Buster Keaton produced many wonderful short films – 'The Love Nest (1923)' is my favourite so far – but, unfortunately, 'The Balloonatic (1923)' isn't one of them. Despite a fair share of funny jokes, the film is basically comprised of a number of different gags strung together with a flimsy pretense, and so it lacks any narrative cohesiveness. Considering that this was released in the same year as the feature 'Our Hospitality (1923),' which had a terrifically-dark storyline to complement the jokes, this short really does come across as disappointing. Indeed, even the title promises more than the film actually delivers, with barely a quarter of the running time concerned with hot-air balloons. However, cast aside these trivial complaints, and you can simply enjoy Buster's antics for what they are. The actor/director's comedic work still sparkles with imagination and creativity, and few entertainers could have achieved such hilarious results with something as simple as a collapsible canoe. Also, it beats me how he avoided drowning on at least one occasion.The story opens at a carnival, where hopeless romantic Buster goes out looking for love in a "House of Trouble." As always, it's interesting to note just how stone-faced he remains as numerous ominous figures emerge from dark doorways; his body language communicates fear and panic, but his facial expressions remains astonishingly deadpan. After finding his way out of the attraction, Buster then ruins a perfectly good jacket in being kind to a beautiful lady, before earning a black eye from another pretty girl (Phyllis Haver) who presumably rejected his advances. Buster then inadvertently catches a ride on the top of a hot-air balloon, which brings him down in the middle of the wilderness, where – surprise! – the girl who punched him is enjoying a lonely fishing trip. The pair try their best to ignore each other, thinking up elaborate techniques to survive comfortably in the forest, until all that remains is for Buster and Phyllis to fall in love. This silly story makes for some enjoyable enough gags, including, most memorably, Buster's face-to-face meeting with two curious bears.

Balloonatic, The (1923) *** (out of 4) Buster Keaton tries to pick up women at an outdoor carnival but doesn't have any luck but he accidentally meets one of the women out in the wilderness where the two try to prove their survival skills. This is about medium range as far as Keaton shorts go but there are still some nice laughs including the haunted house bit at the start and near the end the bear gag works well.Available on Kino's The Art of Buster Keaton box set, which contains some of the greatest films ever made.

This minor offering from Keaton is really just a collection of sketches cobbled together to make a 20 minute short; as such, it lacks any cohesion and struggles to hold the viewer's interest despite containing a number of decent sight gags and Keaton's ever-reliable comic timing. In this one he finds himself atop a hot air balloon that has drifted from its moorings and which transports him deep into the countryside where he encounters young Phyllis Haver, a rather strapping young wench whose initial coolness towards him thaws after a number of escapades. There's very little that is memorable here, and probably the best moment is Keaton's reaction when he realises he is standing beneath a chute that dispatches visitors from the 'House of Trouble' fairground ride just after a heavy young lady has entered.

A BUSTER KEATON Silent Short.Intrepid Buster faces danger on land, on water & in the air - generally because of his disastrous attempts to impress lovely young women.THE BALLOONATIC - which actually gives very little screen time to the hot air balloon - is rather a jumble of disjointed (but funny) scenes which bare scant relation to each other. With any other star it would be easy to dismiss, but Keaton holds it all together (barely) by the sheer force of his undeniable talent and some very amusing moments. Highlight: the trajectory of a large lady sliding precipitately out of an amusement park's horror house causes some impact problems for Buster.Born into a family of Vaudevillian acrobats, Buster Keaton (1895-1966) mastered physical comedy at a very early age. An association with Fatty Arbuckle led to a series of highly imaginative short subjects and classic, silent feature-length films - all from 1920 to 1928. Writer, director, star & stuntman - Buster could do it all and his intuitive genius gave him almost miraculous knowledge as to the intricacies of film making and of what it took to please an audience. More akin to Fairbanks than Chaplin, Buster's films were full of splendid adventure, exciting derring-do and the most dangerous physical stunts imaginable. His theme of a little man against the world, who triumphs through bravery & ingenuity, dominates his films. Through every calamity & disaster, Buster remained the Great Stone Face, a stoic survivor in a universe gone mad.In the late 1920's Buster was betrayed by his manager/brother-in-law and his contract was sold to MGM, which proceeded to nearly destroy his career. Teamed initially with Jimmy Durante and eventually allowed small roles in mediocre comedies, Buster was for 35 years consistently given work far beneath his talent. Finally, before lung cancer took him at age 70, he had the satisfaction of knowing that his classic films were being rediscovered. Now, well past his centenary, Buster Keaton is routinely recognized & appreciated as one of cinema's true authentic geniuses. And he knew how to make people laugh...