THE BUDDHIST FIST is a fast and furious action comedy from the great Hong Kong director Yuen Woo-ping. It stars Yuen Shun-Yee who plays a novice barber's apprentice who is soon drawn into a murder plot when his childhood friend is framed for murder and he decides to investigate, subsequently becoming a target himself. THE BUDDHIST FIST is far more than your typical Jackie Chan rip-off, with a fresh look and feel that sets it apart from the rest.The opening scene of the movie features DRUNKEN MASTER's Simon Yuen in an amusing cameo and I've read that he died shortly afterwards which means that his performance is limited to this one moment. However, the rest of the Yuen clan do appear, including Yuen Cheung-Yan playing a gang leader. Lee Hoi San turns up in one of those stock bad guy roles which he was always so adept at playing. THE BUDDHIST FIST follows the usual template for these productions, with non-stop comedy hijinks in the first part giving way to some serious action in the second.The setting of the barber shop allows for some great comic set-pieces and the one involving the cross-eyed character actor so familiar from the genre is my favourite. The plot's twists are enough to keep the viewer involved up until the climax, which is where the strong fight choreography comes in and keeps you gripping. While THE BUDDHIST FIST isn't one of Woo-ping's all-time classics, it certainly ticks all of the right boxes as an effective kung fu film.

I have been a fan of martial arts films for ages; I was always slightly disappointed that the emphasis would often be on ridiculously convoluted plots rather than being focused on the fights themselves. Thankfully this is not the case with "Buddhist Fist"; the plot centres around a pair of childhood friends who go their separate ways in their teens, a few years later one is recalled home after events transpire in his home village. He is now a hairdresser (a bad one) & in traditional Kung-fu cinema style has a clumsy sidekick in tow; whilst the other friend is a Buddhist monk at the village temple. Not wanting to spoil the film for anybody, that's all I will reveal, but essentially it is the tale of what occurs to the two friends as the village is manipulated by the bad guy, imaginatively titled "Big-small feet" (no prizes for guessing why!)The stand-out moments from this title have to be the astoundingly choreographed fight scenes...I mean these sequences are AMAZING: it's as simple as that. I have seen more martial arts films than I've had hot dinners (almost)and these scenes are something else!! The fighting borders on dancing in places, it is so technical and astounding to watch, I mean I didn't know human beings were capable of such things. Also worthy of mention are the comedy moments; I never really liked the slapstick elements of martial arts films, like the ones in Jackie Chan films which are always way OTT(with sound effects to match), but they really work here...especially the hunchback "poisoner" whose special technique is "Holy Ghost Claw". Plus I challenge anybody not to laugh when the compulsory Master/Sensei pulls out his bag of tricks to upstage the youngsters with his moves..."Strength is improved: by form breathing..." Classic!!Lots of these kinds of films are too heavy on the fights without justification. Films like "Mystery of chess boxing" for example, where there is a brief introduction similar to the rest, character gets wronged by indiscriminate bad guy, gets taught Kung-fu by a "master", becomes an unstoppable force for good, wins in the end...in that order. Buddhist fist on the other hand, balances out the fights with just the right amount of story in between & even attempts to provide sensible reasons for each encounter, instead of the usual "you tripped me up in the street; now defend yourself or die!". Each fight gets more and more frenetic until the energy-fuelled finale, which has to be seen to be believed.There is no real nudity, no real gore, no romance element, but if these are the reasons you watch this kind of film, you're doing it for the wrong reasons IMHO; it's about the Kung-fu and the physical feats of the actors. Definitely in my top 5 martial arts films of all time, a lost gem from the hugely talented Yuen Wo Ping stable of the far east!

The Buddhist Fist (1980) is most certainly not among the better exponents of its genre. It has some decent and fairly entertaining kung fu here and there, but the story is generally boring. The motivation of the bad guy is non-existent. The terrible attempts at humor mostly fall totally flat and are generally misplaced. I'll admit, though, that the Fat Master is quite entertaining, and will make anyone smile with his unbeatable kung fu (and chess fu!).Story and production-wise, the movie warrants a "5" rating, but I will raise that to a solid "6" because the entertainment value is fair and the movie has an amazing finish.The final fight is superb. It's like an inventory of all the "Buddha" styles; "Sleeping Buddha", "Drunken Buddha", etc., and it's of a good length. This sort of scenes is what Asian movies can do that Western movies can't, because no Westerners have this kind of devotion to and tradition for martial arts in the movies.Special mention should also go to the guy who plays Boss Chang (the one with a big and a small foot). He's one cool dude, though his role here is nothing much. Catch him as a very cool monk in The 36th Chamber of Shaolin instead.

If you're into the type of kung fu movies with an emphasis on humor, pick up "The Buddhist Fist". This one was a bit TOO funny, and was almost a distraction. The fighting is great, but at times looked too choreographed. Jackin Chan has done it much better, so look there. Good for a one time rental. If you need something, pick up one of his other movies, like the flawless "Iron Monkey".