I've always had a soft spot for Full Moon Productions. They are cheesy light hearted horror films with a certain charm about them that have kicked off several major horror franchises.Though the acting is usually poor and the sfx dreadful I have to say I do far prefer creature features over modern CGI driven drivel.Here is a vampire tale and the whole thing despite being modern for a Full Moon Production movie feels like a true loyal one of their films and holds all of the original charm.Don't get me wrong Decadent Evil is hardly a good film but it has it's qualities if you take the time to look.I mean for a start besides the usual Full Moon charm we have the excellent Phil Fondacaro in a role that is frighteningly similar to his in the Tales From The Crypt movie Bordello Of Blood (1996). Ontop of that we have a decent enough storyline and slightly above par cast.Again I know it's cheesy, I know it's really not exactly a good film alike any of Full Moons stuff but it's a neat throwback to the VHS days and that to me is a good thing.The film also contains one of the most unusual sex scenes in cinema history. Comparable to Team America World Police (2004) and that's all I'm going to say.Dumb but harmless fun and a welcome addition to Full Moons horror library.

This wasn't a horrible movie but was not a great movie either. The movie in itself was a weird plot line with an even weirder ending. The movie is set about vampire strippers trying to reach immunity in themselves with one vampire who had to kill 10000 people to be invincible. As always there is always a good and a bad character (sugar and spyce). Sugar was the blond vampire who fell in love with the mortal who learns about the history of his girl buy a vampire hunter. If this wasn't strange enough they throw in a weird reptile/human creature who was in there for cheating on the head vampire. the movie kept me entertained but if you are looking for a good intellectual movie to have an nonfictional story line this is obviously not your movie.

Evil and ruthless bloodsucker Morella (seductively played with lip-smacking wicked relish by the smoldering Debra Mayer) aspires to be the queen of the vampires; she holds a cruel reign over her two sisters and keeps her pint-sized half-human, half-reptile former lover Marvin (a laughably obvious and hokey rubbery puppet) imprisoned in a cage. Director Charles Band and writer August White cover all the pleasingly drecky bases with this jaw-dropping exercise in total low-rent silliness: a sizable smattering of tasty gratuitous female nudity, snarky dialogue, a throbbing trash rock soundtrack, a pervasively goofy atmosphere, gobs of tacky gore, ridiculous plot twists, and lovably lousy (far from) special effects. A bevy of beautiful babes further ensure that this movie remains watchable throughout: sunny blonde Jill Michelle as the sweet Sugar, hot brunette Raelyn Hennessee as the sultry and insolent Spyce, attractive Hazel Dean as the enticing Tami, and buxom Harmony Rose as ditsy hooker Jazzmin. The rest of the cast struggle gamely with the absurd material: Daniel Lennox contributes a likable turn as Sugar's baffled boyfriend Dex, Phil Fondacaro does well as dedicated vampire hunter Ivan, and John F. Schaffer has a funny bit as the hopelessly geeky Lester. Moreover, the tight 67 minute running time prevents this film from ever becoming dull or overstaying its welcome. Keith J. Duggan's glossy cinematography and James T. Sales' spirited ooga-booga score are both up to par. A complete cruddy blast.

Particularly odd movie from Charles Band and his Full Moon studio. With a cast of merely 10 people and a hour running time there is little chance to really develop the story. Debra Mayer is suitably sexy and superbly acts in the main role. Not sure what Phil Fondacaro is doing with a kind of Sherlock Gnomes (sorry, that was bad but so is his performance here) chasing vampires and the like. Mayer is not too happy at this and alongside a horny Marin (small bloody looking puppet) seeks to destroy him but then perhaps Marvin has plans of his own. Lots of sex (including ugly puppet sex) this feels more sleazy that other Band films, mainly I think, because of the awfully weak story. The first 10 minutes of the movie are merely randomly edited segments of Subspecies movie 'Vampire Journals' explaining the legend of Radu (Subspecies vampire) and Ivan's (Fondacaro) task to track vampires like Radu-his arch enemy. Charles Band takes credit for the song 'Dance Trance' though anyone who has seen 'Run, Lola, Run' will know that this is actually Franke Potente's song from this with slightly different words. Naughty. Production company is 'Astonishing Features' but that is a far off mark this time, though fun none the less.