A former rodeo star, now a motel manager, meets a young man who is responsible for the violence that suddenly has seized his small town.
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Reviews
So. They set up the characters really well. Super engaging scenes that makes you learn about all of them. They open a ton of threads about all them in subtle, natural ways, plus relationships between some of them...And then all ends in a few sequences in a non-climax. I honestly believe they thought they could film for more time in a two hour film, they were noticed that wasn't going to be the case, and rewrite the end so they could at least sell the movie.Having said that, the acting and script of the good part (2/3) of the movie is so good that I couldn't put this movie less than a six...
One of those movies where the trailer looks so promising but then you are so disappointed when you watch the whole movie. This movie joins in with shows like true detective. All people are so sad all the time. They are all somehow broken inside. This can be interesting with the right story and good execution but that is what's missing here. I actually like when actors don't enunciate everything crystal clear but in this movie the line delivery of the men is just plain mumbling. I also have no problem when there are longer scenes where no one speaks but then I should either see some development in the characters by watching their body language or mimic or what they do. But here you have scenes that seem as if the director had to fill time which seems very odd because the movie is very short in the first place.I like Benthal but that this movie fails to deliver anything is not the fault of the cast but of the choices the director makes.
The acting is great, the optics are 1A, the editing : to the point, directing class A not a second of thinking getting one more beer . BUT the script leaves you in the desert : pointless and senseless . If you are up for a good story keep off. Otherwise a terrific movie well worth the time to watch
This was a strong movie, yet subtle in every way. The acting is superb and cinematography is profoundly impressive. It's a simple plot, but sticks in your head after, very thought provoking. I was impressed with Jon Bernthal's blunt emotional performance as well as Christopher Abbot's take on playing a psychopath with a conscience. It's a mystery, drama that will haunt you at the end. The China Brothers pay close attention to detail and focus in on unexpected, interesting camera angles throughout the film. This movie is ALL about 'less-is-more', unpretentious dialogue and realistic acting. It has its own style though, somewhere in between Robert Altman and The Coen Brothers. I think it's a perfect movie and one hell of an unexpected 'classic' of the year!