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Millionaire sportsman Hiram Brighton hires gumshoe Michael Shayne to keep his spoiled daughter Phyllis away from racetrack betting windows and roulette wheels. After Phyllis slips away and continues her compulsive gambling, Shayne fakes the murder of her gambler boyfriend, who is also romancing the daughter of casino owner Benny Gordon, in order to frighten her. When the tout really ends up murdered, Shayne and Phyllis' Aunt Olivia, an avid reader of murder mysteries, both try to find the identity of the killer.

Lloyd Nolan as  Michael Shayne
Marjorie Weaver as  Phyllis Brighton
Joan Valerie as  Marsha Gordon
Walter Abel as  Elliott Thomas
Elizabeth Patterson as  Aunt Olivia
Donald MacBride as  Chief Peter Painter
Douglass Dumbrille as  Benny Gordon (as Douglas Dumbrille)
Clarence Kolb as  Hiram P. Brighton
George Meeker as  Harry Grange
Charles Coleman as  Ponsby

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Reviews

gridoon2018
1940/12/19

The first film in the (quite prolific) Michael Shayne series, and also the first one I watched. There is nothing much above the ordinary in the direction or the production values (which may account for the film, and perhaps the whole series, being largely forgotten today), but the plot is dense (so dense, in fact, that you'll need to watch the final explanations by Shayne AT LEAST twice to get everything straight), Nolan makes a likable Shayne, Marjorie Weaver is a perky and appealing leading lady, the supporting cast is full of familiar faces (if not necessarily names - I'm sure I've seen the guy playing the gruff inspector before - playing, again, the gruff inspector!), and there is the occasional clever line ("This thing is as phony as a mother-in-law's kiss"). I think fans of the genre will go for this. **1/2 out of 4.

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bensonmum2
1940/12/20

Lloyd Nolan is Michael Shayne, a private eye hired to keep an eye on a young woman with a penchant for gambling. Shayne intends to save her from herself but ends up as the prime suspect of a murder. Shayne will have to act fast and untangle a web of gambling, drugged horses, a jilted lover, an overly zealous mystery fan, and a dead body if he's to stay out of the County Jail.I had never heard much about the Michael Shayne movies before I found a set of four on DVD. Being a fan of 1940s era mystery/thrillers, I decided to give them a chance. And the ridiculously low price didn't hurt matters any. I was hoping for something along the lines of Charlie Chan or The Thin Man. While I didn't enjoy this, the first in the series, as much as the better known movies I mentioned, Michael Shayne: Private Detective is a decent enough watch and worth the 77 minutes I put into it Lloyd Nolan gives a solid, albeit unspectacular, performance. The problem – while Nolan is a good actor, he is not what I would call a leading man. Nolan is joined by a capable cast that includes Douglass Dumbrille, Elizabeth Patterson, and Donald MacBride (who seemed to make a career out of playing the beleaguered, put-upon police inspector). Much of the movie has a feeling or atmosphere about it that many of the "light" detective movies of the period had that I find appealing. This feeling was almost undone, however, by a plot that seemed a little overly complicated for a throwaway B-movie. Maybe I was just too tired when I watched, but I found it difficult to follow – not that any of it was that interesting to begin with. So in the end, while I've given Michael Shayne: Private Detective a 6/10, I can't say I'm not a bit disappointed. Here's hoping the next three in the series are even more entertaining.

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Terrell-4
1940/12/21

"With your nerve, I'd hate to have a tooth pulled!" That's Phyllis Brighton speaking indignantly to Mike Shayne, who has just intervened to keep her from betting a bundle she can't afford on a possibly rigged horse race. It doesn't help minutes later when the nag wins. Michael Shayne, Private Detective was the first of seven Shayne movies starring Lloyd Nolan. He crammed them all in a three year contract period. These are comedy-mysteries, all B movies, made quickly on tight budgets by journeyman directors, writers and actors, then shot out for quick play on the lower half of double bills across America. Sad to say, at least with this one, take away Nolan and we don't have much except nostalgia.Lloyd Nolan was one of those first-rate actors who had plenty of charm, energy and charisma, with confidence to spare. He always came across as smarter than he might seem, whether he played good guys or, more often, tough good guys. He seldom played bad guys. Nolan didn't have the Hollywood-handsome looks that would convince a studio head to make him into a big star. Because he had such a dynamic effect in most of his roles, I think it probably called for very confident leading heroes to agree to play with him in major movies. He was one of a small group of actors who could be so emphatic on screen because of their personality and style that they became memorable...actors like Chester Morris, Lee Tracy, Paul Kelly and, of course, James Cagney. Some made it big, some faded away. They're all great fun to watch in action. Even in old age Nolan could command a screen. He was 83 in his last movie, Hannah and Her Sisters, and is one of the best things about that fine movie. He'd had 50 years of making movies when he died of cancer shortly after finishing his part. As Michael Shayne, Nolan gives us a character who is tough, resourceful and cocky. He's usually good natured and usually impertinent. Shayne is a private eye who is impressed with no one. He has a sense of skeptical humor. He runs rings around the cops, who are usually portrayed as dunderheads. He's attractive to the the ladies but never seems to get too romantically involved. In Michael Shayne, Private Detective, the mystery is complex but not, unfortunately, all that interesting. The script has Shayne deal with inconveniences by simply tossing away evidence, his gun, into a field, or stripping down two revolvers to exchange gun barrels, or just lying with a smirk. It's never wise to expect good acting in most B movies, and this B movie doesn't disappoint. Besides Nolan, the only actors who show skill are Donald McBride as the police chief doing his frazzled double takes, Douglas Dumbrille as a confident crook, Walter Abel as a weak crook and Elisabeth Patterson as a crime-loving aunt. These are acting jobs the four of them could do in their sleep. They're skilled professionals, however, and they make their roles interesting. Oh, yes...the mystery. It has something to do with gambling debts, fixing horse races, a love that's too intense and a sleazy gambler.

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SkippyDevereaux
1940/12/22

A very enjoyable film, with Lloyd Nolan as Michael Shayne. The supporting cast is also a joy to watch, with Elizabeth Patterson stealing it away in every scene she is in!! She is a hoot to watch. About the only cast member not really giving a good performance is Joan Valerie. She is too sullen, but then maybe that is the way the character is supposed to be played, but she sort of dulls this film down a bit. It is always a treat to see Lloyd Nolan in a film and this one is another good one in his list!!

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