Entertaining, not too long, plausible (for the history and fantasy adepts among us), original story line, solid acting and hey, sure the quality of the effects would be at home in a B-movie but as indicated above the rest was well put together, i was entertained, she was sexy but dangerous and probably better than real all those loves (better?) left behind, oh memory can be such a harsh mistress. As i mentioned, usually not a fan of the gore or horror, this was time well spent, enjoy.

THE DEVIL'S ROCK is a little-known but more than effective Kiwi horror flick set during the dark days of WW2. It's one of those films that links the Nazis with the occult, exploring their penchant for black magic with a very dark storyline, although unlike most it doesn't go down the obvious route and just real with Nazi zombies. This time things are a lot odder, and dare I say it, more effective.The film is oddly set on the Channel Islands, as a couple of soldiers infiltrate a Nazi bunker and discover that a massacre has just taken place. What soon unfolds is a plot involving devil worship, black magic, and the summoning of a powerful demon with a taste for human flesh. For a low budget movie, this is decent: for most of the running time we're trapped with three actors in a single location, and yet it never feels stale or boring.I'm not saying that THE DEVIL'S ROCK is a masterpiece, because it isn't. The acting and script are only average. Matthew Sunderland gives the best performance as the conflicted Nazi colonel, and it's a shame when his character turns out to be far more ordinary than you expect from the set-up. Still, there's plenty of flowing gore on offer here, alongside effective demonic scenes that bring to mind the best of the Dennis Wheatley classic, THE DEVIL RIDES OUT. Horror fans should enjoy themselves.

Nothing – not even crap movie logic – annoys me as much as an actor who thinks that mumbling is the hallmark of great thespianism. For most of the movie I struggled hard to understand what that moron was saying. Sunderland pretty much talks like a ventriloquist for the duration. It's as if his mouth had been sewn shut by a Clive Barker cenobite; you can barely see it move. Pity this wasn't a Hellraiser movie, because I would have enjoyed seeing him torn to pieces, even if it'd just be make-believe. Worse yet, this cretin talks in a very low volume. Heavy-duty mumbling + low-volume slurring = a very unhappy viewerTo make matters worse, Sunderland is part of nearly every scene after the first 15 or so minutes, and ALL of the movie's exposition comes through his barely-moving lips, so if you can't understand what he is saying you're basically screwed. If the time has come for English-speaking viewers to have to hunt down English subtitles for English-speaking movies, then it's time to EJECT A FEW ACTORS AND DIRECTORS PERMANENTLY from show-biz. I hope this guy never works again, at least until he learns the BASICS of performing in a movie, i.e. BEING FRIGGIN' UNDERSTOOD. Until then, flipping burgers is the best application I can envision for him. Perhaps rolling hot potatoes in his mouth could prove as useful practice; might teach him to separate the upper and lower jaws on occasion.As for the plot, it's pretty straight-forward. Two Ally soldiers find a German post dripping in blood, with nearly all the Nazis hacked and butchered. The rest of the movie is one big pull-and-push between the Nazi and the New Zealander, in what is supposed to be a great battle of wits. In the end, the Nazi snuffs it and the Ally soldier opts not to send the succubus back to Hell. He thinks it wise to use it as a weapon against the Nazis, not realizing that such a creature can do more harm than good in the long run. That's what you get when you let Kiwi peasants make crucial decision, I guess.So what's the point here? That a New Zealand farmer won D-Day for the Allies because he didn't send a succubus back to Hell? While it does evoke memories of "Outpost", it is fairly original with its single setting, just two men, and a female demon whose sole tactic is sex. TDR manages to remain interesting in spite of its limited setting, just three characters, and a deranged mumbler. The fact that both soldiers were wounded and badly beat up on several occasions, yet STILL managed to talk, walk and function was a quite on the absurd side. Plus, I didn't understand the entire plot – but I have that to thank Sunderland for. Nice job, moron!

Having a lifelong love, deep interest, and passion in film-making, and finished properties, I've been mislead into many Horror/SciFi dramas of foreign origin, merely to be disappointed. Not so with "THE DEVIL'S ROCK". It's making should have been fiscally prudent, with --I presume-- filming in a virtually narrow, perhaps singular area, and a minimalist's Cast. Of course, I'm pleased that Director "Paul Campion" has foresight, and insight to accompany his artful cinema-graphic storytelling.Without giving away a single thing, "THE DEVIL'S ROCK", though not exclusive in eeriness, drama, suspense, and cunning, it satisfies in a manner that leaves one wanting more by its end. Grab the Popcorn, Chips, Drink, whatever, and turn the lights way down, and the 5, or 7.1 way up. I'm sure John Carpenter loved this one, too... --GBJ