Heinz is a bit of a nutter. While heading to court, he manages to escape with the help of his mates and gives two policemen a severe beating for their troubles. Hunted nationwide, Heinz plans to rob a bank and start a new life in another country, with the help of his Italian mate and his girlfriend Helen, plus Helen's brother Christian, an AWOL soldier who is a last minute replacement for a guy who was captured during Heinz's escape. Christian is reluctant to help and does so only to protect his sister, but he becomes more worried about the whole situation when Heinz starts displaying not-so-sane tendencies, including nearly murdering to American soldiers they were robbing for explosives. He goes ahead with the plan however, which turns out to be more complicated and dangerous than he thought, and things go wrong almost right away when a small child picks up a hand grenade that Heinz dropped on the way into the bank...Okay, there's not much plot to be honest, but it's a good film nonetheless, mostly due to gigantic actor Raimund Harmstorf as the psychotic Heinz and his interactions with his hostages, plus his confidence that his plan is going to work, despite the self-evident truths. This is also a film that doesn't skimp on the violence, especially when a cop jumps on a hand grenade to protect the public. It's the goriest part of the film and something that was sure to shock audiences back in the day. Ah, the seventies.Grim from beginning to end. What else can I say?

If you consider the fact that the Italians, back in the seventies, were champions in the eurocrime exploitation genre (poliziotto), than it's no wonder they would have a go at it in other countries as well. Cineproduzione Daunia 70 (from Caliber 9) tried it in Germany with actor/director Rolf Olsen. He made the crime film Wenn es nacht wird auf der Reeperbahn in 1967, and the prostitution drama Der Pfarrer von St. Pauli in 1970, which are both quite good, so you understand why he wrote and directed it.Bloody Friday is a more German version of the stylistic Italian poliziotto. It is tougher, more direct and also more over the top, I mean, it is sometimes TOO SILLY. The escape of Heinz Klett (great acting by Raimund Harmstorf by the way) on itself might be believable, but why would Heidi incriminate herself suddenly for her boyfriend Luigi, or would her brother do just the same for her? Just robbing a bank with a maniac, what can go wrong? The heart of the film is this violent character Heinz. He is the cause of everything. How he bluntly accepts these amateurs for nothing less than a bank robbery, that's typical Heinz. He is like a caricature of a man, aggressive, sexist, opportunist and over confident. People who die just deserve it because they are weak, in his opinion.Bloody Friday might look terrible at some point, but this film isn't as bad as it looks. It actually brings some surprising social undertones to the genre, which are usually lacking in poliziotteschi. The desperation from the other robbers give the film an humanistic context. Heidi and Luigi want to escape from their shitty jobs, while the brother is a deserter. It is also (very loosely) based on a real story, as Germany had to endure a lot of violence in this period – terrorism from extreme left wing organizations and violent bank robberies, not only by professionals, but also by amateurs, like in this film. I rate it 7/10.

'Blutiger Freitag (1972) (aka) 'Bloody Friday is an atypically brutal euro crime exploitation produced in Germany in the early 70's that easily ranks alongside the bruising likes of 'Violent Naples', 'Almost Human', and Michael Apted 's legendary crime epic 'The Squeeze'. With a ballsy, genuinely frightening performance from the muscular and enigmatic actor Raimund Harmsdorf; who's bellicose, and hugely misogynist character allows him to indulge in plentiful bouts of splenetic, bone- breaking violence; all the while looking resplendent in grungy 1970's leather-jacketed chic. Throw in a sinuous crime-funk score from the estimable Francesco 'new york ripper' De Masi, and you have an all-time Goliath of grindhouse madness that delivers bravura, hardboiled 70's thuggery unlike any other German film from then or now.

Four criminals, including head cases Luigi (Gianni Macchia) and Heinz (Raimund Harmstorf), angelic but confused female accomplice Heidi (Christine Bohm), and her army deserter brother Christian (Amadeus August), seize a city bank and take staff and customers hostage in this violent German film. Luigi and Heinz seem to be complete nihilists, whilst Heidi and Christian just seem to be going along to get along. The plan starts to go awry almost from the start, leading to a bloody finale. Though not particularly good, Violent Offender is never boring, and features a pretty good score by the great Francesco de Masi. I'd like to see this film in its original language; though the English language dubbing isn't terrible, it isn't particularly good, either--hence my somewhat oxymoronic summary!