old Dean Martin Celebrity Roasts, so catching them in this sixty five year old film was something of a treat. They actually had a decent chemistry here amid the myriad of jokes and pratfalls.Based on the earlier "Ruggles of Red Gap" series of films, it's pretty safe to say that Hope is no Charles Laughton, who lent an air of wit and sophistication to his version of the character in the 1935 movie. In this picture, Hope's character is an actor named Arthur Tyler, transplanted to the New Mexico territory of 1905 by a would be socialite in order to impress her neighbors. Effie Floud's (Lea Penman) daughter is Aggie, portrayed by Lucille Ball, in a characterization that comes fairly close to her zany Lucy Ricardo of 'I Love Lucy' fame.The picture routinely uses the names from the Laughton movie, the Flouds are still the Flouds, but variations like Brinstead replace Burnstead, and of course there was no Humphrey in the earlier picture, the first name we come to associate with Hope in the picture. Here he has a nemesis in the way of Cart Belknap (Bruce Cabot), Aggie's fiancé and a major thorn in Humphrey/Tyler's side. During an era when political correctness was all but unheard of, the appearance of characters like Wampum the kitchen hand and Wong the cook often tend to embarrass, but more so for their acting then their actual roles.Fans of Hope and Ms. Ball will certainly want to catch their camaraderie here. It's an entertaining picture with a fair share of laughs, and if nothing else, you'll wonder how they ever came up with that bird cage hair-do for Lucy, I mean Aggie.

Bob Hope was at the height of his comedy career and reputation when he did FANCY PANTS. Unlike some of the other movies he made in the forties and fifties he actually had a female partner here who matched him as a comedian. Here it was Lucille Ball. Ball and Hope actually proved to be a good pairing.FANCY PANTS is based on RUGGLES OF RED GAP. Instead of Hope being a genuine butler/valet he is an actor who is playing a butler/valet. Renamed "Humphrey" or Arthur Tyler, Hope is a dreadful actor. His company is performing a ramshackle mystery where he is the villain. The best part of this is Eric Blore as the head of the family, critically wounded in an assassination attempt by "Humphrey" the butler, who shouts out an incomprehensible and accusingly nasty string of words at "Humphrey" ending with the words "DEMNED LYING SCOUNDREL!!" Hope, frightened at being exposed, looks at the other angry cast members and says "He's lying!!".The cast is hired by a fortune hunter using them to pretend to be his aristocratic family to impress the Flouds and marry their daughter. But the Flouds are not impressed except with "Humphrey" because he tried to overcompensate with his work as a butler when he kept stepping on the "performances" of the others. As a result, Mrs. Floud (Lea Penman) purposely trips him so that he is fired by the fortune hunter (and so Mrs. Floud can hire him). Despite the suspicions of Mr. Floud (Jack Kirkwood) and daughter Agatha (Ball), Humphrey accompanies the family back to their western estate in the Arizona territory. The territory is looking forward to becoming a new state. Anything that would speed this is encouraged. It turns out that President Theodore Roosevelt is visiting the territory. The townspeople are excited as it might assist them in pushing for statehood. But there is a misunderstanding: word that Agatha had been pursued by an English lord spread around, and when Humphrey showed up it was assumed he was the Earl of Burnley. The Flouds find they can't disavow this mistake and are forced to treat Humphrey as a potential son-in-law. To add to the natural anger of the Flouds at this error and it's attending problems of stomaching a now arrogant Humphrey, there is the danger from Cart Belknap (Bruce Cabot) a neighbor who has had a kind of understanding with Agatha about eventually marrying her. Everything comes to a head when the President (John Alexander) shows up. For a change Humphrey manages to portray his role perfectly - too perfectly. He boasts too much about his riding abilities, and ends up involved in a fox hunt with the President and the townspeople. To complicate matters, Belknap is double checking "the Earl" and is physically threatening him.The changes in the script improve it, as the original movie had tedious stretches when nothing was happening to Ruggles and the other characters. There is more unity of actions and Hope's cowardly conniver is quite funny. For example, when he arrives in the west he gets lost and separated from his stagecoach. Suddenly Humphrey refuses to be realistic. Walking through several full puddles and ponds, he convinces himself they are all mirages. There is also a moment when, still believing Humphrey is the perfect butler, Agatha insists he help her fix her hair. Not knowing what to do Humphrey teases her hair upward into a "hive" style, and puts a bird in a cage into the center of it.The film's structure is smoother even though it does not include the "Gettysburg Address" speech. The cast is quite good especially Hope and Ball, Blore (briefly), Cabot, and John Alexander reprising (this time "legitimately") his "Teddy Roosevelt" from ARSENIC AND OLD LACE.