I am almost certain, dear reader, you have heard the expression, no such thing as a bad trailer? Well, Sector 7 is the visual embodiment of this idea - if you are anything like me, after seeing the trailer, you were grinning from ear to ear. The movie however is unable to convey that same level of entertainment.Cha Hae-Joon (Ha Ji-Won), otherwise referred to as Hard-ass by her male counterparts, is a young woman working on an oil platform in an area designated sector 7, a place in the middle of the ocean presumably rich with liquid gold. The crew is soon joined by Ahn Jung-Man (Ahn Sung-Ki), a colleague of Hae-Joon's late father, who goes against the orders of the rig's Captain, Hwang (Park Jung-Hak), to recommence the drilling operation.With the exception of Hae-Joon and Jung-Man, the other crew members are provided minimal depth or back-story. Even Kim Dong-Soo (Oh Ji-Ho), Hae-Joon's paramour, has limited characterization, their relationship being largely unexplored. Although it is obvious they are mutually ambitious and competitive, as the platform's doctor, Moon-Hyung (Lee Han-Wi) speculates, it is difficult to tell which of them is the man, due to Hae-Joon's formidable presence. Where Hae-Joon could be likened to Ellen Ripley, sad to say it - Dong-Soo is no Corporal Hicks.Oil workers Do Sang-Gu (Park Chul-Min) and Ko Jong-Yoon (Song Sae-Byeok) also deserved larger roles, however it is scientist Hyun-Jung (Cha Ye-Ryun), who received the most insultingly underwhelming role of all, whose screen time could easily be measured in seconds. The addendum her character is continuously been harassed by Jang Chi-Soon (Park Young-Soo), who's desperate to acquire her affections, is a sub-plot that was as annoying as it was unnecessary.The lacking characterization can be linked to the speed that those on board begin to perish, the first deaths happening within only a few minutes of each other once the film's monster makes its entrance.I suppose in a way Sector 7 is a film we should have seen coming. If Japan has Godzilla and America has Cloverfield, obviously South Korea deserves a hulking monster of its own. However, rather than building up the tension over a period of time, the creature is quickly revealed in its entirety, which unfortunately confiscates any fear the audience may have had the option of experiencing.The origins of the creature, and how it came to be so enormous, are largely unexplored for more than half the feature, and though there is some subtle hinting, it is never quite enough. During one scene, we are introduced to a laboratory we have previously never encountered, and a crippled glass canister we've never seen. Obviously this is a clear indication that something horribly wrong has occurred, however, since the back-story takes longer to surface than the monster does, the film partially suffers.The creature benefits from its sheer uniqueness in contrast with other monsters that have previously occupied our screens, but at the same time, this is also its weakest aspect. Originally appearing more aquatic in nature, with an unconventional pair of fins and a flipper, the creature all of a sudden has insect-like legs, and begins resembling prehistoric reptiles. Although there are scientists on board the platform, none attempt to postulate a theorem regarding this peculiarity.Furthermore, although blood is apparent in the film (and I don't mean to appear like an insatiable gore-hound), the feature could have benefited from additional violence, to further immerse the audience in the peril-stricken situation. On this note however, although the monster was the stereotypical powerful horror, whose hide is almost impenetrable to all conventional attacks, the damage that is visually noticeable across its physique is very impressive. Overtime, the creature, whenever it exposes itself, does so in all its gory glory, after having suffered brutality at the hands of those attempting to stop its onslaught. This aside, no matter how unique the creature may have occasionally appeared, I couldn't help equating it with The Thing. If this wasn't enough, the film resembles both Alien and the Rig, in that a small crew are forced to confront a terrifying monstrosity in a dark environment that it begins to dominate. During another instance, a conversation between crew members appears to have been ripped right out of Jaws. Although some may be quick to argue that the film is paying homage to American classics, I couldn't help but feel a considerable portion of the film is blatantly taken from others.Moving on, the effects are often effectively produced, and though they are not Hollywood standard, they are certainly entertaining. The fight scenes normally don't appear spectacularly new, instead mimicking other features, namely Deep Rising and the aforementioned Thing. Although the oil rig is in the middle of the sea, the audience seldom has the opportunity to appreciate the creature in its natural habitat. This addition may have provided the film with a certain degree of uniqueness, though watching Hae-Joon fleeing the monster on a motorbike is one such scene that is certainly worthwhile.Although the ending comes equipped with a sense of emotional beauty, by then it is (cliche expression I know) too little too late for the audience to be invested. If the rest of the film had exhibited similar thematic properties, the resulting conclusion would have been far more powerful. If you are a fan of actress Ha Ji-Won, or any of the actors who participate in this film, then perhaps you ought to give Sector 7 a try. Otherwise, you might wish to find something else to feast upon.

