I think this film was designed specifically to snap my heartstrings one by one. The dialogue was fantastic, the figures of the Revolution captivatingly presented. There are a few factual errors and much is omitted due to the film's narrow focus, (for instance, the considerable role played by the East India Company scandal in the proceedings was hardly mentioned) but it remains an excellent piece of production. The viewer would benefit from prior knowledge of the Revolution, though it is not necessary to enjoy the drama of the story. If you are looking for total accuracy do not watch this film, but if you are only seeking a couple hours of fascinating historical drama, look no further.

its universal message about price of revolution, about power of a small group, about the way of good intentions, about people's interest as excuse for use the force for preserve the power . it is an amazing portrait of French Revolution. and Danton of Depardieu remains one of his greatest roles. but the axis is the vision of director. because the film is a parable in essence. because it is a film about Communism who represents just an ideological fruit of French Revolution. because Wajda knows the importance of testimony about the evil of a political system. because it is a honest work about illusion and ambition and need to control the power. in same measure, it is not only a manifesto but a beautiful movie who recreates more than atmosphere but the spirit of a fight for power. yes, France of Robespierre is Poland of Jaruzelski . but the science to transform a historical page in a contemporary event's reflection and the case of Poland in universal warning gives force and profound senses to this admirable film.

The 33 percent of the nations nitwits that still support W. Bush would do well to see this movie, which shows the aftermath of the French revolution and the terror of 1794 as strikingly similar to the post 9/11 socio-political landscape. Maybe then they could stop worrying about saving face and take the a**-whupping they deserve. It's really a shame that when a politician ruins the country, those who voted for him can't be denied the right to ever vote again. They've clearly shown they have no sense of character.What really stands out in this movie is the ambiguity of a character as hopelessly doctrinaire as Robespierre; a haunted empty man who simplistic reductive ideology can't help him elucidate the boundaries between safety and totalitarianism. Execution and murder. Self-defense and patriotism. His legalistic litmus tests aggravate the hopeless situation he's helped create. Sound like any belligerent, overprivileged, retarded Yale cheerleaders you know of? Wojciech Pszoniak blows the slovenly Deparidieu off the screen. As sympathetic as Robespierres plight is, it's comforting to know that shortly after the film ends he'll have his jaw shot off and be sent to the guillotine.

Not a bad movie but could have been done without the full frontal nudity of a 10 year old boy in one of the opening scenes. This movie has excellent dialog; which is certainly common among foreign films. Foreign actors still know how to act as opposed to American actors who let the CGI, stunts, and special effects do all the work for them. This film is just good old fashion acting. Gerarde DePardieux did an excellent job as always. The costumes and scenery are accurate with the time. My only complaint is that they should have dubbed the English words over the french instead of using subtitles; this could just be because I hate reading subtitles.