Picture this: Burt Reynolds is at a decadent party. He spies Leslie-Anne Down in a sequined black dress and is determined to meet her. Neither of them speak, until at last, Burt opens his mouth and does his best Cary Grant impersonation. She smiles and asks, "Why are you doing Tony Curtis?" If you laughed just now, you'll like Rough Cut. Burt catches Leslie stealing diamonds at the party, and he surreptitiously steals them from her a few minutes later. To get them back, she follows him back to his apartment and tries to stealthily rob him. Sparks fly, and he asks her on a date. In the next scene, she visits Chief Inspector David Niven; it turns out, she's cooperating with the police to catch Burt, a notorious jewel thief! Rough Cut is a constant game of cat-and-mouse and who's-playing-who, so if you like those types of movies, you'll love this one. It's funny and full of twists and turns in the plot-and everyone is easy to root for! Rent this for a cute date night with your sweetie pie; it'll be a lot of fun.

Solid film that has multiple people working together to pull off a jewel heist. David Niven is good, and Burt Reynolds breaks out of his "Smokey" types role and does something more sophisticated. Very much on the Oceans mold, though not as good. I always enjoy catching it on TV, fun film with some unexpected twists and turns.

Yes, the poster for this film. The neat image of sparkling, cut diamonds slipping through Burt Reynolds fingers. That's pretty much all I liked about this flick. Burt stars as a jewel thief who pulls off a heist in jolly old England. There's a very dated scene where one of the guys in Burt's crew shows of his collection of Nazi memorabilia. Nice. Not. But the Nazi dude then does his part in the caper working alongside the token black dude in the crew, so I guess the character's more liberal minded than the average Nazi. Don Siegel is usually a kickass director (i.e. Dirty Harry etc.) but he isn't here. Skip this film, you'll thank me in the morning, dear...over 'n' out...

Very ordinary indeed. There is almost nothing to separate this film from dozens of similar capers. There are bits of sophisticated dialogue and phlegmatic humor, but most of the time the film comes off as a poor imitation of its superior predecessors (Hitchcock's "To Catch A Thief" comes to mind). Unfortunately, director Don Siegel is not in top form and the film often feels too low-key and lacks energy. But Reynolds's charm is at its zenith here, and his pretty good byplay with David Niven provides some funny moments.