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When a treasure hunter seeks a downed airplane in the jungles of Africa, he encounters one of the passenger's young daughter, now fully grown, and with a gorilla protector.

Buster Crabbe as  Ray Gorman
Fifi D'Orsay as  Marie
Barton MacLane as  Carl Hurst
Julie London as  Doreen Stockwell
Bryant Washburn as  Hunter
Herbert Rawlinson as  T.F. Stockwell
Ray Corrigan as  Nabonga der Gorilla

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Reviews

Red-Barracuda
1944/01/25

An embezzler on the run crash lands in the middle of the African jungle. His young daughter grows up under the protection of a large gorilla and becomes known to locals as the legendary white witch. An explorer sets out on an expedition to find her.This jungle adventure is directed by Sam Newfield who is famous for having directed more films than anyone else. Nabonga is very similar in plot line to another of Newfield's films, White Pongo. Both films feature large apes who covet young white women. And both also have striking titles that are never actually used in the film at any point! This picture is a pretty campy affair with a white jungle queen who acts more like a petulant city girl. It's overall entertaining enough to an extent but at the same time it has a lot of overly familiar adventure flick elements that aren't too interesting, such as a villainous, greedy explorer on the good guy's trail. The scenes with the girl and the ape were quite good fun though and, despite being nothing too great, this one is reasonably diverting as these types of movies go.

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retrorocketx
1944/01/26

For such a short movie, you get plenty of wild animals to look at. In Hollywood's version of deepest, darkest Africa, you get the usual lions, zebras, hyenas, chimpanzees, hippos and leopards - but why limit the animals to only one continent? For the perfect jungle cocktail, stir in South American monkeys, Indian elephants, American alligators, Australian cockatoos...and cap it off with a guy in a gorilla suit. Serve with Buster Crabe and Julie London for a really fun time.The story is about stolen jewels that are lost in a plane crash somewhere in the jungle. The daughter of the thief, Doreen (Julie London) lives a life of seclusion and innocence in the jungle with the jewels, protected by her gorilla friend, Sampson. The natives whisper of a white witch. Ray Gorman (Buster Crabbe) has journeyed to Africa to find the jewels and clear his father's name from the charges that he allowed the jewels to be stolen. A couple of seedy trading post scoundrels get wind of Gorman's goal and they follow along behind him, determined to get the jewels for themselves.Gorman befriends one of the local natives, Tobo, who offers to lead Gorman to the remains of the 'house with wings' that he keeps trying to tell people about. At first, Tobo seems to know his way around the jungle. But after Gorman does the obligatory fight the fake crocodile in the river with his shirt off scene, Tobo has no future and is promptly killed by the guy in the gorilla suit.The rest of the movie involves the resolution of the Beauty and the Beast story. The gorilla, Sampson, jealously protects Doreen's innocence and has kept her out of contact with other humans. Doreen calls off Sampson just as he is about to kill Gorman, thus opening the door to human interaction. Buster Crabbe and Julie London together on screen are very entertaining. Buster plays it all goofy and good natured, while Julie is naive, direct and flirtatious.Gorman's decision to trap Sampson and take the jewels against Doreen's will is a bit unsettling. It seems unfair, like stealing from a infant. The movie does not linger on any moral issue regarding the act, which is interesting. The action is treated like a given - the concerns of western civilization apparently trump everything else. What is chilling is that this attitude is exactly how western civilizations treated Africa for over two hundred years.Doreen decides she really likes Gorman. That pretty much dooms Sampson. The Beauty and the Beast relationship ends with his heroic death, defending her to the last. That means Gorman can now take Doreen out of the jungle and back to civilization. A happy ending...?This is an entertaining little low budget movie. It is thought provoking too, but I doubt if that was the original intent.

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unbrokenmetal
1944/01/27

Buster Crabbe, formerly Tarzan, Flash Gordon and Buck Rogers, stars in this jungle action adventure. A box of jewels from a robbery was lost in the jungle years ago with the daughter of the thief. Our hero needs to find the box and/or the girl whose only friend in the meantime is a man in a gorilla costume. Sounds like a-dime-a-dozen, but actually "Nabonga" is well scripted and rather amusing. Instead of the same old wild fights against lions, this adventure gives Crabbe plenty of opportunity to be witty, for example I loved the scene when he is so afraid of the mighty gorilla the girl has to calm him down. Barton MacLane plays one his typical baddies, trying to steal the jewels himself. Well, it's a simple B movie within the genre rules of the 1940s, but it's doing well.

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JohnHowardReid
1944/01/28

"Nabonga" marks the debut film of Julie London. It's also the first and only movie of Jackie Newfield, daughter of director Sam Newfield (and niece, of course, of Newfield's brother, Sigmund Neufeld).By the humble standards of the Neufeld Brothers, this entry is reasonably entertaining. The story is a familiar one (it was later re-used with great effect in "Mr Joseph Young of Africa"), but here it moves with sufficient pace and encompasses enough action to satisfy second-feature fans. True, Buster Crabbe breezes through his part with plenty of charm, but little conviction. As a good guy, his motives towards and treatment of the heroine often seem a little dubious, but such subtleties don't worry Buster at all. Julie London, however, makes quite an impression, while Ray "Crash" Corrigan has a grand time as the gorilla (though he is outclassed in the acting department by young Jackie Newfield). Fifi D'Orsay seems an unnecessary addition to the story, an opinion oddly shared by scriptwriter Myton who gives her little to do and then removes her from the plot with little ceremony. We would have liked to see more of Prince Modupe, however, whose dignified and knowledgeable native guide is far removed from the usual Hollywood stereotypes.Production values seem adequate enough for Poverty Row and are helped out enormously by Robert Cline's always attractively glossy and often noirishly lit photography.Available on DVD through Alpha. Quality rating: nine out of ten.

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