This engaging war drama takes place in 1942 with the conflict between the U.S. and Germany revving up. Two sons of famous fathers, Jason Connery and Francesco Quinn, star as U.S. intelligence discovers that Nazi commandos have plans to kidnap British Prime Minister Winston Churchill as he leaves a meeting in Casablanca. When it is learned that there is a spy tipping off Churchill's movements; protection beefs up and the method of transportation changes. Some suspense and tension along with war violence sustains the 90 minutes running time. There may be questions concerning historic accuracy; but this flick does make good for a lazy weekend afternoon viewing. Sergio Martino directs a cast that also features: Glen Ford, Jinny Steffan, Giovanni Tamberi, Jean Sorel and Donald Pleasence.

While this is nothing extraordinary perhaps, it is a worthwhile piece of cinema for many reasons. The basic plot is sound, there are some fine actors involved, and it relates a sideshow of the war which might have had very far-reaching consequences had things panned out otherwise. I also thought the female lead was excellent, and that surprised me, in a movie of this type. Jason Connery is a believable commando and it would probably surprise some people to learn that just this type of operation was carried out on more than one occasion in the Second World War. Altogether, a good entertainment, with very nice touches from Donald Pleasance and Glenn Ford, and a highly efficient (Nazi) villain to boot.

Since I like World War Two as a movie genre, I tend to be a bit more kind in my criticism than others. I found the set designs, wardrobe and ambiance acceptable. I found Jinny Steffan more than appealing, and believe the film would have been much more tolerable for me if her ample "attributes" had been exploited more. And, as others have pointed out, this film is anything but memorable — and for all of the historical, political and military inaccuracies already pointed out. In addition, prior to this, I had never seen any World War Two ground troops, Army OR Marine, who wore jump suits, especially jump suits complete with leggings. As for goofs, in the final scene, Jason Connery (with a gunshot wound in his left leg) and Jinny Steffan walk away from the doomed train. However, with each step, he puts his full weight on his left leg and limps on his right as she supposedly holds him up.

An old-fashioned WWII adventure piece, starring some elderly Hollywood vets and the sons of some great stars. Unfortunately, even with a great cast and crew, the movie comes off as forced and corny all the way. Churchill takes a train to meet with Roosevelt and Stalin in Casablanca. German paratroopers attempt to capture the train and take Churchill alive, but their efforts are hampered by Allied commandos. The movie is, honestly, really bad in just about every department. Jason Connery and Francesco Quinn (PLATOON) try really hard, and have enough talent to squeak by, but neither would be as convincing or at ease as their fathers (Sean Connery and Anthony Quinn). Manfred Lehmann is a pretty nasty-looking but very incompetent German officer who leads the assault on the train. Donald Pleasence (THE GREAT ESCAPE) and Glenn Ford (IS PARIS BURNING?) are onhand as the Allied generals running the show from headquarters. The movie is chock full of supporting characters and plot elements which have absolutely nothing to do with the action. There's a Catholic priest, a couple prostitutes, nuns, Arab sheiks, and British civilians riding the train who all end up getting killed. So much emphasis is put on these characters, all of whom are focused on only to be thrown away. There are a lot of plot holes and such which also hamper the story's credibility. Glenn Ford seems to hate Churchill and blames him for Pearl Harbor and the death of his son, but this subplot is forgotten about halfway through the movie. Men sit around talking for the first thirty minutes or so about nothing that matters, providing lots of details on events and actions which don't matter a bit. The Germans manage to take over the train quite rapidly and wipe out a platoon of American guards, but in the final act a couple good guys with MP40s are able to wipe out just about the entire German unit with no effort at all. The Germans fail to secure the entire train, just some cars; they don't bother to look underneath the cars for saboteurs; they are portrayed as buffoons and idiots all the way. The action scenes are ultra-corny, usually involving few pyrotechnics and a couple of good guys mowing down the German paratroops or vice versa. It's all set to a typically garbage (yet serviceable) Luigi Ceccarelli music score, which is typical synthesize garbage that never makes it's potential. To make matters worse, the bulk of the action was shot on what looks to be a desert soundstage, with the train parked and not much movement of the actors or any exciting stunts. There is one nail-biting fisticuff atop the speeding train which did have me on the edge of my seat, though. I watched CASABLANCA EXPRESS on a Portuguese videotape. The colors were bright, fresh and intense. There was occasional print damage, but for the most part this movie was well-preserved for video transfer. CASABLANCA EXPRESS is a corny - and appropriately so - but doesn't fit bill for a late 80s war movie. Audiences could expect better from such an experienced cast and crew - even for an Italian production, it's not very good for its day. RATING: 3/10