While trailing Forest Ranger Charles Carter, who is suspected of permitting lumber man Henry Mitchell to cut restricted timber, Gene fires at a dangerous mountain lion and apparently kills Carter. Actually, Bill Wright, Mitchell's associate, killed Carter because the ranger had discovered tussock moth infestation in the forest, and if the infestation was not reported, the trees would die and have to be cut, thereby profiting Mitchell and Wright. In order to compensate the best he can, Gene sells his sportsman's camp and gives the money to Carter's daughter Helen . En route to Texas, Gene discovers the infestation and is assigned by the Forest Department to supervise the program of spraying the area with DDT from the air. After the first day of spraying, the DDT is blamed by furious stock men for the many animals found dead of poisoning.
Similar titles
Reviews
As a huge fan of The Lone Ranger, watching this, I couldn't help saying, "Oh, no, Lone! What made you go wrong?" It was odd to hear Clayton Moore's voice as a baddie. Apparently, this movie was released only months before the Lone Ranger series on TV began in 1949. So, in the end, Lone turned to the good side, and everything was right in the Force. Gene Autry and Hopalong Cassidy were OK, but The Lone Ranger, Tonto and Roy Rogers were my TV cowboy show heroes. Hi yo, Silver! ... c'mon Bullet.
Scenic Autry western with a few surprises. The plot is a little complex for me, and I had trouble keeping some of the look-alike characters straight. But that's probably just me. Anyhow, the story involves aerial spraying of DDT and who stands to gain or lose. In that surprising sense, the movie involves contemporary environmental issues, even in 1949. The 70-minutes is also notable for there being no Autry sidekick (Burnette or Buttram) for comedy relief. So it's pretty much straight melodrama the whole way. Then too, as leading lady, there's the luscious Patricia Barry who later went on to a pretty extensive TV career, along with familiar baddie Douglass Dumbrille, and future Lone Ranger, Clayton Moore, in a supporting role. Also, catch that very last scene, an unusually thoughtful one for a horse opera of any kind. All in all, it adds up to a different kind of Autry programmer with more noisy winged conveyances than Gene's usual 4-footed friends.
Gene Autry's movies are so much more complex than Tex Ritter or Ken Maynard, and it is hard not to admire the way that his movies have more explicit social messages. This movie is particularly intriguing because it is both pro-environment and pro-DDT. Remember, this was 1949, and Rachel Carson's Silent Spring came out in 1962, in part a reaction to the fire ant eradication program of 1957. Not only was DDT seen as a boon to forest management, but the previous year (1948) its inventor won a Nobel Prize for "for his discovery of the high efficiency of DDT." At the core of this movie is an effort to control an infestation by aerial spraying, similar to the fire ant eradication effort a decade later. It is also about a lumber company's effort to first hide the infestation and then sabotage the spraying, so as to make a fortune harvesting the diseased trees. So, DDT is used by protectors of the forest, but the ones intent on letting a natural infestation decimate the forest to profit are trying to convince the farmers that DDT is killing their livestock. One of the townsfolk even says something like "once it gets in the fish, then it gets in everything..." Which all goes to show that what is environmentally sound changes as our understanding of nature changes. Autry keeps insisting that DDT had been tested and couldn't be killing off the animals. Of course, by the time it was banned in 1972 its persistent toxicity and effect on animals were scientifically well-documented.Which, to me, makes this a fascinating movie. Yes, the greed of the timber companies led them to do bad things. But the concern of Gene Autry for the forest also led him to do something that we now know was bad, too -- albeit unknowingly.
With special effects limited to obvious filming before a projected background, this is an enjoyable Gene Autry vehicle. The songs are not memorable and bump jarringly against the tragic subplot involving Joe. The "West that never was" is as surprising as in the parallel Roy Roger's outings: airplanes and buscadero holsters, fancy Hollywood cowboy gear and references to World war II, a movie Wild West ethic and DDT spraying! By the good guys! Patricia White/Barry is so luminously beautiful that it is surprising her career, while commendable, was not more stellar. It is a treat to see Clayton Moore as a villain, though a bit of a shock to hear the voice of the Lone Ranger coming out of the face of a half-bearded bad guy. Great movie, great Western it is not; pleasant nostalgia it is.