The story it is telling is really interesting. You may want to know how and why a woman fell for someone the general public does view as a monster now but wasn't really seeing as a sex symbol either back then. One of the main flaws I already mentioned is the fact that everyone is talking Czech, even the Germans/Nazis, which doesn't really make much sense. Especially because when they film movies from time to time the same characters speak German. Even our main character has to learn German for her career ... so the Czech part of it all, is to make it work for home/origina country this is from.But that's not all of course. Looking back on those things, we do realize that a few things seem out of order. The chemistry is not the best between the actors and you might get bored from time to time. So while overall an interesting topic, this cannot convey and convince as it should be able to

"The Devil's Mistress" is a 2016 Czech made for television film starring Tatiana Pauhofová as the real-life film star, Lida Baarova, who was Goebbels mistress.Baarova was Czech, but became a big star in Germany and was involved with another star, Gustav Frolich. Though in the film he is not divorced, in real life, he was. She eventually became the lover of Goebbels (Karl Markovics). Hitler intervened and ordered the relationship severed, which made Baarova an outcast in the social and film scene in Berlin. She was forbidden to leave the country.With the help of a friend, she escaped back to Prague. She worked in film there and in Italy. When the war was over, she was imprisoned by the Americans and later released. Later on, she resumed acting in Italy. After the fall of Communism, Baarova wrote her autobiography, and the 1995 film Lída Baarová's Bittersweet Memories won an award in Slovakia."The Devil's Mistress" deals with her life up to the time right after the war, with a quick narration about the next few years. Her two marriages are omitted. And, of course, there is some dramatic license taken with the story. For instance, while involved with Goebbels, a costar in the film version of Die Fledermaus, Friedl Czepa, was taken out of the film because she was a Jew. Lida appeals to Goebbels so she can be rehired. In real life, Friedl Czepa was a major Nazi collaborator and in no danger of being fired.One of the reviews mentioned the love scene between Goebbels and Lida. I have to admit, it was a scream, with overly dramatic, loud music, images superimposed on the fire, and Goebbels' hilarious facial expression of ecstasy. That scene and the hair on the actor who played Hitler were over the top.Tatiana Pauhofová is effective as Lida; Zdenka Procházková does an excellent job as the elderly Baarova. The rest of the acting is fine.This was a very expensive production with gorgeous sets and clothes, plus the '30s-40s atmosphere. But somehow it had the stamp of TV movie all over it. Possibly it was the music or the fact that the script wasn't biting enough. At any rate, it didn't deserve the one star someone gave it here.

this was so bad I couldn't stop watching it. A total waste of great costuming and scenery. As once was said of Kate Hepburn, the leading lady's talent ran the gamut from a to b.The burning fireplace sex scene had me laughing out loud. There was absolutely no chemistry between anyone in this mess, and the cartoon Nazis were about as scary as kittens.

This is a powerful, superbly done, compelling film, produced with that wonderful "European" quality that Hollywood never has been quite able to replicate. It's apparently a true story although, even being a war history buff, I had never heard of it. I suspect it may have been tarted up a bit for dramatic effect. If so, fine! It is a great and captivating couple of hours with brilliant cinematography and wonderful sets that capture the flamboyant Nazi pageantry of pre-war Germany. Most of the characters look real: Pavel Kriz as Hitler, Jan Lepsik as Himmler. But the key character, Joseph Goebbels, played by Viktar Preiss, looks nothing like the man. An intriguing snip of history most effectively converted to an engrossing movie.