I have seen the movie at the Montreal Film Festival. I am not Argentine and don't speak Spanish. It is, however, one of the ten best movies I have seen in my life. Argentines can rest assured that this will be as powerful abroad as it seems to be down there. Rarely have I seen an audience enjoy a movie so much, thelaughter, the emotion, the high sense of humanity. It is certainly one of the most, if not the most, popular movie in the Festival. Intelligent, timely, human,incredibly witty, deeply emotional. A movie that makes you happy to belong to the human race.Please, wherever you are in the world, if this movie shows up in your localfestival, DON'T MISS IT!!! Anybody can make movies about war and misery andpoverty, but a movie that creates so much warmth and drama from small everyday situations is a gem. It had me crying and laughing and crying and laughing again. The applause at the Festival was thunderous, and so were the reviews.I have not seen "Son Of The Bride" which was a big hit here. I do not want to miss it now. It is refreshing to see that somebody gives us the pleasure to go back to the movies to learn and enjoy life. It's been five days since I've seen it, and I still can't shake it off my mind. I find myself laughing and tearing up in the oddest situations.One of the best movies I've seen in my life.

As a fan of Hijo de la Novia, I found Luna de Avellaneda to be a complete disappointment. When I voiced my mixed feelings about this film to Argentines, they invariably accused me of not understanding the film because I'm not Argentine. I can argue with them on that since I understood the references they were accusing me of missing (the importance of social clubs in Argentine society, the ill-effects of neoliberal privatizations, etc,etc.) but, at the end of the day, a film needs to speak beyond its intended audience. But this is a problem with the ghettoization of national cinemas - faced with steamrolling Hollywood productions that they can't compete with, local industries attempt to counter-program with self-consciously nationalistic productions that attempt to reach the largest possible domestic audience. It's a lose-lose situation since instead of getting challenging foreign films (at the end of the day, the best antidote to Hollywood) we get films like Luna de Avellaneda (or, even worse, Patoruzito). On the bright side, recent years have witnessed a renaissance in Argentina cinema.The film itself is structured around a fairly obvious metaphor - the social club clearly is meant to represent Argentina. A once glorious past is faced with a brutal and uncertain future. In this sense, the film taps into the heavy nostalgia that is pervasive in Argentine culture (ie. the tango). That the social club will be privatized is a clear analogy with the brutal effects of neo-liberal policies in the country over the past two decades. The problems with such heavy-handed symbolism is, well, heavy-handed symbolism.At the end of the day, I don't let Hollywood movies get away with cheap sentimentality, so I certainly won't let foreign films get away with it either.

At once universal, in its complex Dickensian portrait of a society, and extremely timely - narrating in microcosm the recent economic crisis in Argentina - Luna de Avellaneda is a beautiful, eloquent film that will resonate deeply with both Argentine viewers and audiences worldwide. Very funny and very moving, the film is rich in human drama, its characters ranging from a small boy whose braces are killing him to an old man on his deathbed, with all sorts of variations in between - a man who discovers his wife is having an affair, a son who wants to escape the catastrophic situation by emigrating to Spain, a drunk who falls in love and tries to reform, a girl from a shanty town who wants to learn ballet. Small miracles occur throughout the film. The dialogues are brilliant, the acting consistently strong. As in reality (though not often depicted in films), economic concerns are never far from anyone's mind, yet at the same time the emotional life persists. Rarely have I seen such a felicitious melding of the two, as when the central character, Roman, whose marriage is failing, goes to buy cologne to try to spice things up and, after perusing the range of possibilities, can only afford the cheapest, and most acrid-smelling, scent on the shelves. Or when a still infuriated divorcee invites her ex to a romantic dinner in a five star restaurant and, after ordering numerous bottles of the best champagne, then slips away leaving him to foot the bill. I cannot recommend this film highly enough.

A good Argentinian movie...But quite depressing because of the fact that it shows the reality of Argentina,where 2 ways of thinking clash everyday:An old and romantic one...against the new defined by the modern ideas in economy and politics....This movie makes it quite clear which one is works the best.So the movie tries to give hope by showing that things can be changed by making an effort. The acting is quite good...the ambientation( does that word exist??) in the 50's is good So a good movie,a tad to long and not the best acting by Darin6 out 10