BOPHA! you SUCKA! I wasn't really sure if I'd like the movie -- and I certainly did not. A film that knocks you out just after watching it. Not for the squeamish. Whatever you may have seen in your life or even whatever you will see in the future, I can predict that no movie will ever give you the same feeling as this. The screenplay is intelligent, focused and clever. I much enjoyed this film, mostly because of the convincing characters, especially the man with "man manners." I'll be honest, I have never been courageous enough to watch a movie like this. It's worth seeing for some inventive uses of sound and the actors. Final rating equals 7/10.

1980, South Africa. It is the time of the rebellion of all townships against Afrikaans and apartheid. The originality of this film is not to only look at the savage brutality of the South African whites but to look at the reality in a small township just before this rebellion and to explore the human and race relations existing there and how they are in the process of changing with a new generation of people arriving on the scene, though still in schools. It is in these schools that it will all start in the form of a refusal to speak Afrikaans and to answer any request, order or assignment given to them in Afrikaans. The film shows how the growing consciousness is crossing the family of the main black cop in the township, because law and order is in the hands of the South African Police whose officers are white but whose rank and file and even non-commissioned officers are black. It thus becomes the son against the father, but also the mother against the father, though the mother is the maid of the the main white officer of the police station and the husband is the main non-commissioned officer of the police station. But some people from the special branch arrive one day and the whole situation will explode, because they arrived, partly, because their first heroic act is the death of an older militant who hanged himself in his cell, with his hands tied up behind his back. But they also arrive on that day because their intelligence is telling them that the younger generation is listening to the militants that are not dead like Biko or in prison like Mandela or in exile like Mbeki. It shows how the local white head of the police station disagrees about these ruthless methods but he yields, though it is never clear whether it is because he wants to keep his job or because he lets himself be convinced about the necessity to bulldoze down this emerging movement. It also shows that the main black non-commissioned officer of the police station will finally resign and go back to his wife and his son, but it will be too late because a knife will be drawn and used before it can be prevented. And then the police reinforcements, this time mainly white, are arriving in the illegal funeral for the first batch of victims. Their is no end in such a policy : violence calls for resistance and violence which calls for more violence and it may last a long time before the powerful side yields and accept to share power and the majority side accepts a compromise that means sharing power and reconciliation. When we see such a film and remember these bloody years, we are justified to say that South Africa has come a long way and had gone, if not over the brink, at least quite close to taking the deep dive into an apocalyptic catastrophe. Strangely enough it is admirable that South Africa produced the leaders it needed to get out of the stalemate it had been cornered into by the bigotry of a racist and fascist regime.Dr Jacques COULARDEAU, University of Paris Dauphine & University of Paris 1 Pantheon Sorbonne

-SPOILERS- ------------PLOTMicah Mangena (Danny Glover) is a police commander of town Moraro in South African Republic in 1980, where Apartheid is still the only way of life. He loves his job and does it the best he knows how (which in his mind means following orders to the letter). De Villiers (Malcolm McDowell) is a chief of Special Units Team, witch arrive in town, because of the rising danger of protest, which might spread from areas around Moraro. At the same time, new generation of cadets is about to become part of SAP (South African Police) core. Micah's son is one of them, but has great doubts about his future employment. Soon everything will start to change dramatically, when secret student meeting, inspired by an idea of change, occurs.-----------To quote the beginning of the movie: In Zulu language Bopha means detention. In movie, every protester, who is captured by the police is being on indefinite detention (until special forces say he can go).Danny Glover is just great. He plays perfectly, a man who did his job for so long with so much heart, that he is unable to react properly, when that same job becomes a machinery of oppression. There are three things you can do in Moraro, in his opinion. Work in mine in slave like condition, to be without a job, and to be a member of SAP (as the most honorable of three)... He does the job to support his family, but ironically that same job will endanger it in the end. Vicious Malcolm McDowell is also great and a perfect cast for a mercy-less representative of Pretoria and hunter for leaders of student protests. The rest of the cast is also very impressive. They all try to pull out the SA accent and this gives a lot credit for a realistic representation. The screenplay, has a few small illogical turns, but it is a very strong writing... The movie is based on a play by Percy Mtwa, that made a lot of unrest in those days (20 years ago)...Morgan Freeman as a director (this is new) does also a fine job. He made a fine peace of human drama and it goes side by side with Hollywood products, with obvious smaller budget, but without pathetic moments. To bad Mr. Freeman didn't continue to direct. If you like human right movies and family dramas this is for you... I give 8 to this movie.

Bopha! is just a fine film with stellar acting. Once again Danny Glover delivers a great performance the worthy of Oscar or Golden Globe and he just doesn't get it. The struggle of one man's fight to be true to his native land or to the ruling establishment is poignantly portrayed. Alfre Woodard and Malcolm McDowell turn in good performances also.