How could anyone even remotely think this was any good? How could anyone call this pretentious art-house anything? I like art-house stuff and this came nowhere close to anything resembling art.I imagine that only friends of the film makers have commented here. The comments that compare the director/star to Wooody Allen are absurd and laughable. The only funny aspect to this DVD was watching the Making of Child Star and seeing people praise this guy. It looked like Alan Thicke was doing what someone else told/paid him to say when he commented on how Don reminded him of Woody Allen.I thought the whole thing was supposed to be a farce, but then it appeared like the film was really earnestly serious about preaching how child stars have such a tough life. I am not kidding . . . this movie became didactic about this point.One of the finer points of the movie was when an adult model has sex with the twelve-year-old star and nobody calls the police. The statutory rapist is portrayed as a hero in a non-ironic way and becomes the open girlfriend of the child star.I don't usually care too much about plot, but this plot was disjointed (not that this is always a bad thing, but here it is) and retarded.

(Spoilers are quotes from movie) I loved this movie so much I watched it all over again the minute it ended. What a funny, intelligent film. A biting commentary on the film industry -- one of the (many) best scenes is when Rick deals with studio "heavies" who attempt to threaten him late in the film -- an absolutely hilarious hospital bed performance from writer/director/lead Don McKellar. Jennifer Jason Leigh is phenomenal as a cagey, manipulative childstar mother-- another actress might not have been able to pull off such a loathsome character who somehow captivates and charms us. Great Canada jokes (well more like US jokes really) throughout. Great scene in the beginning as writers pitch the script to the studio - I can't give it away but the scene is hilarious from start to end with lines like "Are they funny terrorists?" and in reply to "It's patriotic as s**t" -- the producer replies "It shoots in Canada".See this flick!!

Don Mckellar is a comic genius, as long as dry wit with an accent is your kind of laugh-a-thon. It is mine, so I loved this movie. Mckellar plays an endearing character who has just divorced the love of his life, for whom he has shot an independent film which has no backing as his on film love letter equates romantic love to ADHD images erratically juxtaposed against the nature. Since he has to put peanut butter on his bread, he begins working as a driver for a film being shot in his hometown. Thus, Mckellar's character meets 12 year old Taylor Bradford Burns, a teenage star whose fame is hanging on his ability to maintain "adorableness as a child" and thus, his film company and agents are pushing him to do another film whether it's worth doing or not (which is certainly debatable) before his "voice changes".Jennifer Jason Leigh is exquisite as always in her cooler than ever way, as the mother of the child. She's just looking to "take care of Taylor" the best way she knows how - which includes getting him the largest salary possible, living in the poshest house the studio will foot the bill for, and ensuring that he has "a male role model" by turning her responsibilities over to the first available and passably attractive guy she runs into --- who is of course, our newbie driver.It's a fun movie. Taylor Bradford Burns is played by a young man who is straddling the line between youth and a teenager with more experience than anyone under 18 should have. Worth renting. Enjoy it with popcorn.

I loved McKeller's other film "Last Night". Unfortunately, this lame effort is uninspired. We've seen it all before and better. The film doesn't know what it wants to be - is it a comedy, a morality play about fame and the young, is it about parents living through their children, is it about manipulation? The result is a film that doesn't know what it wants to be and in turn, cannot find an audience. Like so many Canadian films, it's just not audience friendly and there is nothing in this film to get anyone but McKeller fans out to watch it. The film just unraveled (badly) and never went anywhere and then needed a long speech at the end to explain a plot we all stop caring about a long way back. The cinematography was excellent but it was wasted in this effort. McKeller can do better and has. Hopefully he can put this failure behind him.