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A schooner disappears at sea without a trace. Years later, evidence of possible survivors prompts the mother of the schooner's mate Jose to hire a tuna boat to investigate. They discover the lad living happily on a South Seas island, and, when he refuses to leave with them, they abduct him. However, Jose gets revenge by leading the ship into the lair of a mysterious giant manta ray.

Barry Norton as  Robert Jackson
Blanche Mehaffey as  Louise
Jack Barty as  Capt. Jackson
Mary Carr as  Mother of Jose

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Reviews

mobbosscheeto
1946/06/29

I love a bad movie, but this movie is just bad. It contains more stock footage than any real scripted scenes. The constant white glow through out the whole movie is just unappealing to the eye. The fight scene with the octopus and eel, is clearly in a fish tank when it suppose to be under water. The Use of tribe footage with the Voice over just got boring slow and not even documentary like. The cuts from scene to scene sometimes appears to from different films. The score was so obnoxious, plain, and repeated it self numerous times. The dialogue is terrible, and at times made no sense on what they were talking about. There's almost no effort in this movie that's why it's got a 1-10.

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MartinHafer
1946/06/30

To call "Devil Monster" a film isn't really fair, as it's simply a crappy old film from a decade before that's been chopped to pieces, had narration and new dialog added as well as LOTS of irrelevant and cheap looking stock footage. As such, it's just a cut and paste job with no original content and this really was terrible to foist this pile of bilge on the public. It's a completely cynical attempt to squeeze a dime off unsuspecting people.The plot is quite scant. A guy disappears and some folks go looking for him in the South Seas years later. They find him and try to force him to return home--and the man exacts his revenge. In the interim, there is lots of footage and stilted dialog--and absolutely none of it is interesting or worth your time. A truly terrible film with not a single redeeming feature. Heck, it's not even unintentionally funny like many bad films--just duller than dishwater.

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BaronBl00d
1946/07/01

Except for the oddity of being taken from three previous films and edited together - all much older than the 1946 release date of this film, Devil Monster is one heck of a bad film with bad acting, bad special effects, a terrible script, and virtually nothing going for it. A third is almost nothing but stock footage of seals,dolphins, and various tribes that look nothing alike in different scenes. I was yawning after two minutes of seeing seals wash up on rocks and having inane dialog try and justify its presence. The original films could not have much better though because a couple of these actors - okay, most of these actors are just downright awful from the lead Barry Norton to the excessiveness of Jack Del Rio looking like a psychopath at the ship's steering wheel to the laughable persona of Jack Barty as the captain to the even more ludicrous native chief with a New York accent. Only the fellow playing Tiny the cook held any of my interest - and that really says just how bad this film is if you saw his performance! I really cannot add much more to this then to say that the film is very, very bad and devoid of any merit whatsoever except if you enjoy watching people pour out their hearts only ending in cinematic misery for the viewer built by the foundation of their lack of talent and competence. Sometimes I do. I did laugh several times at how bad - really bad - thing were.

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vigilante407-1
1946/07/02

My criteria for a true bad movie is one that is either just plain boring or just plain stupid. Highlander 2 is an example of the latter, while Devil Monster is a pretty good example of one that's just boring.This cheapie is another movie that's basically ten minutes of story and fifty minutes of travelogue. Too much nature footage detracted from the already-scant story. The story that's there is pretty much just a minor melodrama, probably more at home in a silent movie (in which most of the principal actors would've also more at home). About the only really interesting bit is the fact that the hero doesn't get the girl at the end. Most of what passes for special effects are just crudely done opticals, but they don't really detract from the film as much as one would think.I'd love to see The Sea Fiend (the movie from which this one was edited) to see if what they took out made things go any more interestingly.

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