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Trailer Synopsis Cast Keywords

A ghostwriter finds himself romantically involved with his current wife, a married woman and his long-vanished wife.

Ron Silver as  Herman Broder
Anjelica Huston as  Tamara Broder
Lena Olin as  Masha
Malgorzata Zajaczkowska as  Yadwiga
Alan King as  Rabbi Lembeck
Judith Malina as  Masha's Mother
Rita Karin as  Mrs. Schreier
Phil Leeds as  Peeheles
Elya Baskin as  Yaska Kobik
Paul Mazursky as  Leon Tortshiner

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Reviews

TedMichaelMor
1989/12/13

Director Paul Mazursky's "Enemies, A Love Story" interplays wondrous ironies, narrative twists, humour, and wisdom. With a keen eye for historical nuance and detail (which the director describes in a voice-over commentary on one DVD edition), he explores the limits of suffering and survival—the loss that one cannot transcend against a community that does transcend immense evil.I very much like Fred Taylor's elegant cinematography as well as subtle editing by Stuart Pappé. These are important components of films. Casting seems to be perfect in a film with great depth worn (for the most part) lightly.Some of the film deeply bothered me because I suffer from chronic depression. I could not watch this film more than twice. However, Roger Simon and the director have created a splendid adaptation from the Isaac Singer masterwork.Ron Silver, always a gifted actor, never did any better work than this depiction of the paranoid, driven, and almost broken Herman Brother. Małgorzata Zajączkowska's tender Yadwiga, Herman's Polish Catholic savior and wife, centers the narrative by being more faithful to Judaism than her husband or his corrupt rabbi employer. Alan King as Rabbi Lembeck recalls for me a number of corrupt Protestant pastors I have known or for whom I worked. King plays this role with great skill.No one but Anjelica Houston could play Tamara, Herman's first wife, and the one who with the second wife redeems tradition and the future. Lena Olin's Marsha overwhelmed me. She is why I cannot watch the movie again. What a powerful portrait of despair. This is a great film. Watch it. It is a blessing and a boon.

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lennie_mo_
1989/12/14

After reading the novel this film was based on, I thought: "No way! There is absolutely no way they can portray these raw emotions on film!" But that's exactly what the amazing actors do! The three women are as different as they could be, but each character is spot-on. Between these 3 women (Lena Olin, Anjelica Houston and Margaret Sophie Stein) is Ron Silver, whose character's emotions are clearly displayed on his face - I don't know if he is the anchor in the movie, because at times he is overshadowed by his female co-stars, but he makes me sympathize with him.The "old" feel of the movie is great, and I do believe that it's a realistic image of New York in the late '40s.It might be a bit depressing, but it should be seen if not only for the acting - trust me, it's fantastic!

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xavrush89
1989/12/15

When comedian Alan King passed away last year, I thought of his sweet performance in this should-be classic. One would not expect comedy to come from a story about Holocaust survivors, but this film takes the quirks of human behavior in the wake of tragedy and puts them on display, warts and all. I haven't read Nobel Prize winner Isaac Bashevis Singer's novel, but I can't imagine him not being pleased with Paul Mazursky's winning adaptation. Poor Ron Silver though, he finally gets a lead role, and almost every scene of his is stolen by one of his three outstanding female co-stars.Lena Olin has the showiest part as a fiery concentration camp survivor. Full of passion, bitterness, and paranoia all at the same time, she puts sex back into an era normally depicted as colorless and empty. I don't want to say too much about Anjelica Huston's role for fear of spoiling the intrigue each revelation about her character brings. She pulls off several humorous moments as well. But the real revelation is Margaret Sophie Stein. As Silver's wife whom he married out of gratitude, she is not as naive as she seems, and her performance anchors the film.This movie snuck in under the wire at the tail end of the 'eighties, and seemed to have gotten lost in the shuffle of high caliber end-of-the-year movies all seeking Oscar consideration. Some feel that its Best Picture nomination was stolen by Dead Poets Society. I am one of those people. But keep in mind that this was the year that Do the Right Thing was ignored in favor of more sentimental fare like Field of Dreams. Olin and Huston were nominated for their roles, but they lost to Brenda Fricker's tour de force performance as Christy Brown's mother in My Left Foot.It bothers me that this film doesn't have more votes. Rent it, people!!! (Or better yet, buy a copy. When you see it, you'll want to.) You'll love the characters, and it's a great film to watch after you've seen something like Life is Beautiful. It is an unusual tale, but one I am glad someone thought to tell.

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pbalos
1989/12/16

It's one of those stories that may be better in print or would have more impact on the stage, however this works suprisingly well on film. The superb acting allows it to be both effective as a drama and comedy.For those familiar with NYC in the late 40's, the setting is most believable.It's far from boring, but one must adapt to the slow pace of the movie, which in fact, proves to be an asset.All 'n all; well done. 7/10

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