Unfortunately, Switch really is as awful as many critics claim. With technological gadgetry including face marks and a UAV that can shoot lasers and emit an EMP, you couldn't be blamed if you initially felt you stumbled into a James Bond film by mistake, Switch stealing ideas from this franchise, and Mission Impossible, though the handling of each is unanimously poor. The best aspects of the feature however, are the visuals, Andy Lau's English, and the gorgeous Chinese women. In fact, I spent half the movie drooling all over myself, while the other half was spent wondering why I paid twenty something dollars on a film a five year old could have written. If you enjoy movies that include gangsters with mummy issues, unnecessarily over the top action scenarios, singers who perform strange socially backward songs, women who pointlessly cut off their fingers, Asian assassins in wedding dresses and ravishing babes in roller skates, then the film might actually impress you.The cinematography and settings are very beautiful, and the camera angles used to establish these locations assist the audience in recognizing their physical magnificence. However, the decision to incorporate slow-motion, although equally well executed, appears to be an unnecessary requirement, while at the same time, the quick changes of scenery happen so suddenly they could potentially cause seizures. In one instance, over the course of a couple minutes, the film switches (pun intended) from Dubai, to Tokyo, to Dubai again - this is a film, unsure of where it wants to be.Though there is some good humor to occasionally be had in the conversations, which are sometimes marred by the Caucasian actors, who are not only as wooden as seventeenth century ships, but whose dialogue is as entertaining as a flatulent ant, the flirtation and innuendo that impacts half the feature lacks the subtly of other Hong Kong films, and only heightens the sexist, misogynistic climate. From referring to women as 'toys', to emphasizing 'talkative women are unattractive', I had difficulty swallowing the script, which contained an excess of testosterone, and not enough equilibrium, and though seeing groups of Asian women in skimpy dresses is a dream come true for me, morally, it is repugnant. This, coupled with character Lin (Zhang Jinchu) admitting 'I don't care how you treat me' to her former husband, clearly emphasizes the total lack of respect the film bestows upon the fairer sex.Moving on, the original fight scenes appear awkwardly slow, and the need for characters to occasionally cosplay during these segments is beyond any scope of understanding, although towards the end, the handling of the fight sequences becomes significantly more adept. The musical score that accompanies these scenes is very effective, and the songs further what was supposed to be an adrenaline pumping mood, though the occasionally unnecessary sound effects (like Mr. Lau's need to continuously cock his pistol), alongside the effects, that sometimes appear unnaturally fake, noticeably take away from the appeal.Story-wise, Mr. Lau is Xiao, an agent with an undisclosed company, who spends half his life staring at holographic terminals in his man cave. Despite appearing as though he enjoys his time in the role, Mr. Lau appears awkward in the script's depiction of an immature agent, some of his dialogue being potentially better said by a younger actor. This is not helped by the addendum that Mr. Lau is beginning to look his age, and though his talent and charisma is undeniable, even he is unable to save a plot that can only be described as having been lobotomized.When a series of international criminals fight to obtain the two halves of the Dwelling in the Fuchun Mountains, an impressive piece of artwork, Xiao is tasked to reacquire it. Without warning, explanation or back-story, we are thrust into a plot, lacking in depth, characterization and comprehensive storytelling, where characters are deceased, then alive, then on one side, then another, neither of which is ever thoroughly explored. Unbeknownst to Xiao, his ex-wife, Lin, who left due to the secretive nature of his work, is an agent with an equally untitled agency, tasked to secure the painting. When his family is put on the line, professionalism and personal judgement begin to chaotically merge as Xiao is forced to choose between the woman he once loved, and Lisa (the illustriously beautiful Lin Chiling), the woman who has recently entered his heart.Although romance appears to be a paramount theme, it is obvious the creators have no idea what true love really is. Despite Xiao's claim 'love for (him) is not a choice', he chooses to be an unapologetic womanizer and a shameless flirt, with limited connection to his family, while the theme of greed and hubris overshadows the entirety of the feature, the word of the day apparently been 'mine'.Towards the end, the film finds some semblance of stability, but even this is marred by irreconcilable qualms, concerning realism and narrative, the most obvious of which being: how does Xiao know where the antagonists are located? Although incapable of emotionally moving its audience, and with an ending that is as shallow as it is vastly interpretative, Switch will potentially provoke viewers into booking a flight to China, so they might stare longingly at the unfathomable number of gorgeous women the film promotes resides there. As beautiful as Asian women are however, Switch, much like my mother's meatloaf, is best avoided at all costs.

There is literally no point to this movie! It's just product placement after product placement. I am not exaggerating. There's no cohesive story that I can see other than there is a coveted painting, the script is laughable, amateur, and melodramatic and the characters are caricatures. I started to wonder if it was based off manga, and when a kid started laughing maniacally in front of a fire, I knew this movie was ****, and it's not a case of not understanding the movie because it's too deep either. It really is just about the aesthetics, and if this movie has any stars, that's why. This was really disappointing! Andy Lau, you've sunk low!

We had seen the movie as a preview of another movie we had watched, and the trailer looked quite good and it was partially shot in Dubai as well.Sadly the movie is a total disaster.Director Jay Sun should be prohibited to make any other movies. The story is incomplete told, scenes and locations are changing permanently without being explained properly.The dubbing of the original Chinese movie to English was so bad that i felt after 10 minutes already the will to leave the cinema. A lot of other people did that. It was somehow like a Mission Impossible in bad, despite having fancy gadgets in the movie and a lot of Nokia phones and Audi cars (sorry you should have chosen another movie for your product placement) the movie never really went good. Even the end is not logic and not explained well.I do honestly not understand how a scrappy movie like this got released at all. The CGI effects specially when the car is hanging on a helicopter and thrown into the Atlantis the Palm Hotel it looks just horrible.Resume: Don't waste 2 hours of your life with this movie. It is 100% not worth it and the Reel Cinemas should take the movie of the list and refund the money to the people who went to see it.

i suggested that the director of switch ought to be banned in film business for the money this movie wasted, the costings he spoiled and the audiences he disgusted. it was supposed to be a 3D movie, and they charged it as one, but the only thing that was 3D in this movie was the subtitles, so i just watched it without the 3D glasses, then i realized i had wasted time and money on this crap, my rage after watching switch was beyond description, just like all of the audiences in the cinema. i was so angry that i could not fall asleep during the movie, just don't get it how something so disgusting could pass the authority and release to audiences, and all the cinema in China canceled star trek into darkness to make room for switch, made you no choice but to watch it, cause there is nothing else showing in cinema, most of us thought we should give it a shot, and the results are deadly. if i'd know ,i'd even want to get paid to watch it.