Well, here we go again. This is another in Jess Franco's endless selection of exploitation movies. In this case Jess has turned his hand to the women in prison genre. It's certainly an area that is well suited to Mr Franco's sensibilities seeing as these are types of movies that demand sleaze by the bucket full. Women Behind Bars is no different seeing as it has loads of full frontal nudity and a couple of torture scenes. The story, such that it is begins when some diamonds are stolen from a Chinese junk. The only surviving thief is shot by his wife and she hides the jewels. She is then sent to a tough women's prison where abuse is the order of the day. Meanwhile, several characters try to free her so that she can reveal the location of the diamonds.This production was another product of the infamous cheap-jack French exploitation film producers Eurociné. Its main claim to fame is easily its inclusion on the notorious Video Nasty list, which was a group of films released on home video that were regarded as obscene by the British establishment back in the early 80's. It seems pretty obvious that this one fell afoul of the censors on the basis of its two torture scenes. In them, one naked woman is viciously whipped and then another has electrodes attached to her vagina. That sort of stuff pretty much guaranteed Video Nasty status, irrespective of how unconvincing it was. Other than this there is a lesbian sex coupling and many shots where the camera zooms into female crotches. All of the depravity is overseen by a sleazy and sadistic warden who expects sexual favours from the inmates.Franco muse Lina Romay stars in the lead role and she looks quite nice. But like any film from this director, acting performances are merely an after-thought. The film-making is very cheap and amateurish throughout. Like many Franco films it feels like it must have been shot in a couple of days. He adopts the approach of merely pointing the camera at the action and shooting (and then zooming in). The camera-work is shaky and there is little in the way of editing. But despite the Z-Grade nature of Women Behind Bars it was entertaining enough. The short running time was certainly a bonus admittedly. Franco's sledgehammer approach does have a grimy charm though and this one far from his worst.

Women in Prison is infamous director Jess Franco's third, well, "women-in-prison" movie, following 99 Women and Barbed Wire Dolls. While it is by no means a good movie (no single film should have this many zoom shots), it is entertaining enough and moves along fast enough to never get boring.Lina Romay plays a woman who's lover robs what he believes is a loot of jewels from a docked boat. When he arrives back at the restaurant they own, he discovers that the case he stole is empty. Romay shoots him, then calls the police and turns herself in.What follows is standard W.I.P. fare. Romay has a lesbian tryst with her cellmate, nude women are whipped and tortured and the warden demands sexual favors from the prisoners. While it is strictly by-the-numbers for this type of movie, most of these scenes zip by at a good pace and there's no shortage of bare breasts and buttocks on display. Romay is slightly out of shape, which adds a touch of realism to her character, though most likely unintentionally.Romay manages to escape and is surprised to be greeted with an unexpected getaway car (driven by director Jess Franco, in one of his many supporting roles). She finally meets up with her partner in crime and it is revealed that the whole thing was a set-up and he had the jewels all along. One thing that is never explained is why Romay's going to the prison was ever part of the plan! Regardless, logic and coherence are not things I am too worried about when watching a movie like this. It delivers what the title implies and at the compact running time of 80 minutes never really gets a chance to become tedious. Recommended for fans of the director or the subgenre. All others needn't bother.

This video nastie was banned in Britain and never released.No, it wasn't for Jesus Franco's propensity for plenty of full frontal nudity, including his own wife, Lina Romay. After all, they have made over 100 films together, and I am sure moviegoers know her as well as he does.No, it was the application of the old "Tucker Telephone." I don't know if Franco got the idea from the Tucker prison farm in Arkansas, or from Generalissimo Franco, but the application of electrical wires to his wife's vagina and the electrical current was too much for the Brits.Yes, there is a poorly done lesbian scene (only one), and the women in prison all slept naked, but that gets to be a bore after a while. Mostly people just smoked and talked. Pretty boring.

This is one of only two Jess Franco movies to have been banned in Britain during the "video nasties" scandal of the early 1980's, which only goes to show you that the BBFC (the British Board of Film Censors) needed to see A LOT more Jess Franco movies. This movie is pretty sick, but it is nowhere near as sick as earlier Franco WIP movies like "Barb-Wire Dolls" or "Greta, the Wicked Warden" (another Franco WIP movie "Women in Cellblock 9" was much more recently censored by the modern-day BBFC for underage nudity, and is currently unavailable in America at all).This movie actually has a surprisingly intricate, if pretty off-the-wall, plot that kind of gets in the way of the depravity. After some diamonds are heisted from a Chinese junk, the only surviving thief is shot dead by his girlfriend "Shirley" (Lina Romay). The girlfriend is sentenced to a brutal prison, but many suspect she knows more than she's telling about the missing diamonds including the prison warden, who forces his prison snitch mistress to befriend "Shirley", and a crooked insurance investigator, who it turns out was in on what was to have been a fake heist before he and his partners were double-crossed by "Shirley" and her boyfriend.The movie has the typical Francoesque longeurs of lesbian frolicking while the director performs the cinematic equivalent of a full body cavity search on the actresses with his beloved zoom lens. The two scenes that probably most incensed the BBFC though were the scenes of a naked woman being brutally whipped (old hat by the mid 1970's) and the scene of a naked Lina Romay receiving electroshocks in a very uncomfortable place (and I don't just mean the dank, barren cell). While this may seem the kind of incendiary mixture of violence and sex that tends to raise British censorial hackles, the violence is impossible to take seriously due to the incompetent film-making. The whip, for instance, leaves no mark on the girl in long shots but only in obviously fake close-ups, while the warden on the English-language soundtrack keeps demanding the prisoner "kneel down and beg forgiveness", despite the fact she's clearly chained to the ceiling. In the electroshock scene, Romay has her hands hand-cuffed in front of her and she could easily pull off the wire that is supposedly causing her searing pain (and as in "Barb Wire Dolls", her miming of electric convulsions is also pretty unconvincing). On the other hand, if there's anything at all "sexy" about these scenes it's simply that these women are nude at the time and have very nice bodies (especially Romay)--it has nothing to do with the ridiculous "torture" they're supposedly undergoing.This movie didn't deserve the censorship it received, but conversely, it also doesn't deserve the fame/notoriety/whatever it has received for having been censored. It might be one of Franco's better WIP movies, but it's certainly not one of his best movies, and definitely not a great movie by any standard.