Man, I don't ever try to understand these 'Tetsuo' movies anymore and simply go along for the ride. And this surely is one intense and very visually orientated ride, that I overall really enjoyed.Once more, the budget has significantly gone up, when you compare it to the previous 2 movies and of course the original first student film that got made by Shinya Tsukamoto, before he created his first full length movie of the series. And yes, I can definitely say that this is the best looking movie out of the series. It's still very dark but it's more stylized all. It's a movie with a great style and atmosphere over it.Yes, it's also definitely a weird movie, in which lots is happening and stuff is being left mostly to the imagination, or rather said; an actual story is hard to find. Though I must admit that out of all the movies out of the series, this one is probably making the most sense with its story but that's not saying much really. But then again, people won't watch this movie expecting a clever or provoking story. They'll expect a visual and intense experience most likely, just like I did. When you do, "Tetsuo: The Bullet Man" is a movie that won't disappoint you.And how awesome is it that the main character of this movie is the bullet man, who shoots dozens of bullets from his body, ever time he goes into Hulk-mode. It's truly something awesome, that got done quite well visually, with some nice effects and make-up.You can also really definitely say that Shinya Tsukamoto keeps on improving as a director, though it might be argued that this is also thanks to the higher budgets he's receiving to work with.7/10http://bobafett1138.blogspot.com/

After two decades of moving further and further away cyberpunk and into a much more contemplative style, a return to his earlier themes and style – and in English! - struck me as a rather mercenary move by Tsukamoto when I first heard about it, and as the first film is so important to me (being what opened my eyes to cinema beyond Hollywood, and remaining in my all time top 20 to this day) I approached this with slight trepidation. Fortunately, this is very much a Tetsuo movie through and through, largely uncompromised by commercial thoughts, and as frenetic, fast paced and blistering as ever. The basic plot – a man mutates into metal after a traumatic incident – remains, but the movie still throws up fresh and unexpected ideas throughout. The decision to have it in English does lead to the occasional stilted feeling in the dialogue, but this is a minor point. Overall, while nowhere near the heights of the first film, it's comfortably about equal to Tetsuo II: Body Hammer, which is far more than I expected.

I was recommended this movie from a friend as he loved it but I didn't I'm afraid, I can't really give a true review of this movie due to fact that I haven't seen any of the previous movies or any of tsukamoto's previous work, so I will not comment on the story itself but tell you the truth I watched it as I thought it was going to be an action flick with many body parts flying around but this wasn't the case and the camera work was very shaky and it was very difficult to know what was going on, If like me you have not seen any of tsukamoto's previous work don't waste your time, but if you really feel the need to watch it all I can suggest is watch the previous movies first to give you at least a certain incl-in of what is going on.

If you know Tsukamoto's other films and you have already seen Tetsuo 1, at the vision of this one you will be unsatisfied. You will not recognize the original Tsukamoto storytelling, where you must evince everything about the story only by images, and not from an actor that speak and explain what happened since that scene of the movie. The good thing you can find in the first one or in the other movies by this author are that you must concentrate on the movie, on the images to be able to understand, and the images make you stay on your sit with your eyes open and your mind full operative. But this chapter of the Tetsuo saga is not that kind of film. It's more similar to an American movie than a Tsukamoto movie. I don't understand if it's Tsukamoto changing or it's only because this was an American co-production. Maybe someone who don't know Tsukamoto will appreciate it for it's fine director's style or for the incomparable music, but it's better if you make a comparison with the first one, that will remain an absolute masterpiece, 20 years before, a lot of money less. Still,this is a remake, with a lot of changes in the story, but not in the message the author wants to tell us!