How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.
Reviews
This movie is so dear to my heart. I loved it the first time I saw it in the cinema and I still do now, three years later. It's such a heartwarming, feel-good comedy that I could watch endlessly! Maybe a little too simple if you ever expected a grand impressive performance, but that's what makes me love it. It doesn't try to be pretentious, on the contrary, it's genuine and eye opening on the main character/actor's sexuality (Galliene considers himself as bisexual). Now I only gave it 8 because objectively it's not worth a ten I think... But it's a movie from my country that I'm proud of :)
My little sister put this movie yesterday, I wasn't too convinced to watch it, but when pass just a few a minutes I have to say I was convinced, this movie is awesome, really great, I just not only laugh with the "situation" of Guillaume and the way he goes trough life, but reflexive too, perfect combination, a winner combo, the story was great, direction brilliant, soundtrack fit perfectly, and believe me the performance of Guillaume Gallienne is totally exceptional, all this generate the best comedy I ever seen in a really long time, and I mean in quality, I just have to say, if You love movies, if You really really love movies, You can't miss this, at all!I give it a really deserved ten, thumbs up!
Winning 5 trophies of César Awards this year including BEST FILM (fending off tough competitors like STRANGER BY THE LAKE 2013, 8/10; THE PAST 2013, 8/10 and BLUE IS THE WARMEST COLOR 2013) and BEST ACTOR, for the director-debut of triple threat farceur Guillaume Gallienne (director, writer and leading actor), and more strikingly, he plays two opposite roles, Guillaume and his mother. Treading off the beaten track, it is an ingenious counter-coming-out story of an effeminate boy Guillaume, who is assumed by his family to be gay because of his outlandish deportment, being lackadaisical in sports and the accurate mimicry of his mother's intonation, all the way he is trying to comply with her expectation, to love men like a girl. Guillaume learns how to dance like a girl, enrolls in different all-male boarding schools, observes girls' unique comportment, the way of how they utter, nurtures a crush on the handsome jock, dodges military service, arranges sorties to gay club, to experience sex, after all the stereotyped attempts to be a normal gay, he meets the love of his life, Amandine, a genuine girl. The film opens as a live premiere of a monologue play by Guillaume, who farcically recounts his autobiographic anecdotes and intermittently mama pops up to conduct the make-believe conversations with him, everything is saturated with uplifting vivacity and hilarious skits, never too lewd or offensive, Götz Otto and Diane Kruger's cameos as a beefy masseur and an enema nurse are sidesplitting. Also the mockeries of professional psychiatrists are sterling bursting points. All in all, underscored by Wagner's magnificent Tannhauser Overture, Guillaume accomplishes his rite-of-passage by overcoming his fear of horse, and finally he understands who he is, and the last confession is to come out to be straight, feminine surely, but he is a heterosexual man who loves woman. No melancholy, it is an out-and-out fine piece of French comedy, Guillaume is daring enough to take on both challenging characters, a young man half his age, and a middle-aged woman with a reserved caricature of frigidity and supremacy. He somehow pulls off both roles, with admirable talent of imitation to be wacky and sincere at the same time, it is not only a boy's path of knowing his true id, it is also an inconspicuous ode to a mother's profound attachment to her son, it may be overbearing, but the ethos of unconditional support is universally appealing.
Went to watch this movie hesitating about I would like it, and I have to say the film becomes much more interesting once the half hour has passed, the leader actor seems to feel more comfortable into the story, and also do the watchers. The songs, the blue and grey photography, and the misse en scene really catch you more and more. Guillaume is a boy really cute who loves his mother, his aunts, his grandmother, and all the womwn around him. He tries to get along with his thinkings and his feelings despite his father, who doesn't agree with his ideas and wants him to play football and to be a boy just like his brothers are. The movie starts slowly but goes faster and deeper and when you realize, the film will be over and you'll leave the theatre really pleased to meet Gullaume and his family.
