When Stevie meets Neil on the day he comes to deliver her brand new kitchen, it's already too late for love at first sight. Too late for both of them. Stevie is already five minutes pregnant by her Italian footballer husband. And too late for Neil too - his wife Jenny has already applied to adopt an African girl. But too late or otherwise, love at first sight is exactly what happens. How can Neil and Stevie get out of their mistaken marriages and into each others arms?
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This film was given the slot following Film 2005 on the BBC last night, a slot which is usually reserved for the more decent efforts. And with my mind still on the excellent King Kong preview in that programme - it looks amazing and opens this Thursday - 'The One and Only' managed to divert my attention away from that.It is a very effective film in it's own way, the jokes, wisecracks and one-liners come thick and fast once everything gets going and I must admit some of the stuff is pretty good. Apart from Richard Roxburgh's Geordie accent slipping into Welsh on occasion and Justine Waddell trying too hard at times for her character to be a bit wacky, everything plays out in a gentle, irreverent manner until an overly soppy ending which I wasn't a huge fan of.There was also reference to Newcastle United's poor transfer policy and tendency to pay over the odds for anything that moves, with "7 million pounds worth of groin strain", 'King of the treatment room' Italian Andrea Buffeloni who's played only 34 minutes since his transfer. Which is currently very relevant considering Albert Luque's pricey transfer in the summer and his subsequent lack of games.All in all, a surprisingly good film which is very funny in parts. 6/10
I caught this on late night TV, and missed the beginning. After a few minutes I was sat up in bed. This had caught my attention. At the time I thought it was a TV production, similar to Cold Feet (one of my favourite series). Not as much 'warmth' as Cold Feet, but this was funny, sad, tragic, etc. All the ingredients needed for a black comedy. Comedy appeals to a wide spectrum, and this won't please everyone. But to me it is one of the funniest 'black comedies' since No Surrender (1985). I'm from the North East, and found the accents quite believable. In fact, I thought that the main actors were Geordies. Never heard of either of them, but I'll be looking out for them, especially Justine Waddell, who was a bit of a dish. I shall go out and buy the Video or DVD, and give a copy to those friends of mine, who are on a similar comedy wavelength to myself. Jimmy Nail's Spender had already shown that the North East had some great locations, so I wasn't surprised at some of the great outdoor shots in this film. I have a feeling that there will be more to come from this area, and from Justine Waddell.
First off, I had no problem with the Geordie accents in this film. I had no idea that the leads were Australian and South African by birth. I bought the accents, no problem. And I come from the North, so I should think I have an idea.I thought the cast were great. Especially Patsy Kensit, who turned in the best "acting" performance that I've ever seen her do.Nope. No problems with the cast. It was the script that was dire. Full of holes. Ridiculous scenarios like leaving the adopted child in the care of a recently widowed Roxburgh or the multitude of doctors and nurses around the hospital bed. Racing to the hospital/train station was just corny and predictable.I know it was meant to be a black comedy but the way it trivialized such plot strands as death and abortion was nothing short of lame.Just another one of those British films that tries but fails, I'm afraid
Really funny film, with some beautiful locations and wonderful acting. The actor who plays Stan is fantastic and I couldn't wait for him to reappear. Very stylish and beautifully filmed. Light and easy entertainment, that made me laugh a lot.