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Howard Spitz is a cranky, has-been detective novelist out of money and out of luck - until he meets eight-year-old Samantha, who convinces him he has what it takes to write children's books.

Kelsey Grammer as  Howard Spitz
Amanda Donohoe as  Laura Kershaw
Patrick McKenna as  Roger
Gary Levert as  Red Allen
Denny Doherty as  Balthazar Mishkin

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Reviews

jorge mario correa toro
1998/08/28

I love it! When I hear the English of this movie I can't help continuing watching this movie. The little girl is cute and smart and a wonderful actress for me. The music is great: Jazz, kinda Broadway Musical and rap, the movie includes rap, I wonder where can I find the original soundtrack and the video of the animated rap. Some scenes are really funny, I enjoy this movie a lot. The 80's style is something that makes me remember part of my life. I think this movie could be part of the inspiration of the successful movie: Despicable Me. The movie teach the importance of be real and tell the truth.I give 10 out of 10 to this movie.

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bob the moo
1998/08/29

Howard Spitz is a writer of gritty detective thrillers; problem is more people have been on the moon than actually buy his books and the debts are piling up. Bitter and angry, he has a revelation when he meets Theodora Winkle – an author of children's books who sells millions of simple books at $9 each. Spitz cannot believe it could be so simple to print cash and decides to bash out a book about "Crafty Cow", get it printed and watch the money roll in. Reading books in the kids section of the library, he meets Samantha Kershaw who tells him all kids love the books and off he goes. However when his first draft is a gritty detective thriller featuring a dead cow he returns to the library and asks for Samantha's help in writing the book. In return he tells her he will look for her father – who left Sam's mother before she was born. Everything is simple until he finds out that he will have to meet the children his books sell to.Late one night in the UK, this film was screened on terrestrial television and several of the top reviewers on IMDb settled down to watch it – namely MovieCritic and Theo; what was this classic you ask? Well "The Real Howard Spitz". And what a rather uneven affair it is too, in many regards. When you look at the basic premise it sounds good and parts of the film are funny and enjoyable; but the plot is cluttered with some ideas that don't work as well as others and it makes the film feel rather messy and full of as many good moments as average/weak moments. Generally it is enjoyable but it is a very uneven film that requires you to be a bit forgiving and undemanding. The direction strangely matches this feel; mostly it is straightforward but it also throws in lots of strange angles and uses weird lenses occasionally – it doesn't take a great deal away from the film but it doesn't add anything either (although some of the camera work was pretty cool). Also, as others have seen, the use of music was strange as well.The performances are mixed. Personally I thought Grammar was pretty good – a nice step away from his usual Fraiser character but yet still with a similar dark wit to him that works. Donohue could have been anybody and was unmemorable. Tessier was pretty much an annoyingly cute kid but what makes her performance good is that her and Grammar have chemistry and go together pretty well. The support cast are so-so, not making a great impression at any point without really being "bad"; but the film is Grammar's and I enjoyed him.Overall this is a mixed and uneven affair that just about did enough to entertain me. The ideas are mostly good but the scattergun feel to it doesn't help it work and it really could have done with being tighter and more fully developed. It is quite funny, quite interesting and quite engaging – not great, but distracting and different enough to be worth seeing.

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Theo Robertson
1998/08/30

This is a family movie that was broadcast on my local ITV station at 1.00 am a couple of nights ago . This might be a strange decision on the part of the schedulers but THE REAL HOWARD SPITZ is a rather strange film , strange in the way it doesn't want to upset its audience . Come on there's nothing kids like more than sadism and that's why Roald Dahl was such a popular author for children . It also explains why DOCTOR WHO was such a successful show across the world . In this screenplay you're just dying for pulp fiction author to do something nasty to the kids but this doesn't happen . I'm not advocating child abuse but to see Howard Spitz lose his rag at the little ones would have made the movie rather better . Can you imagine how much worse KINDERGARTEN COP would have been if the producers had gone all PC ? I mean if you're making a movie centered around a children's author who hates children shouldn't the story show and not tell ? Much of the problem lies with director Vadim Jean and you do get the feeling he doesn't know how to handle the material which is bad news for the movie . As someone previously noted the soundtrack is haphazard and Kelsey Grammar is very wooden . I guess he was trying to play it dead pan just like in that show he's famous for but it fails to work here and there's many scenes with quiet ridiculous camera angles which seem unintentional but which are very distracting . But at the end of the day the main problem remains that the potential is ruined because no one wanted to offend the audiences sensibilities

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Spider-36
1998/08/31

I first watched this movie on an airplane that was flying to London. That's when I fell in love with this movie. Then a few months later, when I had the chance, I rented it on video. I fell even more in love with it. It's a feel good movie, it's funny, and you don't feel as if you've just watch some Olsen twin movie or something. Genevive Tessier, who plays Sam, is the most darling little girl I've ever seen. Kelsey Grammer plays one of his best roles yet. If you don't see any other movie, see this one. It'll have you laughing out loud and it'll make you feel good too. Take my word for it.

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