There are several criminal aspects to this sub-krimi German co-production, first among them being the fact that the filmmakers neglected to get Christopher Lee and Thorley Walters in to loop their own dialogue. It's somewhat jarring to watch an actor with so readily identifiable a voice as Mr Lee speaking, yet the words come out of his mouth spoken by what sounds like a Transatlantic drawl. Or an American dubbing artiste doing a poor Lee imitation.If one can get past this surreal experience however there is fun to be had. Lee and Walters are ideally cast as Holmes and Watson, at times certain shots looked like Sidney Paget illustrations come to life. Hans Sohnker does a creditable job projecting a sinister air as Moriarty, despite the handicap of dubbing even more atrocious than that of the English-speaking cast. He's no Eric Porter or even George Zucco, but better than some lesser efforts. The direction, however, co-credited to the masterly Terence Fisher of many a Hammer classic fame, is somewhat workmanlike. Perhaps Fisher's heart wasn'tin it, or he was held back by his Teutonic cohort, but it's not in the same league as his and Lee's earlier essaying of "The Hound of the Baskervilles".The supporting cast are more than adequate, with the lovely Senta Berger in an early role adding some class and beauty to a female cast of East End slatterns played by burly hausfraus. It really is a shame though that Lee's icily incisive portrayal of the great detective, perfect for the role in every way, was only seen in this film and a couple of early '90s productions. Still, there's always the consolation of being the only actor (so far as i know) to have played bot Sherlock and Mycroft Holmes, as well as Sir Henry Baskerville. That's got to count for something.By the way, i saw this under the title "Sherlock Holmes and the Deadly Necklace" (somewhat reminiscent of the Basil Rathbone series, the middling entries of which it is on a par). The alternate title of "The Valley of Fear" is somewhat misleading, as apart from characters such as Holmes, Watson and Professor Moriarty this film has very little in common with the Conan Doyle novel of the same name. However, for a Holmes fan wanting a diverting hour and a half on a rainy afternoon, this more than does the trick.

First off, I am a big Holmes fan, and have been for over half a century. I grew up reading the canon, and I saw the TV series in the 50's as well as the more recent one with Mr. Brett. I've seen almost every Holmes movie ever made. My only regret is not having seen the stage production with William Gillette performed around the turn of the century (the 19th), although I have seen the silent movie made from the play in 1920.Based on all that, I think I have a pretty good tolerance for the vastly differing styles that Sherlock Holmes can come in. I enjoyed the humorous takes that have been filmed ("Sherlock Holmes' Smarter Brother", "Without a Clue", and "The Private Life of Sherlock Holmes"). I even managed to watch "The Seven-per-cent Solution" twice. However, I was bored out of my skull by this movie. I actually had to get up and walk around to stay awake, just to be able to say I watched it all. Now I wished I hadn't.

It was always obvious, even before watching it, that this Sherlock Holmes movie wouldn't be as terrific and compelling as "The Hound of the Baskervillers" (the other Holmes movie directed by Terence Fisher and starring Christopher Lee – although not in the titular role), but I honestly didn't expect it to be *this* disappointing. The most major problems are noticeable on the surface already: an international co-production with two directors, a lesser interesting plot outline (at least in comparison with most of Doyle's stories), issues during the post-production phase and English-speaking actors whose voices are dubbed… in English! Yup, especially if you're a fan of the aforementioned Hammer film or – like myself – swear by the brilliant old Sherlock Holmes movie series starring Basil Rathbone, you might consider skipping this one or least lower your expectations drastically. Still, "S.H. and the Deadly Necklace" isn't entirely without merit, neither. Surely a lot of fans desperately crave to see the almighty Christopher Lee depict the greatest and most intelligent fictional detective who ever lived? Even though he doesn't sound like himself, Lee's charisma and impressive posture is exactly right for the character. With his inborn aura of superiority and stern grimaces, Lee is like a natural born Sherlock Holmes and it's regrettable that he was only offered to play the role once and in such lackluster conditions. Lee also receives excellent support from Thorley Walters (well cast as Dr. Watson) as well as a couple of lesser known performers. The film definitely also benefices from the masterful art direction and enchanting black-and-white cinematography, respectively courtesy of Paul Markwitz and Richard Angst. Last but not least there are some memorable moments to enjoy, including Watson's uncomfortable encounter with a prostitute and the multiple disguises of Sherlock Holmes. Sadly these aspects are merely just footnotes in an overall tedious, suspense-free and incoherent mystery/thriller.

In this movie, Christopher Lee delights us with a very convincing impersonation of the greatest detective of them all (he would later have another go at playing Sherlock Holmes in two made-for-television movies from the late 1980s.) Thorley Walters is also perfect as his friend and associate Dr Watson. The film has not much in common with director Fisher's previous stab at the myth THE HOUND OF THE BASKERVILLE (also featuring Christopher Lee, not as Holmes), and is not as successful. The picture is reminiscent of the silent films made in the first decades of cinema, a fitting atmosphere for a Sherlock Holmes adventure. The original version is supposed to be a complete mess as far as the sound is concerned (according to Lee in his autobiography), but the French dubbed version is pretty well done. Accompanied by a surprisingly jazzy score, here's an enjoyable enough movie, in an old-fashioned kind of way.