A friend of mine from Bhutan borrowed this movie to me. Yes "borrowed"... not given to me, after all it is such a lovely movie to add it on your collection. Though Bhutan is not known for movie making and all, but this will surely leave a question in your head and you are sure going to say..."WOW, NOT BAD AT ALL". I must say that this movie is far better than thousands of Bollywood movies. The direction is superb and the cinematic beauties of Bhutan added a lot of charismatic on this film. All the actors really acted well, realistic down to the core. I really love this movie, the way it unwinds the story, and the way the characters enter story is awesome. The little of humors here and there adds lots of value to it. And not to forget, the utterance of wisdoms by the monk are so realistic that one will surely illuminate his or her ignorance. A must watch movie for those who love "good movie". Thumps up and hats off to the team.

Dondup (Tsewang Dandup) is a Bhutanese government officer who has just been assigned to a small village. He's anxiously awaiting a letter from a friend in America. As soon as he receives it, he plans to meet his friend in Bhutan's capital, Timphu, and from there make his way to America, which he imagines of a land of great beauty and great opportunity, with "cool", beautiful women and an exciting lifestyle.Extending from the premise, Travellers and Magicians becomes a combination of a road film and a grass-is-greener film. Dondup receives his letter, but partially due to cultural formalities and niceties, he misses the bus he needed to catch to make it to Timphu--a 2-day journey--on time. Increasingly agitated, he meets up with a humble apple-seller and a Buddhist monk on the road, and eventually two more people join the group. While they travel, the monk very gradually tells them a parallel story meant to serve as a parable, which we see enacted.The structure and subgenres of the film provide a nice framework for two major, intertwined themes, both of them very Buddhist in nature. The subtler theme, most rooted in it being a road movie, is that of living in the moment, which is one aspect of mindfulness. The journey, here shown in a literal way, but also meant figuratively, is just as important as arriving at a destination. The more explicit theme, rooted in the grass-is-greener aspect, is a warning against the attachment to hopes, desires and dreams. Attachment is different than merely having hopes, desires and dreams. Attachment is a state where one stops being mindful of the here and now.Dondup keeps dreaming about America. In his mind, he's already there, and his appearance and behavior evidence this. He talks of how beautiful it must be, yet Bhutan, which is on the edge of South-Central China, in the Himalayas, not too far from Mount Everest and Nepal, isn't short on beauty. Exquisite cinematography keeps us aware of this, and stresses how Dondup cannot see what is right in front of his face. He also dreams of the job he might hold in America--perhaps he'll be an apple-picker or dishwasher, he muses. But he has a relatively well-paid and certainly well-respected position in his culture. He dreams of the women in America, yet he runs into a very beautiful and elegant woman on his journey who is young, single and very attracted to him. The grass-is-greener theme even rears its head by Dondup trying to block out live music that's right in front of him (thanks to the Monk with a dramnyen, which is a bit like a guitar) by playing western music on a boom box.At the same time, the parallel story told by the monk features a young man with similar dreams who inadvertently escapes to an unknown area where he too meets a beautiful woman who is attracted to him. The woman's husband has also achieved "the other side of the fence" in his grass-is-greener dream, but with the arrival of the young man, it backfires on him. Achieving the greener grass also ends up backfiring on the young man in a way, and he seeks a return home.It's important to remember that in Buddhism, these ideas are not presented in moralizing way, and they're not presented as something black and white. Hopes, desires and dreams are not considered bad things (and neither is attachment--the problems with such things are more matter-of-factly presented), and certainly, the grass could be greener somewhere else. Because of this, Travellers and Magicians writer/director Khyentse Norbu maintains appropriate degrees of ambiguity throughout the film. While doing so, he presents a story with important themes that is captivatingly told with beautiful cinematography and excellent performances. Don't miss this one.

Khyentse Norbu's cinematic abilities have grown since The Cup, his previous movie. I am hugely impressed across the board. The screenplay is great, cinematography is great, the story is great, and the editing is great. Also the characterization is outstanding. All the characters, even the "bad guys", are seen with compassion. I found the movie very entertaining and when I left the movie I felt uplifted. Meanwhile the dark side of humanity was not left unexplored. It has a kind of spirituality that seeps in at the edges, as if by osmosis, and is far from preachy or pedantic. This movie reminds me of some of the great movie-making of the 60's....Bergman and Fellini to name the directors. It is deceptively simple in it's beauty yet, to be bold in my opinion, I would also say it has reached toward and achieved the archetypal. A definite should see!

Truly remarkable and moving movie." Wherever you go there you are" seems to prevail as the Bhuddist philosophy.A movie that has a story within a story "looking within" as it were.The scenery is magnificent and it is a "breath of fresh air" as itcascades out of the screen to freshen your body , soul and mind.A remarkable picture since it was not made in Hollywood or Bollywoodbut within the remarkable nation of "Bhutan" showing truly"breathtaking vistas" that easily eclipse "Kashmir" "Tibet".The characters are as enduring as the landscape. The great beauty of this movie is within us all.