The opening is set about twenty years in the past. Divers encounter life at an unexpected depth. Unfortunately, it was hostile, and it killed Cha Hae-joon's father.In 2011, we switch to an oil drilling platform. During one of the drills, odd fish (like opening sequence) come floating up. The genetic researchers Park Hyeon-jeong captures several of them and keeps them in a tank. One of the more ignorant of the crew (Chi Sun) takes out one; it bites him, infects him, and gives him a deformed face.The drillers encounter 100 dry holes, but they resolve to keep trying, and do strike oil. Three months later, they are on maintenance mode. While doing repairs, they lose one of the younger staff, Hyeon-wu. A short time later, Hyeon-jeong falls to her death. The crew blame Chi Sun. Shortly thereafter, the on site staff physician is killed.Of course, it's a dark and stormy sea. Chi Sun has gone insane from the things he's seen. Plus, there is a serious infestation in the rig, and some walking horrors that seem to be hungry. Chi Sun gets lost in the shuffle.The captain goes to investigate with his biggest gun. Hae-joon goes with, then the whole remaining crew. The captain guesses correctly that the monster has some sort of strong relationship to oil, and throws his ignited cigarette lighter in its mouth. That worked for a bit. The monster starts on fire, but the fire does not kill it.Will anyone get out alive? How did the captain know to throw the lighter? Why was there a geneticist on board to begin with? -----Scores-------Cinematography: 7/10 Well done, except the monster, which was one of the more important characters of the film.Sound: 10/10 No problems.Acting: 5/10 The lead actress is a little weak. The two comic relief characters were more of a detriment than anything else. The monster was pretty bad.Screenplay: 5/10 Some of the plot steps are hidden for a while, but it unfolds fairly well before the end. I thought the final conflict with the monster went on too long.

I was hoping for more of a Deep Star six, Deep Rising Leviathan or possibly a Deep Blue Sea horror flick on the sea but Sector 7 isn't all bad. The Korean sci/fi action horror hybrid film centers on a group of drillers who battle sea monsters aboard their rig. Their are some cool spfx and some bad CGI and green screen work. The movie looks like it was probably fun in 3D and there are some nice shots in it. The cinematography freshens up the generic storyline and although insipid it makes for some goofy fun. It reminded me of a section in the Resident Evil 4 game, those who have played it will know what I'm referring too and that's how the movie plays out. it feels like a big video game but overstays it's welcome slightly by taking to long to get started and stretching out the climax with unnecessary slow mo. All in all it's not a bad watch and worth it if your in for this type of movie.

Underwater monster features making a comeback… here's hoping. The well-produced Korean horror feature "Sector 7" won't win any awards as it's a formula that's well worn in its surprises, but its generic format will always entertain if done properly. On this occasion, it does that for most part. A small crew on an isolated oil rig in the region of sea, known as "Sector 7" fail to find oil, but instead discover a viral life form that infiltrated the rig through the drilling pipe transforming into a killing machine. However there's more to this creature with secrets being revealed. After a slow build-up setting up characters, dramas and the awaiting predicament it succumbs to its undemanding popcorn monster mayhem. You could say it gets better as it goes along. The tempo picks up, the violence is aggressively pitched, survival mode kicks in and special effects get extravagant treatment. On the latter, the quality of the CGI was a complete mixed bag. Sometimes acceptable, other times poorly conceived that it can take you out of the mood with its parading. However it was made for 3D. Watch as one climatic standoff is finished off with another and then another. This beast isn't easy to dispose off and it seems to come off in the thrill stakes with many spectacular encounters. The oil rig setting is an imaginative choice, blending special effects (screeching trail bikes) and set-designs to develop a confined, dank and remote atmosphere. Technically quite strong and a clean crisp look with a workable premise, but the script is dumb down and consists of some actions of annoyance. The performances won't set the world alight despite some eccentric and quirky support; however Ji-won Ha's harden-tomboy character really does hold it all together. Not perfect, still a fun and flashy monster throwback. "There's a monster on the rig!"