Yukio Mishima was a very unusual man--and you might find it interesting reading more about his real-life exploits. The story is anything but dull. The same, however, cannot be said about "Afraid to Die"--a decent yakuza film but one that seemed amazingly ordinary (aside from a part of the story I'll talk about below).This movie begins with a botched assassination. It seems one mob boss wanted revenge on Mishima but his assassin accidentally got the wrong guy. For the rest of this movie, Mishima hides out from his rival until the abrupt ending. In the interim, Mishima's character broods A LOT, schemes and even rapes a lady. This rape really troubled me, as right after attacking her, he 'shows his vulnerable side' and she falls in love with him. And throughout the rest of the film he mostly treats her like trash...and she slavishly follows--even when he does the most abominable things to her. Although the film is technically decent, it just seemed pretty grotesque because of this whole rape me/love me story line. See it for yourself and see what you think.

Yukio Mishima (1925-1970) was one of the most celebrated Japanese writers, nominated for the Nobel Prize for literature three times. Besides his literary work, Mishima is best known for his attempted coup d'état in honour of the emperor and his subsequent ritual suicide, but he also had a relatively short acting career. His best known performance is probably the lead role in Yasuzo Masumura's 1960 yakuza tale Afraid to Die.At the beginning a yakuza named Takeo Asahina (Mishima) is released from prison after serving a few years for stabbing a member of a rivaling yakuza clan, the Sagara. Afraid of Sagara's revenge, Asahina tries to maintain a somewhat low profile while continuing his criminal businesses with his educated associate Aikawa (Eiji Funakoshi) and also begins an abusive relationship with a cashier girl Yoshie (Ayako Wakao) who doesn't approve of his dangerous lifestyle, a sentiment shared by the pharmacist girlfriend of Aikawa. The Asahina and Sagara clans then keep trying to one-up each other in their businesses, such as blackmailing a medicine company and kidnapping each others loved ones. Takeo has promised to leave his old life behind, but the dangerous circumstances are putting him under great pressure.A lot of the responsibility regarding the effectiveness of the film lies on the shoulders of Mishima as the protagonist Asahina. Luckily he handles the role pretty well and looks convincing as the skinny but tough gangster who has to maintain a hard surface despite his hidden fears. Actually, it is this eponymous fear of death that I wish would have been examined more in the film; I would have loved to see more of nightmarish noir atmosphere at the expense of straightforward crime movie plot. Even though the mood does not quite reach truly powerful levels until the final scenes, technical details are well created throughout, from the dark streets to the seedy nightclub where Asahina's ex-girlfriend Masako (Yaeko Mizutani) performs as a cabaret singer. I enjoyed the loud jazzy music too, even though it is used quite sparingly.The film does present some commentary about the nature of life of crime; for instance, Asahina's comments about how money should mean more than anything for a yakuza and his feelings of commitment to the family tradition (his father was also a yakuza). The cymbal-playing toy monkey and the impressive escalator scene at the end can also be understood as symbols for the inescapable criminal lifestyle. Even so, for the most part the plot focuses on the increasing tension between the two clans instead of artistic symbolism; this would be completely OK if said mental strain came across as even harder than it does now. Now I feel the tightening atmosphere leaves some room for improvement, as already mentioned above.In any case, as a traditional crime story Afraid to Die works decently and contains plenty of things to enjoy. Besides Mishima, the veteran actor Takashi Shimura and the sinister-looking Shigeru Kôyama deliver good performances as Asahina's tattooed yakuza uncle Gohei and an asthmatic hit-man Masa respectively. Visually the movie is fine too. I have yet to see more of Mishima's work as an actor, but based on this movie he would have had potential for a much longer career in film. Anyway, personally I liked Afraid to Die and would not hesitate to recommend it to crime movie fans.

It was in late 1970 that I first became aware of Yukio Mishima. There was a shocking spread in a photo-news magazine (Life or Look, I don't remember which) that showed him, wearing a military uniform and a headband emblazoned with the traditional red rising sun, on a balcony, fist outstretched, addressing a crowd below him. According to the article, he and his associates had taken over a government building and were loudly advocating a return to the old (samurai) ways. He was booed by the crowd. Going back inside, he promptly committed seppuku. A companion (a man who, I have since learned, was his lover) decapitated him before himself committing suicide. Being a kid, I found all of this mind-boggling. Years later, I sought out his books and read them (including THE PATRIOT, which reads for the most part like a dress rehearsal for his own death). Coming across AFRAID TO DIE, I felt compelled to rent it. Mishima, whose actions proved beyond a shadow of a doubt that he wasn't afraid to die, wasn't (based on just what I've seen here) a very charismatic actor. In fact, there are scenes where he looks downright amateurish just trying to throw down a shot of booze on camera- and the scene at the end where he's trying to walk back down an escalator that's going up is so bad it's hilarious. I know for a fact that Mishima was a great writer. I know for a fact, too, that his acting debut was something less than stellar. (AFRAID TO DIE is a very well crafted movie, make no mistake about it, but it's also very slow. Mishima's performance doesn't help.)

Afraid to Die, one of the four Yasuzo Masumura films that Fantoma has recently released on DVD, contains several examples of the directorial mastery of the same man who directed Giants and Toys and Bind Beast - in fact, the entire film is skillfully directed - but the script is terribly dull. Also working against the film is Yukio Mishima. He was the original draw for the film. He was a famous novelist at the time, probably the most famous in Japan, and his fans desperately wanted to see him in a film. Unfortunately, he's not a very good actor. I guess his poor performance is just as well blamed on the script, though. His character fluctuates a lot. We're supposed to like him, or at least sympathize with him, but that's not really possible. He's a pure scumbag. Afraid to Die is worth watching. It's not very long, and, like I said above, there are a couple of great scenes. One particular death scene is alone worth the price of a rental, if you're lucky enough to find it on your local video shelf. If you're thinking about buying any of Fantoma's Masumura DVDs, this one's not really worth it. Definitely buy Giants and Toys and Blind Beast. I haven't yet seen Manji. I did order it, though, so by the time you read this I could have already posted a review. Check it out. For Afraid to Die: 7/10.