Django has gone soft, buried his machine gun, and is now a monk. When a woman tells him his daughter has been kidnapped and forced into slavery, Django decides he has to right this wrong.DSA feels very much like an Italian exploitation film to me. There is such a heavy use of fog, I wouldn't have been surprised if one of the corpses got up and started eating the flesh of the living (ie Fulci). Django kills three men very slasher like when he decapitates them in a single swoop from a scythe that he gets from a grim reaper statue. And lastly, the way the other slaves are portrayed remind me of cannibals, they rip apart at least one man.The excellent Django theme song is no where to be found, but the groovy score that is present certainly delivers when Django is causing death and destruction.Minus the film's prologue, DSA feels nothing like a western to me. I've read other people praising DSA's prologue, but it came off real corny to me. I do agree DSA feels more like a Rambo riff, which is funny to me because at one point film makers were copying Django and now, Django is copying another film.DSA is a bit slow and incoherent for me. The Anchor Bay disc I watched didn't have English captions even when I had the film's Italian audio track on, so I had a bit of a tough time understanding the dialogue.It may not be as memorable as the original Django, but it's a blast to see Franco Nero once again wielding his machine gun and take no prisoners!

Hey, wait a minute … This is called Django TWO and it was made more than twenty years after Sergio Corbucci's original classic western. Haven't there been at least twenty other sequels in between? Well yes, but apparently this is the only "official" sequel whereas all the others simply cashed in on the popular name and/or image of lone gunfighter Franco Nero. Those darned Italians … they even steal from each other! There's usually one thing you need to know about belated sequels: they suck! Usually, that is, because "Django Strikes Again" is the exception to confirm the rule. It's a very solidly scripted and action-packed adventure that independently stands on its own as one of the greatest Italian movies of the 1980's. Director and co-writer Nello Rossati luckily doesn't come up with an easy rehash of the original, but brings an ambitious and convoluted non-western story with fascinating characters and even more firepower. Django is living a retired life in a monastery, but digs up – literally - his arsenal when a woman begs him to save his own daughter from the hands of the evil slave trader/weapon dealer/jewel robber "El Diablo". This Nazi-inspired madman is the ultimate cult movie villain. He lives on a battleship that is decorated with the decapitated heads of poor suckers that revolted against him, treats his female black household slave like a cheap toy and shoots innocent fisherman in the head for target practice! Anyway, Django is sent to a silver mine to work as a slave, but manages to escape (with the help of the ultra-cool and mega-versatile Donald Pleasance) and finds his old coffin. But this is a sequels and times have modernized, so Django doesn't pull an ordinary coffin behind him anymore but tunes an entire hearse! Go Django, still indescribably cool after 20 years of hiding in a cloister and pretending to be a monk! "Django Strikes Again" is a surprisingly great and stylish movie that doesn't even qualify as a western! The action is almost adapted to the typical 80's South American guerrilla settings, with slavery camps & torrid swamps. Django's hearse is tremendously cool and there are numerous memorable sequences, including the fight within the monastery and the attack on the brothel. Franco Nero looks just as handsome and acts just as cool at age 45 as he did at age 25, but this time he also receives much better and more professional support. The almighty Donald Pleasance is terrific as an enslaved Scottish entomologist whose brains are slowly getting affected by the continuous heat. Even better than Nero and Pleasance is Christopher Connelly as the truly and genuinely despicable "El Diablo". His villainous portrayal surely ranks amongst the best cinematic baddies ever! Connelly passed away shortly after the release of this film, at the young age of 47.

For the past twenty years, after the original there was a plethora of Django knock-offs, wannabes and unofficial remakes. The Italian cinema was the main culprit. Twenty years later, Franco Nero officially reprises his role of Django. However, it's a few years too late. Django 2 is a very uninspired film, it lacks focus and a general direction. I didn't enjoy it at all. There's not much to recommend about this picture. I was extremely disapointed by this film. My advice to you is to skip this one and try and watch some of the many knock-offs. At least they're fun to watch, unlike this one. Phew.D

Basicly comes off like any number of Franco Nero action films from the 1980's. He's got a machine gun so he must be playing Django, right? And a hearse this time instead of the coffin. Nero could just as well be playing "Keoma Strikes Back". Sergio Corbucci was not the greatest director but he knew how to set up some atmosphere. This "Ted Archer" directs like he graduated Filipino school of film quickies. Not worth the rental, watch the original instead.