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In the Temesvar Province, a landowner returned from exile marries a gypsy girl who is revealed to be the daughter of a Turkish Pasha and the rightful owner of a hidden treasure. Next to "Die Fledermaus", DER ZIGEUNERBARON is Johann Strauss’s most popular operetta. The libretto gave Strauss the chance to revel in such contrasting musical forms as the Csárdás and the Viennese waltz. The style of the lied forms and ensembles is so original and finely balanced that the "Gypsy Baron" can truly be called a comic opera. Among the leading names of the stellar cast in this exuberant 1975 film of the operetta are Wolfgang Brendel, Ivan Rebroff, Janet Perry, Ellen Shade, Martha Mödl and, in the role that launched his career, Siegfried Jerusalem as Sándor Barinkay.

Ellen Shade as  Saffi
Ivan Rebroff as  Kálmán Zsupán
Janet Perry as  Arsena

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Reviews

TheLittleSongbird
1975/01/01

I may prefer Die Fledermaus just a tad, but The Gypsy Baron I love just as much, it is just as funny and charming and the music is wonderful. And this 1975 film version is just fantastic, like the operetta promises it is hilarious and charming often at the same time. The story is silly and quite complicated, but that's more the opera than the film, regardless the story still interests you. There is never a dull moment, it simply flies by, and lovingly photographed it looks beautiful, both the countryside and Vienna. Musically, it is just as striking, lively and lush orchestral playing and understated conducting really help. And all the performances are great. Biserka Cvejić is a knowing Czipra, even if her somewhat youthful voice betrays her make-up. The Gypsy Baron was Siegfried Jerusalem's breakthrough role, and you can see why as he is very charming and debonair especially in Als Flotter Geist/Ja, Das Alles Auf Ehr'. He is well partnered by delightful performances from both Janet Perry(Sieh' Da, Ein Herrlich Frauenbild is her at her best here) and Ellen Shade(sublime with Jerusalem in Wer Uns Getraut), as well as a hilarious Ivan Rebroff, especially when he boasts of his adventures as a soldier and seducer, and a commanding Wolfgang Brendel, whose Recruitment Song is likewise stirring. In conclusion, fantastic, anyone who loves Strauss' music but for some reason hasn't seen this I recommend it with no hesitation. 10/10 Bethany Cox

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