Jeremy is learning cello at an arts school in New York. At school he spots Susan, who practices for a ballet audition, and he falls in love.
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I find this movie quite slow and monotonous most of the time. The dialog is not engaging and foreign. One thing that I have to point out is that I fail to feel the emotion the character tried to portray. Maybe part of it because the way it was shot, too much close-ups that I was longing to see the setting as to establish the feeling of place.As for the actors, they are really trying to do a great job until they kiss. I was personally feel annoyed the way they kissed pseudo- passionately. The character is just not played well enough to be believable. The reason for the three stars is that because the story speaks of love and separation that could happen. Disappointing it is because it tells the story poorly like delivering a message in a made-up language and only the sender understands it.
"I've got The New York Times," warbles Jeremy, the angelic Jewish teenager who gets straight As, reads Thomas Mann and Emily Dickinson, plays classical cello and falls in love with a ballet student. But don't think that Jeremy isn't a Regular Guy: he also likes rock music, plays basketball, hangs out with street-smart Ralphie and has a knack for picking winning horses (although he never bets: that wouldn't be sweet). This preening New York self-love, this compound of populism and culture-vulturism--this ingratiating depiction of the ideal Manhattan adolescent--is more irritating now than when I was Jeremy's age: too often, it strikes me as tony, cute and smug. Nevertheless, after 37 years, the movie still has winning moments, and the young Robby Benson and Glynnis O'Connor give appealing performances (which they never equalled). So I'll give it a pass.
I bought this movie on DVD in order to see it after reading about it in a book titled Shyness & Love by Dr. Brian G. Gilmartin. Seventeen of the people in that study saw the film more than twenty times in the theater, one saw it eighty-six times, and another paid $1,000 (that he could scarcely afford) for a 16mm print of the film! I can't say that I've ever seen a film more than twice in a theater, and that wasn't out of any great affection for those films, just that I'd seen them, and then a group of friends or family were going to see it and I went along.It is a nice movie. A shy high school sophomore develops a crush on a new girl at school, and with some help from a more outgoing friend and the confidence playing the cello gives him, he asks her out and they date. It's a pretty simple story, and probably pretty low budget, with lots of hand-held camera-work. It's nice, but I can't imagine watching it twenty times! Perhaps had I seen it when I was about the same age as the couple, I'd have a great affection for it.
I saw this film after reading the book and loved it just as much. There are many things I enjoyed about the story/film such as the music, love and the cross town New York bus rides on a Saturday morning. Bus it was the way Jeremy raced other people in the street as if he was in his own horse race-this may sound silly but worked really well and Robby Benson pulls it off in a brilliant touching way. It shows a boy/young man in his own world finding someone who loved him for what he is. The wonderful cello music holds the story together and is not heavy-handed which it could easily have been with a lesser cast and director.I would love to have the DVD and hope when it comes out there are plenty of extras such as location info and (lots)interviews.9.5 out of 10