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A jazz musician performs alongside a coat check girl with a beautiful voice in this musical drama from director Giancarlo Tallarico. By day Nate earns his living as a financial manager, but when night falls, he helps the girl with her singing career at the jazz club, where she performs one night a week. In time both realize they share something special other than the music.

Amy Adams as  Chloe
Scott G. Anderson as  Vince
Moon Bloodgood as  Marie Devrenier
Alec Newman as  

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Reviews

writers_reign
2009/01/01

This seems to have gone straight to video and I'm surprised it got made at all in this day and age. The writer director has nothing else on his CV and according to the DVD this was made seven years ago albeit only released in 2009. The idea of several standards in one film appealed strongly to me but I was disappointed by the weird phrasing which occurred at least once in every number with both principals being at fault. They also have trouble getting through an entire number and one of the most truncated is the very first, Irving Berlin's 'They Say That Falling In Love Is Wonderful', one of the ballads from 'Annie Get Your Gun'. The male lead sings the first stanza (the song is in A,A,B,A) skips the second 'A' section and the Release and segues straight into the last 'A' section. Maybe it was a budget problem but given that he was in his own apartment and it was just voice and piano and especially given that the lyric points up what is to follow - he is going to meet and fall for Amy Adams - you'd think they would have stretched to thirty-two bars. 'You Go To My Head' is also truncated; this is performed as a duet and they miss the first 'A' section completely and begin with the second. Amy Adams does get to sing 'In The Wee Small Hours Of The Morning' all through but veers badly from the melody. On the plus side we get a great soundtrack, performers who are clean, well- dressed and free from tattoos or body piercings; there are no drugs, no swearing, no sex; on the minus side the great songs are thrown away.

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phd_travel
2009/01/02

It's nice to see Amy Adams singing Jazz. Her voice is good. Not the very best Jazz singer in terms of timing and inflection but still very good. The story is a strange mix of the finance world and Jazz. It's a bit musical like. Some of it is a bit contrived and the story can get annoying at times. Alec Newman is little unattractive to be the romantic lead. Don't know whether he actually played the piano but it sounded good. Harriet Harris is a delightful supporting cast. But it's not really for the story that you watch it more for the music.This one didn't have a big theatrical release so many wouldn't even know it was made. Still a worth while watch to see Amy Adams before she really struck the big time.

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jetur2-1
2009/01/03

Golly gee, I enjoyed this movie for what it was: a light romantic movie full of songs from the great American songbook, sung completely and pretty good by the actual actors, with the greatest jazz music around. I liked the cast and thought they were all excellent (guess that shows how much I know about acting). And, I would not be nervous in watching the movie with my children!!! Oh how wonderful to hear great American classic songs again! Harriet Sansom Harris was a delight---the screen lighted up with her. Oh, yeah, I thought Alec Newman did an exceptional job. And then, there was Amy Adams---what do you say other than, "Oh, my aching heart!!" I bought her as an aspiring jazz singer. Not last or least, the great Joey DeFrancesco!!!!

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stevenmorgan94
2009/01/04

I rented this movie because it supposedly takes place in a jazz club -- you know, those hip, cool places you might stumble upon late on a Saturday night. Well, there's not one ounce of "cool" in this ridiculous movie. The score is goofy, the original songs are awful, both lead actors' singing is continually off-key (to be kind) and unprofessional at best, the plot is no more complex than "boy meets girl," the acting is laughable, and the only decent cinematic moments are the stock footage scenes. The jazz club scenes feature sophomoric dialog smothered by overly-busy organ music. This Joey de Francesco should keep his day job (unless his day job is helping with movie scores). Is it possible to not only get my four dollars back, but have my therapy sessions paid for as well? This movie, interestingly enough, is so bad, you might want to watch it. Sort of like driving by a bad accident -- you just have to look at least once. Just get the ear plugs ready!

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