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Trailer Synopsis Cast Keywords

In this short subject (which mostly represents a departure from Disney's traditional approach to animation), a stuffy owl teacher lectures his feathered flock on the origins of Western musical instruments. Starting with cavepeople, whose crude implements could only "toot, whistle, plunk and boom," the owl explains how these beginnings led to the development of the four basic types of Western musical instruments: brass, woodwinds, strings, and percussion.

Bill Thompson as  Professor Owl / Bertie Birdbrain
Gloria Wood as  Susy Sparrow
Thurl Ravenscroft as  The Mellomen

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Reviews

Horst in Translation ([email protected])
1953/11/10

"Toot Whistle Plunk and Boom" is an American cartoon from 1953, so this one has its 65th anniversary this year and at slightly over 10 minutes, it is a bit longer than most cartoons from that time. Maybe this runtime is one of the components that had this film make enough of a difference to win an Academy Award. It certainly cannot be the film itself can it? Here and there it is informative admittedly, but the animation did very little for me and the story/plot, if there even is such a thing in here, could not impress me either. It feels very rushed and not like a worthy tribute to the wonderful world of music (instruments). I am surprised this one is fairly well known still, especially as it doesn't have any of the famous Disney duck/mouse characters in it. Maybe the Oscar helped. In any case I am not sure who I'd recommend this one to, certainly not music classes or their teachers, cartoon lovers or music lovers won't really like what they see in here either. Maybe it is for film historian curious about a fairly unusual Disney work. As for me, it came indeed pretty short. My suggestion is to watch something else instead. Not recommended.

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MartinHafer
1953/11/11

As I said above, I really wanted to hate this film...but I couldn't. The reason I wanted to give this film a savage review is that it represents a style of animation that I hate--the very modern and minimalistic animation that came into vogue in the 1950s and lasted through the 70s. Up until films like TOOT WHISTLE PLUNK AND BOOK and films by (uggh) UPA Studios, animation had been very detailed and higher quality. Gorgeous backgrounds and high frame-rates were the norm in the 40s and into the 50s with studios like Looney Tunes, MGM and Disney. But, with the success of very simplistic UPA films like Gerald McBoing-Boing and Mr. Magoo (beating out traditional films for Oscars AND costing a fraction to make), Disney decided to experiment with this splashier but tremendously easy style of animation. So, for the style of this film and what it represented, I wanted to hate the film.The problem is that although I disliked the art, I couldn't help but like the film--even though it was quite educational. In fact, now that I finished the film, I am still amazed because I usually watch animation to have fun--not learn things! But, I found that I enjoyed the learning.The film is about the basic parts of music and how all instruments fall within four broad categories--those that go 'toot', those that whistle, those that are plucked ('plunk') and those that are struck ('boom'). This may seem silly, but it really did make sense and made me understand and appreciate music a lot more. In particular, I learned why horns are all curvy and how a trumpet works--and that's really cool.Overall, a great film to teach anyone (not just kids) about the fundamentals of music AND it does it in a way that isn't boring. Who would have thought this was possible?!

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travisimo
1953/11/12

The best thing about "Toot, Whistle, Plunk, and Boom" is that I actually learned something from it! Who knew I would learn something from a cartoon at the age of 22?! I've never been that involved in musical instruments, but it was very interesting and easy to learn from TWP&B on why horns are shaped the way they are. The short is also hilarious as we see how the caveman learned to make music in their primitive ways and how that music evolved over the ages. It's also fun to see the cavemen collaborate with the modern-day symphonies. There are just some great gags and jokes throughout this jam-packed cartoon.We're also reintroduced to that school of singing birds from the cartoon short, "Melody." They were fun, but I thought they were a little annoying in this short. I was glad when they made the transition to the cavemen, because those cavemen stole the show! I've even seen them make cameos on the recent cartoon series, "Disney's House of Mouse." Hey, maybe we can even see them in the theme parks!!! That would be fun!There are a lot of memorable and educational moments from this cartoon, and it will always remain a classic. In my opinion, the only thing holding it back a little are those birds. They've done better! Better just let the cavemen get the show going!!My IMDb Rating: 9/10

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Robert Reynolds
1953/11/13

This short, Disney's best in some time, won an Oscar and clearly shows an influence from the animation style of the UPA studios that were doing remarkable work in the 1950s. Disney did a number of shorts that were different stylistically and in tone than the work they had produced in the 1930s and 1940s and this is probably the best of those shorts. I's good to see that it's available, even if it's only on a DVD as additional material. Most recommended.

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